Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
John donne holy sonnets analysis
Elements of violence in literature
John donne holy sonnets analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: John donne holy sonnets analysis
In "Holy Sonnet XIV" By John Donne, Donne asks God to help him. The way Donne believes God can help him is by Donne being beaten down by God only to rise up. Because Donne asks God to heat him down, he is asking God to do a violent action. The first quatrain shows Donne asking God to be violent in the intensification of verbs. The second quatrain shows Donne asking God to be violent when Donne uses the imagery of a city taken over and how he longs for God to come into the city. The third quatrain shows Donne asking God to be violent when Donne says, "break that knot again."(Donne, line 11) Donne wants God to break his union with sin. The couplet shows Donne asking God to be violent when Donne asks God to take him and imprison him because he wants to be consumed by God's presence. Concerning the issue of the violent actions asked to God by Donne, Craig Payne of Indian Hills Community College says: "The strategy of the poem appears to be that of approaching a dangerous, blasphemous anthropomorphism in the heat of devotion, but deflecting the danger, just in time, by the equation of sensual passion to spiritual virtue; for the concluding couplet declares that true freedom comes when one is imprisoned by God, and that purity of heart comes with God's ravishment (sexual assault, with the double meaning of "ravish" as "to win the heart of" someone). By the poem's conclusion, the conceit of the rape, which ensures chastity no longer, skirts blasphemy. In fact, in Donne's hands, it even becomes orthodox, an idol of devotion worthy of emulation." Below we see how Craig Payne supports his analysis of this poem. The first quatrain shows violent commands along with contradictions. In the first two lines, Donne says, "Batter my heart, three-personed God, for you/ As yet but knock, breathe, shine and seek to mend."(Donne, 1-2) These two lines show that Donne is asking for help. He points out what God has done versus what Donne wants God to do. Donne says that God is standing at the door to his heart knocking but Donne wants God to break down this door to his heart. This is evidence of a violent action. Donne says, "That I might rise and stand, o'erthrow me and bend/ Your force to break, blow, burn and make me new.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
To any religious person, hearing a command from the voice of their god is reason enough to carry out the proposed action, but in the case of Wieland, a third party must take a deeper look at such a command from a God whose known character does not line up with the order He supposedly gives. This makes Wieland’s motivation questionable, especially to those who believe that a man’s motive determines a man’s guilt. In his testimony to the court, Wieland, a pious man, reveals his motive in the murders as he recounts God as saying, “‘Thy prayers are heard. In proof of thy faith, render me thy wife. This is the victim I chuse. Call her hither and here let her fall’” (190). Being a devout Christian, it is very likely that Wieland would be familiar with the Ten Commandments listed in Deuteronomy 5, and specifically, verse 17 which states, “You shall not murder”. Though in Isaiah 55:8 the Lord tells Christians to ...
Based on her reaction, the speaker states, "Tis true...Just so much honor, when they yield'st to me, Will waste, as this flea's death took life from thee." In other words, he twists his argument to make the point that the woman will lose as much giving herself to him as she lost killing the flea - NOTHING! Secondly, Donne's use of rhythm aids in shaping the poem's meaning. The poem has alternating lines of iambic tetrameter and pentameter. However, Donne varies this rhythm to create emphasis on particular words or phrases. For instance, in the first stanza he states, "Mark but this flea, and mark in this." Instead of beginning with an unstressed word or syllable as in iambic, Donne stresses the word "Mark." This is important in accentuating his argument.
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
Jonathan Edwards uses the rhetorical strategy of tone in his piece, Sinners in the Hands of an Angry God, to fulfill his purpose of making the audience fear God. Edwards states, “God would rush forward with inconceivable fury” (p.59). Here Edwards declares that God wouldn’t hesitate to unleash his wrath upon oneself, even if they mess up just once. Edwards uses diction to emphasize his overall tone, telling the people that God is the ultimate power. Within his use of diction, Edwards indicates a religious pastor-like tone with the use of biblical elements to convey his purpose. He constantly references God being disappointed in all humans and how they will be damned. This stirs up emotion in the audience members.
In the poem “Batter My Heart, Three-personed God” by John Donne a plea of repentance is being seeked from a humbled man to his Creator. Donne has fell into the clutches of Satan and he is in desperate need of God’s mercy, however the poem doesn’t seem to be a plea for that mercy it is more along the lines of a violent cry out for the Holy Spirit to take over. This poem is a young man that is struggling with sin, and is seeking salvation by any means possible; he is even willing to take desperate measures to have salvation. Donne is in a constant struggle between good and evil. In the poem Donne is pleasing with God to enter into his heart and rid him of all of the evil that has overtaken him. Bold imagery is used throughout the poem to explain the constant struggle that the writer is experiencing that the given time.
David Janzen says, “One difficulty with the violent image of God is that it appears to construe God as a rather capricious being, changing the divine mind from one setting to the next.” This argument is very helpful with giving me a voice for challenging or offering a new lens for those of the African American tradition to view the images of God. Janzen offers help to us for viewing a God who “could not demand killing or enforce capital punishment, or sanction genocide” if we are to view this God through Jesus Christ. This reading also caused me to reassess the way in which I view the biblical canon as a whole. If we are to be true to the Trinitarian theology that we confess then how can we present one as violent and the other as peaceful?
William Penn, an English philosopher and founder of the Province of Pennsylvania, once said that, “For death is no more than a turning of us over from time to eternity.” He is saying that death is not the end of our lives, but just another stage. In the poem “Holy Sonnet 10” by John Donne, the poet talks to death itself and gives his opinion on his view of death and others’ views: it is something that cannot control anything, can be replaced by others things, and is not the end of a person’s life. Through the use of his figurative language, Petrachan form, and tone and language, Mr. Donne expresses the message that death is not to be feared because one lives on in heaven.
Donne’s point of view comes after sex and he discusses the love between him and his lover and puts lust in his past.
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.
No poem of John Donne's is more widely read or more directly associated with Donne than the tenth of the Holy Sonnets,"Death, be not proud." Donne's reputation as a morbid preacher was well-known. He had a portrait of himself made while posed in a winding-sheet so that he could contemplate a personalized memento of death. Donne draws upon a popular subject in medieval and Renaissance art, Le roi mort or King Death. His fascination with death reaches another plateau with this poem. He almost welcomes it and denounces the process as being neither horrifying nor the "end-all be-all." In a contextual point of view, he works to rupture habitual thinking and bring attention to the intensity and depth of a situation by creating doubt or offering a new aspect of his subject. Donne takes this poem and pours forth an array of visions that directly connects to the contextualist in a look at death, the pa...