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Gender role stereotypes in literature
Themes of poetry love
Themes of poetry love
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Recommended: Gender role stereotypes in literature
In Sharon Old 's poem "Last Night " an erotic encounter between a man and women takes the reader through a rollercoaster of emotions in only a matter of seconds. Initially, the assumption could be made that this poem is a love poem, which it may be. But it is also a poem about an encounter with nature, graced with a feminine tone as it is being told through the women’s’ point of view. Olds uses descriptive metaphors and symbolic points drawn from nature, while also applying violent imagery and grammar throughout the poem; this allows the audience to feel a connection between submissive and aggressive feelings, and at the same time bringing to the surface what sex and love have to do with each other, if anything at all. A feminist point of view mixed with the harsh and aggressive imagery and symbolic notions, creates the question in the readers mind: Is the woman really in love or is the novelty of this experience what she mistakes for love? Different assumptions could be made because the truth of what the lovers relationship is, never gets explained. Instead, Old’s forces her audience to come to their own resolution after digesting the real emotions this poem brings to the surface.
One of the themes of this poem is love in association with sex. Through the authors careful use of word choice an erotic tone is carried throughout the poem. Through this and the violent actions the reader is able to recognize the women is going through am unfamiliar sexual experience- what sex is when not accompanied by love. “Did I know you? No kiss/ no tenderness–more like killing, death-grip/ holding to life, genitals, like violent hands clasped tight.” One may instantly read this line and think of a forced sexual act on the males part. However, ...
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...death- or in a sense how she fears death and love in the same way. There is a point to be made by the author that the act of sex and falling in love do not go hand in hand- one is not an outcome of the other.
Falling in love can be frightening, even terrifying, when it is new to someone. This could be the authors’ way of describing love in all its brutality and the moment she shares with us is being completely lost in a moment. Maybe it’s a one-night stand, or maybe it’s all about falling in love for the first time. Love is truly undefined and kindles different emotions in every human being. Either way she arrives at one final conclusion: she loves the love she feels for him in the end. Her aftermath of merely being in love in that moment erases all of the bad emotions that took her to that point. For some this is truth, for others the universe is not kind.
While Anna Williams views escaping the confines of marriage as a desirable thing, Charlotte Lennox’s greatest lament, as expressed by her poem “A Song,” is merely to have the freedom to love who she pleases. Although Charlotte Lennox has a more romantic view of men and love than Anna Williams, neither woman denies the need for companionship. Charlotte Lennox’s opinion towards love is expressed clearly in her piece “A Song.” The poem’s female speaker is experiencing unrequited love.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
The speaker introduces the idea of the natural cycle of life, where something becomes born and eventually dies. This reflects back to the Native culture where the cycle of life was much celebrated. The idea of "death and birth" symbolizes the speaker 's love that was once born to die in the end. It also symbolizes the pleasure and pain that comes with falling in love. She was born again with the new knowledge and pleasure the love had to offer. However, it is an undeniable fact that the same love that gave her so much joy at one point, gave her just as much pain. A part of her past- self had to die in order for the speaker to be reborn.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
The submission of women is demonstrated in the text through the symbolic colors of the couple’s bedroom. Indeed, as the young woman’s husband is asleep, the wife remains wide-awake, trying her best to provide the man with comfort, while enjoying her newlywed life. As she opens her eyes to contemplate “the blue of the brand-new curtains, instead of the apricot-pink through which the first light of day [filters] into the room where she [has]
"Sex without Love" is a poem by Sharon Old, who states in the opening line "How do they do it, the ones who make love without love?" It starts out with judging those, who have sex outside of having feeling for one another. It describes the sex in the third line as without feeling more as a techniques, which is describe "beautiful as dancers.. over each other like ice skaters." Sex without love to the author is described more as an act, which is performed instead of two people in love, who sex is in love not because of the act but instead of the love of the person. The author seems to climax in the literal sense at line nine : come to the Come to the … then God comes in picture after the act is done. Judgment and sin is the mood of this poem of how two people can commit an act of a heart and soul without disappointed God.
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
Literature shows us the changes of our society from time to time. It also gives us an idea about people, culture, politics, gender traditions, as well as an overall view of previous civilizations. As a part of literature, poetry introduces us to different cultures with different perspectives. Ancient Egypt and ancient China may differ in terms of culture, politics, economic stability, tradition, or even in religious belief. However, in poetry, especially in love lyrics both Egyptian and Chinese poems portray common area of describing women, social attitudes toward love, sexuality and the existence of romance or selfishness in relationships. . If we look at the Egyptian poem “My god, my Lotus” and the Chinese poem “Fishhawk”, we will see both poems have similarities in describing relationships. Also, they have the similarity of imagining the lovers and their expression of love toward each other. However, both poems have some significant differences in terms of representing female sexuality, gender disparity and the display of love.
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
"The strategy of the poem appears to be that of approaching a dangerous, blasphemous anthropomorphism in the heat of devotion, but deflecting the danger, just in time, by the equation of sensual passion to spiritual virtue; for the concluding couplet declares that true freedom comes when one is imprisoned by God, and that purity of heart comes with God's ravishment (sexual assault, with the double meaning of "ravish" as "to win the heart of" someone). By the poem's conclusion, the conceit of the rape, which ensures chastity no longer, skirts blasphemy. In fact, in Donne's hands, it even becomes orthodox, an idol of devotion worthy of emulation."
... Darkness, to efforts to fearfully ignore it, as in “Death Constant Beyond Love”. The latter two options involve containment of feminine power, a strategy that, as the chronologically ordered works above suggest, is growing increasingly common. The principal difference between the techniques of exploitation and containment is the male’s level of acceptance: struggle to contain feminine power betrays a sense of panic and denial, whereas the quest to exploit the power of the female manifests a feeling of more or less calm acceptance of the reality that men are not as strong as they appear. In the end, no modern man can truly conquer feminine power – though he may attempt to do so through language and narrative – but if he could choose between panicked mania for control or peaceful truce with the true dichotomy of the sexes, he would be a fool not to choose the latter.
In our lives, we sometimes find ourselves burning in paroxysm; a hot-blooded, impulsive, and impassioned version of ourselves. Some choose to express these emotions in words. Take Marge Piercy as example; she wrote a poem on the basis of love. In Marge Piercy’s Moonburn, she uses vigorous and engaging language, and contrasting symmetrical stanza length to convey the effect of tempestuous passion, and state that love can take over our lives.
Different emotions punched her in the heart: bitterness for when he never made the effort to at least continue being friends with her; anger for his lack of concern for her; and sadness for knowing that he’ll never look at her like she had always looked at him. Every effort, every restless night, and every tear that was shed were wasted upon a boy she knew she could never love and who could never love back. He was her greatest source of strength, but he then became her fatal flaw that eventually led to the her greatest downfall. She had been endlessly chasing a dream that was too good to come true, until she realized that “happily ever after” doesn’t really exist in
In "Sex without Love" Olds criticizes those who have sex without love. She genuinely questions it using her perception to again, criticize the "lovers" using unique words to describe of what she thinks.