Nanapush remarks about the importance of shared language, “Once they live in our lives and speak our language, they slowly become like us” (169). Shared language connects the people in a community. It constitutes a common cultural identity among the people. For Nanapush, the oral tradition links human to human, past to present, physical to spiritual. It is a fluid and vital force which binds people. Nanapush is re-creating the history and culture of the clan and its family unit. He believes that his story will re-create the Chippewa cultural identity for the sake of the future.
In Pillager family, Fleur and her cousin Moses are the only remaining members after the epidemic. The Pillager family is the most colonized and the most struggled
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to retain their Chippewa culture. Nanapush finds Fleur in the cabin and he says: She was wild as a filthy wolf, a big bony girl whose sudden bursts of strength and snarling cries terrified the listening Pukwan. So again I was the one who struggled to lash her to the sacks of supplies and to the boards of the sled. I wrapped more blankets over her and tried them down as well. (3) Throughout the novel, Fleur is described as a powerful, independent and strong character.
Everyone in the novel except Fleur plunges into a confused clash between the Ojibwa and Euro-American culture. Nanapush says “a young girl had never done such a thing before” (8). She derives strength from her connection to the earth and the forces of nature. Fleur is a Native American woman who is believed to have supernatural powers, with which she saves Marie's life in birth. All the characters in the novel, especially Fleur is closely associated with nature. She has medicine power. She is the central character in both narrators’ story. She is an excellent hunter than all the men on the …show more content…
reservation. When Fleur returns to the reservation, Nanapush inquires about her rape. But she simply says “Uncle, the Puyat lies” (38). She tries to hide the tragedy that had happened to her from others. She tries to overcome the crisis she faces. Fleur fails in many circumstances. Fleur loses everything in her life - her family is killed by consumption, her land is lost, her forest is leveled, she is alienated from her family, she falls victim to gang rape, her second child dies and her first child is not ready to accept her as a mother. However, even when she is defeated at the end of the novel she keeps her strength to fight. Nanapush remarks about Fleur: “In my mind she was huge and, she was endless. There was no room for the failure of anyone else. At the same time, she was the funnel of our history” (178). In his opinion, Fleur is a very different person. When Fleur plunges into deep depression and loses the faith in her supernatural power, Nanapush motives her.
She fails all her faith in her supernatural power. He says to Fleur that:
Power dies, power goes under and gutter out, ungraspable. It is momentary, quick of flight and liable to deceive. As soon as you rely on the possession it is gone. Forget that it ever existed, and it returns. I never made the mistake of thinking that I owned my own strength that was my secret. And so I never was alone in my failure. I was never to blame entirely when all was lost, when my desperate cures had no effect on the suffering of those I loved. For who can blame a man waiting, the door open, the windows open, food offered, arms stretched wide? Who can blame him if the visitor does not arrive? (177).
Here Nanapush is a scaffolder to Fleur. He says to Fleur that “You will not be to blame if the land is lost” (178). The strength of community life is evident in this communication. Fleur restores her physical and spiritual health by Nanapush’s traditional healing ceremony which centers on a sweat lodge containing a drum of water over a fire. She attains a power to resist adverse
situations.
Fleur Pillage is the most extraordinary character in this story. She is not only physically powerful, but also spiritually strong. She is strong willed and resolute to live her life as she wants to. She never listens to the town or tribal gossip about her and let it repress her. People pretty much stay out of her way because she is extremely diverse. They are too afraid to try to understand her or get to know her. Her life force is drawn from the milieu. Her spirit seems to be analogous with nature. The immense energy of nature is a mystery and Fleur seems to have some power to control it, this also make her an ambiguity. The two traits that I most admire about her are the fact that she is an enigma and that she has a supernatural am...
In Fall On Your Knees, Ann-Marie MacDonald presents a vivid and life-like character in Frances Piper. Frances Piper is one of the four Piper girls, and she is indifferent from the rest of them. From her early childhood, Frances is a bold and naughty girl, always getting herself into trouble. She has a great mischievous streak which troubles her father, James Piper, immensely. James Piper also has a demon like personality at various times throughout the novel, some of which he amasses from his father in his early childhood. In this same way, the reader can visualize Frances getting accustomed to her father’s personality and see her become a demon herself, trying to get back at her father. In a way, Frances can be seen as the Devil’s advocate. However, how can a young and sweet girl carry such a negative impact to her family, especially when she is the heart of this novel? Although Frances can be visualized as the Devil’s advocate by her actions, various characters, and the loss of her innocence through her father, Frances is a sweet, young, and seldom scared girl who is trying to live a life that her grandmother, mother, and sisters haven’t lived – a life filled with new adventures, life risking actions, and most importantly, fun.
The story Navajo Lessons conveys the theme that “It is important to learn and appreciate your heritage.” This story is about a girl, Celine, and her brother that visit her grandmother on the Navajo reservation in Arizona. Celine arrives at a place in the middle of nowhere at her grandmother’s house and is not excited because she had better plans for the summer. Her family is encouraging her to deal with it and make something good out of it. Over time, Celine learns that this trip was worth it because she realized that it is important to learn and appreciate your heritage. Celine learned this in many ways, one of them being that she wanted to learn and listen to the stories that her grandmother was telling.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
Sittser, G. L. (2004). A grace disguised: how the soul grows through loss (Expanded ed.). Grand Rapids, Mich.: Zondervan.
Looking back at the atom theory stated earlier, if we exclude Nanapush and his story from “Tracks';, what we have left is Pauline’s obsession with Fleur. In Pauline’s eyes, as well as others, Fleur is good- looking, mysteriously powerful and dangerous. In contrast to her who is “a skinny, big-nosed girl with staring eyes'; who is also so “poor-looking'; (15). Pauline notices these differences and in effect becomes jealous of Fleur because of all the attention she receives from people. She sees herself in “competition'; with Fleur. At first, Pauline just wants to be close to Fleur, but by the end she wants to be “better'; than her. Within her story, the argument that Pauline is the protagonist and that Fleur is her antagonist could be valid, but if you look at the novel in its entirety, meaning the structure and content, the principal character that emerges from it is Fleur Pillager.
Realistic works of fiction are similar to paintings, while we will get to the end result of the painting or novel, the artist or writer is still our guide; the author is then left to “paint” the picture or in this case, write a work of fiction, capturing the picture in their own peculiar, chronological order. While the novel is still created, it is up to Flaubert to decipher which parts he writes first. The story “A Simple Heart” is still the realistic mimic of the life of Félicité, but Flaubert is in complete control of what we will know and when we will know information about her. This means, Flaubert may be holding onto information and changing our ability to perceive the world as it truly may
This description creates a conflicting idea of her, on one hand there is this fascinating, beautiful and innocent woman, yet on the other hand there is this figure with gothic qualities and frightening “wild” eyes referring to nature. This is comparable to Catherine, “A wild, wick slip she was—but she had the bonniest eye, the sweetest smile, and the lightest foot in the parish.” (Chapter V, page42)
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
This is where the definition of power comes in to play the “psychological relation” see even though his body was decomposing his mind was still sharp.
Loss can leave us with the feeling that we are no longer in control of our lives, a strong feeling of instability. We must understand our loss to cope and deal with what has happened. Jo Ann Beard the narrator and author of “The Fourth State of Matter” struggles with several losses throughout the text. She appears to deal with her instability by caring for her aged dog as if she was a sick child, when in reality Beard just wants her problems to disappear. When faced with a complication a difficult choice must be made, to do nothing in hopes the problem will resolve itself or face it head-on. When pretending the problem doesn't exist or similarly telling yourself it will go back to how it was, simply allows
#8) One character in the novel that shows a lot of courage and selflessness in the story is Marie-Laure’s father. A major way he is selfless is by not leaving his daughter when she went blind, like people were saying he would. Also, he dedicates most of his time for his daughter by making sure she’s always okay, and doing the best he can to give her the things she wants/ needs. Daniel LeBlanc shows courage when he leave Marie-Laure with the Sea of Flames and ends up getting arrested for suspicion. Another act of courage that he performs is travel from Paris to Saint-Malo, with his daughter under the unsafe
Momaday forces upon the reader the idea of language as a remedy for sickness; not only of the mind, but of the heart, also. If a speaker can reach a listener and show the listener what she means, then that is the most honorable achievement. Momaday wants the reader to know the importance of word weaving, of weaving the words to form a beautiful picture that can heal souls if spoken correctly. Momaday believes that the Native Americans who never bothered to learn to read and write, those who depend on their words, are those whose words are most powerful. The love for words, spoken with passion, makes them take on a three-dimensional quality. The words become the images and show a listener instead of telling, making the moment an experience instead of just a moment. The listener can feel what the speaker is trying to say; there is no need for interpretation, everything is already understood. Momaday convinces the reader that the spoken language goes beyond what words are being said; the words become their meaning, transcend into complete understanding and clarity. The experience should be remembered as one of self-revelation and understanding, not a moment filled with monotonous words. Momaday does not think it should be about memorizing the words for intellect, but about seeing the image they create. He wants the reader to know how important the woven web of words is so that the reader is able to understand how Native American tradition has lasted so long without words being written; that it is not the remembrance of words, but the remembranc...
There is a striking parallel involving an issue with the dynamics power having and their ability to cope thus having a negative effect on the individual. The Bible stated, “King Nebuchadnezzar, raised my eyes toward heaven, and my sanity was restored.” (NIV Daniel 4:33-34) The King struggled with maintainin...
Luke's Three Dimensions of Power. Power serves to create power. Powerlessness serves to re-enforce. powerlessness"(Gaventa, 1980:256).