Gertrude and Ophelia of Hamlet
Queen Gertrude, Hamlet's mother, is in some ways the epicentre around which Hamlet's emotions revolve. Her role is difficult to determine; she can be seen, like Desdemona, as the passive victim of male ambition and strife, or she can be placed amongst the likes of Lady Macbeth as privy to her husband's misdeeds, and as sharing his guilt to an equal, if not greater extent. Her attitude to Ophelia seems positive ('Scattering flowers. Sweets to the sweet. Farewell. I hop'd thou shouldst have been my Hamlet's wife'; V.1.236). Her most vital scene is III.4, in which Hamlet attempts to extract a confession from her, and to persuade her to renounce Claudius. Modern productions regularly home in on the Freudian potential by locating this key encounter between mother and son in the former's bedroom. It takes place in her closet.
At times it seems that Gertrude does not know or pretends not to know why Hamlet is so angry with her and with Claudius ('What have I done, that thou dar'st wag thy tongue/ In noise so rude against me?'). At other times she seems to know exactly what is troubling him ('His father's death and our o'er-hasty marriage', II.2.57). But Hamlet, too, does not come clean directly. He does not confront her with the murder, but rather sets out 'to wring her heart' (III.4.35), and plays upon her emotions rather than on her reason. Instead, he shows her two pictures, and compares at great length his father with his uncle (55 ff.). In this long speech, the son touches on many matters so delicate that critics can be forgiven for detecting more than a whiff oedipal sentiment in Hamlet himself. He plays on his mother's sense of shame, even bringing her eroticism or lack of it into play, and culminating in a vision of his mother making love in a bed stained with semen - not a pretty sight:
You cannot call it love; for at your age
The heyday in the blood is tame, it's humble,
And waits upon the judgment, and what judgment
Would step from this to this? (68 ff.)
[...] O shame, where is thy blush? (81)
[...] Nay, but to live
In the rank sweat of an enseamed bed,
Stewed in corruption, honeying and making love
Over the nasty sty! (91 ff.)
Nowhere is Hamlet's morbid preoccupation with the workings of the body more obvious.
the English people. In a monologue the Prince suggest his intentions for glorification as he
While Boyle describes Mrs. Ames as elegant, gentle, and quiet, Steinbeck gives to Elisa more strength. Her face was “lean and strong”, and her figure looked “blocked and heavy in her gardening costume”. Both women find their own ways to cover lack of happiness in their everyday lives. The astronomer’s wife is managing the house finding the silliest things to keep her busy: “…from the removal of the spot left there from dinner on the astronomer’s vest to the severe trashing of the mayonnaise for lunch”. Elisa spends her days in garden raising chrysanthemums “bigger than anybody around here.” The fact that these two women did not have any children can mislead us to the conclusion that they were both trying to satisfy the instincts they were probably having at the age of thirty-five. While this is the case with Elisa, the astronomer’s wife had different problem: the lack of communication with her husband and incapability to understand the world he was in.
The Odyssey is a tale that has changed literature and storytelling. In this tale Odysseus is a Soldier from the battle of Troy trying to get home to his island of Ithaca, where he is king. His wife and son must wait ten years while he is trying to make his way home. In Odysseus’s absence wooer’s, or better known as suitors, learn of his absence and travel to Ithaca to win his wife’s hand in marriage. These men come every day feasting on Odysseus’s food and wine, and give his servant’s orders. His son Telemachus, does his best to keep the suitors from ruining his fathers house but he is only a boy, and doesn’t receive the respect of an adult. Telemachus then has a visit from the god Athena, whom Odysseus is friends with, who advises him to travel to find out about his father. In his travels he hears that Odysseus may still be alive. Meanwhile Odysseus goes through a series of adventures and hardships that prove his wisdom. It is interesting in contrast of the Iliad, even though Achilles was much stronger and a better warrior, Odysseus was portrayed as a greater hero due to his wisdom. He uses this wisdom to escape from the Cyclops.
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
...Gertrude, as does the incestuous Claudius; thus, Hamlet places his identity with his mother. Ultimately, Hamlet seeks not to avenge the death of his father, but to save his mother from her own destructive sexuality, and by extension his own self-destruction. Of course, Adelman prescribes an existential reason to Hamlet's need to rescue his mother; Hamlet needs to "recover the fantasized presence of the asexual mother of childhood" (277). Hamlet needs to separate his mother from all sexuality in order to reap the stability of her selfhood for his own. After refusing to sleep with Claudius, Gertrude restores herself in her son's eyes to the status of "an internal good mother" (279). Hamlet, now, by "trusting her, can begin to trust in himself and in his own capacity for action; he can rebuild the masculine identity spoiled by her contamination" (279).
One ought to contemplate about everything around us. Even though every person has the ability to think, we should also have the skill to thinking
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Hal’s remark to his father indicates a now strong, independent mind, predicting that Douglas and Hotspur will not accept Henry’s offer because of their love for fighting. Henry’s reply in turn indicates a change in attitude towards his son, a newfound respect. Acknowledging Hal’s prediction, the king orders preparations to begin, and we see he has his own set of solid moral values: knowing that their ‘cause is just’ helps him to reconcile with his highly honourable conscience that there is indeed cause for war. Still maintained is the conflict between the very format of the text, with Hal and Henry’s conversation held in formal verse typical of the court world, in which Hal is now firmly embedded. Falstaff, however, sustains his equally typical prose speech, which indicates to the audience the enduring division between the court and tavern worlds.
After the death of Old Hamlet and Gertrude’s remarriage to Claudius, Hamlet feels extremely angry and bitter. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (1.2.133-134). Due to the death of his father, he is already in a state of despair and the lack of sympathy that his mother has towards his sorrow does not aid him in recovering from this stage of grief. “Good Hamlet, cast thy knighted colour off, / And let thine eye look like a friend on Denmark” (1.2.68-69). Hamlet is struggling to accept the fashion in which Gertrude is responding to the death of Old Hamlet; she seems quite content with her new life with Claudius, which is a difficult concept for him to accept as after the d...
to predict how they will treat other women in their life. Hamlet is a good
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
There are many ways that Hamlet and his mother express their feelings for each other. In the beginning, they show tenderness and overwhelming love towards each other. It is Gertrude’s actions that bring out the anger in Hamlet. He cannot understand how his mother could be so disrespectful by remarrying so quickly. Although he honors his mother, he cannot do this upon learning of her engagement.
"Have you ever thought about it? What would happen if...you could ever turn me? You can't, by the way, you couldnt' so..no bad ideas. I'm positive the universe makes Slayer-blood like...demon-infection-resistant-y or something. What ? That sounds like it should be a thing. But did you ever, you know, think about it?" Buffy didn't even know what made her ask. No matter how he answered she was pretty sure it'd make her want to hit him. But the thought had occurred to her a few nights ago, so now they were alone, cozy and lazy on the back porch, she figured why not. Worst comes to worst, could always punch him.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.