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Gertrude and ophelia comparison essay
Hamlet through feminist theory
Hamlet through feminist theory
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Feminism has been defined by many scholars on the basis that is used to advocate for political, social as well as other rights of women and ensure that they are equal to the rights men. Feminists are involved in literary criticizing texts and depict the power of women. Through feminist criticisms from different authors, a certain degree of respect is developed for both women and men. As “Hamlet” is critically analyzed through Gertrude and Ophelia who are the only women in the play, some differences can be drawn from the way they interact with men in speech and actions. Various authors have published their views on feminism criticism.
Callaghan(15-18),uses the approach of how Shakespeare displayed the image of women comparing it from Renaissance to the modern world in criticism of Hamlet. The author criticizes the text through the description of how Ophelia changed during different periods of time. According to the author, the changing face of
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“Hamlet” has a special interest in the popular opposition between males and females. Hamlet is a confirmation of the division. The world of fathers is defined by public roles, reason as well as duty while for females; their world is defined by true self and emotion. Hamlet performs what is expected of males by playing the public role as the prince to perform the duty of avenging his father. Hamlet plans on how to find evidence that his uncle was responsible for his father’s death and then executes his plan on the final scene. The women in Hamlet, however, are not represented as having the capability to carry out such duties. Ophelia and Gertrude are made to appear to be completely emotional beings. An example can be drawn from the bedroom scene where Hamlet is showing anger towards his mother. Instead, both the mother involving the son to reason with her she only passionately begs his son not to speak negatively about
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Although steps have been made towards equality in the aspect of gender, plays such as Hamlet contain views of the past. Hamlet was written in the early 1600’s, which is known as the Renaissance period. In this time period, women were treated differently than they are now. During the
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
One way that feminism is shown is through how the characters think that the men in the book act like women. Since the beginning of the book the author subtlety hint that the way Hamlet acts loses his respect because of the way he acts. Such as when the king states” ‘Tis sweet and commendable in your nature, Hamlet, to give these mourning duties to your father.... but to persever in obstinate condolement is a course of impious stubbornness. 'Tis unmanly grief. It shows a will most incorrect to heaven, a heart unfortified, a mind impatient, an understanding simple and unschooled” (1.2.90-92; 96-101). For this reason just because he shows his emotions he gets called a girl. Meanwhile hamlet soon starts making horrible comments about how he acts.
The Queen gives a remarkably detailed account of Ophelia’s death leaving one to believe that she may have witnessed the event. We know that she emphasized with Ophelia’s suffering to such an extent that perhaps she realized that the kindest action to take would be to let Ophelia decide her own fate, although she clearly was not in a fit state of mind to do this and was barely aware of her surroundings “incapable of her own distress.” Ophelia’s death is “beautified” as she dies in a romantic and beautiful scene befitting her character where she was surrounded by her garland of flowers. (Ophelia herself was “beautified” in a letter from Hamlet which Polonius found to be a “vile phrase.”) There is much detail, leading me to believe that Gertrude is trying to soften the blow for Laertes who is already enraged over his father’s death and his sister’s madness; the King says, “How much I had to do to clam his rage.” This is a typically selfish reaction of Claudius which serves to emphasize the need for Laertes to control his grief, as he is an extremely fiery character.
Concerning the Ophelia of Shakespeare’s tragic drama Hamlet, is she an innocent type or not? Is she a victim or not? This essay will explore these and other questions related to this character.
Queen Gertrude, Hamlet's mother, is in some ways the epicentre around which Hamlet's emotions revolve. Her role is difficult to determine; she can be seen, like Desdemona, as the passive victim of male ambition and strife, or she can be placed amongst the likes of Lady Macbeth as privy to her husband's misdeeds, and as sharing his guilt to an equal, if not greater extent. Her attitude to Ophelia seems positive ('Scattering flowers. Sweets to the sweet. Farewell. I hop'd thou shouldst have been my Hamlet's wife'; V.1.236). Her most vital scene is III.4, in which Hamlet attempts to extract a confession from her, and to persuade her to renounce Claudius. Modern productions regularly home in on the Freudian potential by locating this key encounter between mother and son in the former's bedroom. It takes place in her closet.
Even though women’s rights has evolved drastically, today and throughout history, women still largely adhere to men’s demands. Men, who withhold most of the power in relationships, tend to expanded their own power at the cost of these women, displaying that anybody in a position of power can become uncontrolled. A similar scenario of imbalanced power appears throughout Hamlet, Shakespeare portrays women as pawns in a mostly male world, due to their desire for acceptance from men, women are led to their downfall, showing that in seeking a man’s approval, they often fall victim to men’s greed and manipulation.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Michael Almereyda’s movie adaptation of Shakespeare’s Hamlet brings about a new perspective through its performance. The movie adaptation, Hamlet (2000), retells the original play in a modernized setting, bringing out various different elements of characters, which highlights a new reading of these characters as individuals, and a newfangled reading of the play as well. Throughout the movie, Ophelia and Gertrude, the woman-leads, are advanced in a progressive manner compared to the original play. In particular, Gertrude from Hamlet (2000) is noticeably altered from Hamlet, the play. This new interpretation of Gertrude and the play created by the movie adaptation advances the position of Gertrude as a woman, as well as motifs of incest, misogyny,
Just like in society the men in Hamlet follow the rules for a patriarchal society. The three most masculine characters in Hamlet are Claudius, Polonius and Laertes. “Man is supposed to be strong, courageous, rational and sexually aggressive; while woman is weak, timid, emotional, and sexually passive” (De-Yan 1). The first identifiable masculine characters are Laertes and Polonius as they are introduced in the play conversing with Ophelia. In this scene they tell Ophelia what she is allowed to do and command to her to not be with Hamlet, “For Hamlet and the trifling of his favor, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward not permanent sweet, not lasting...” (1.3.5-9). After Laertes leaves, Polonius enters the scene and rebukes Ophelia for believing Hamlets words of affection. As in a patriarchal society the males of the household are the leaders. First in command is the father, and then the brother. Therefore just like in Act one scene three, Ophelia has to do what her father and brother tell her. Claudius is another masculine character in Hamlet. He shows this by murder...
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.