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Feministic approach in Hamlet by William Shakespeare
Feministic approach in Hamlet by William Shakespeare
The role of women in hamlet play
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Janet Adelman's Hamlet
Janet Alderman in her essay "'Man and Wife Is One Flesh': Hamlet and the Confrontation with the Maternal Body" embraces the psychoanalytic tradition of Freud and Lacan in order to reveal the quadruple-angled relationship of the Hamlet monarchy. Focusing primarily on the relationship between Gertrude and her son, Hamlet, Alderman attempts to recast the drama as a charged portrait of Oedipal disillusionment and Lacanian sexual-abnegation. Appropriately, sexuality provides the impetus for Alderman's argument; toying with sex roles and the power of sexuality over family dynamics and identity, she craftily reveals Hamlet to be a son's battle for his mother's purity, a covetous attempt to regain a sense of sexual normalcy. Alderman's casts Gertrude as a type of catch-all, garden-of-Eden, original-sin embodiment, who initiates the fall of the paternal and recreates the maternal "body as an enclosed garden newly breached" (Adelman 263). Adelman frequently refers to Hamlet Sr. and Claudius as "collapsing" into a single paternal figure; both incite and fall prey to Gertrude's sexuality. Hamlet functions in Alderman's analysis as the crusader fighting for his mother's "benign maternal presence" (278) and the conqueror repressing his mother's sexual appetite, her "sexualized maternal body" (271).
Adelman's thesis, the quintessence of her study, seems to inhabit these lines:
Hamlet thus redefines the son's positions between two father's by relocating it in relation to an indiscriminately sexual maternal body that threatens to annihilate the distinction between the fathers and hence problematizes the son's paternal identification; [and] . . . conflat[ing] the beloved wit...
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...Gertrude, as does the incestuous Claudius; thus, Hamlet places his identity with his mother. Ultimately, Hamlet seeks not to avenge the death of his father, but to save his mother from her own destructive sexuality, and by extension his own self-destruction. Of course, Adelman prescribes an existential reason to Hamlet's need to rescue his mother; Hamlet needs to "recover the fantasized presence of the asexual mother of childhood" (277). Hamlet needs to separate his mother from all sexuality in order to reap the stability of her selfhood for his own. After refusing to sleep with Claudius, Gertrude restores herself in her son's eyes to the status of "an internal good mother" (279). Hamlet, now, by "trusting her, can begin to trust in himself and in his own capacity for action; he can rebuild the masculine identity spoiled by her contamination" (279).
to bed. She was fussing the whole time but I heard none of it; I just
to her feet, but they could not wake her so they went to the police
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
Clearly, Hamlet’s concern for the Queen, his mother, is of genuine association to the death of King Hamlet. Within this solitary thought, Hamlet realizes the severity of his mother’s actions while also attempting to rationalize her mentality so that he may understand, and perhaps, cope with the untimely nature of the Queen’s marriage to Claudius. Understandably, Hamlet is disturbed. Gertrude causes such confusion in Hamlet that throughout the play, he constantly wonders how it could be possible that events would turn out the way they did.
Claudius is the king of Denmark, who is a very powerful and assertive man. He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king he must keep Gertrude happy and pleased. He accomplishes this by pretending to love Hamlet in front of Gertrude when in reality he wants to kill Hamlet. Claudius faces the truth that his secret got out and Hamlet knows he killed King Hamlet. Not wanting to ruin his reputation and of course stay king he plans to have Hamlet killed. He lets Gertrude believe...
Hamlet’s relationship with his mother Gertrude is one of mostly rage, hatred, and possibly jealousy that could have been from loving her in a romantic sense. Hamlet finds out that Gertrude marries his father’s brother soon after his father’s death and goes in a fury. He yells at her and he calls her an incestuous beast. Whether or not this is from hatred for Claudius, Gertrude, or even out of jealousy are all cases that can be very well argued. The fluctuating emotions that Hamlet shows throughout is what makes the play so easy to relate to as a human and also what makes the possibility of there being multiple interpretations on how he really feels. Gertrude is also a strange character in that it seems as
Oddly, it appears that Gertrude possess more significance to Hamlet than one first anticipates. Her swift call to matrimony leads Hamlet into a spiraling quarry of depression and grieving. This mirrors the Oedipus complex. Gertrude sexually commits herself to Claudius causing Hamlet to feel a sense of jealousy and disappointment. In retaliation, he expresses his repressed desire of love through his unruly comments. He even goes as far as to say that the love is incestuous. Furthermore, in Act 3 scene 4, Hamlet confronts his mother directly in a closet. Addressing concern over her sexual actions, he exclaims “In the rank sweat of an enseamèd bed, / Stewed in corruption, honeying and making love / Over the nasty sty” (III.iv.104-106). Not only does this quote show that Hamlet disapproves his mother’s marriage, but also that he believes Claudius is a wicked criminal. Aligning with the Oedipus complex, Hamlet strangely obsesses over his mother’s love life while viewing his uncle in
In Hamlet, we see a struggle between Hamlet, Prince of Denmark and his mother Gertrude, Queen of Denmark. Hamlet wants to please his mother and be a good son, but he struggles with his inner self, dealing with the knowledge of his fathers murder, by his uncle, Claudius. Hamlet and Gertrude’s struggle throughout the play shows the common Parent/Child conflict we all go through, including being misunderstood, not listened to, or possibly betrayal in some cases, like in Hamlet.
I went up the stairs of my small house and sat in the creaky bed and closed my eyes
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and
In this scene, Hamlet argues with his mother, Gertrude. He belittles her, and insults her “incestuous” relationship with Claudius. Hamlet accuses his mother of helping Claudius kill his father. Hamlet even tells his mother that “(would it were not so) you are my mother” (3.4.21.). Basically, Hamlet tells his mother that he wishes that she wasn’t his mother. During this scene, Hamlet is actually contemplating whether or not he is to kill his mother. While Hamlet has no concrete proof that Gertrude actually had any place in the plot to kill Hamlet Senior, he believes that her relationship, and loyalty, to Claudius is proof enough. Then, however, the ghost intervenes and informs Hamlet of his mothers’ innocence. The passion behind Hamlet in this scene is his resentment of his mothers’ marriage to Claudius, and his belief that his mother had a part in the murder of Hamlet Senior. This caused him to be enraged at his mother, and even wish for her death. However, if Hamlet thought logically, he could have discussed Claudius’ crime with his mother and determined whether or not she was guilty for himself, instead of relying solely on the
Hamlet’s attachment to his mother is quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it...
In many of his plays, especially tragedies, William Shakespeare examines the relationships people have with one another. Of these relationships, he is particularly interested in those between family members, above all, those between parents and their children. In his play Hamlet, Shakespeare examines Prince Hamlet's relationships with his dead father, mother and step-father. His relationship with Gertrude, one of the only two women in the play, provides Hamlet with a deep sense of anger and pain. Hamlet feels that Gertrude has betrayed his father by marrying with his brother. Throughout the play, he is consumed with avenging his father's death and all the mistreatment the former King had suffered and still suffers after his life is over. Gertrude adds to the dead King's tarnished memory by not mourning and instead rejoicing in her new marriage. Hamlet is thus extremely angry with Gertrude and expresses this anger towards her directly and indirectly through his words, both to himself and to other characters.
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...