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Stereotyping women in the media
Stereotyping women in the media
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In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
The Western world in Shakespeare’s time was male dominated, and men only had regards for women when it was connected to their bodies. The sexual objectification of women was normal in that society and women were seen as the property of their husbands. In Shakespeare’s time the word “nothing” had double meanings, one of which referred to the female genitals. Ophelia represents the object of Hamlet’s male desires and in Act three he says to her:
Hamlet: That’s a fair thought to lie between maids’ legs.
Ophelia: What is, my lord?
Hamlet: Nothing. (3.2.111-113)
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.
Gertrude has tremendous ...
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...ering herself” (224). Queen Gertrude’s speech on page 138 symbolizes the improperness of Ophelia’s burial as she strews her grave with flowers, it is a custom that someone in that time would do on the grave of an unmarried girl. It was believed that female madness was natural and a part of feminine nature. Ophelia’s madness “is a product of female nature, perhaps that nature’s purest form” (224). Ophelia’s mental state was affected by everyone around her who used and manipulated her and then it was brought on full force by the murder of her father.
These instances have led me to believe that Hamlet truly is an antifeminist play and the only brave or defiant act was the death of Gertrude by the poison that was set for Hamlet. The King warned her not to drink it but she ignored him and went ahead anyway, it gives the readers hope that she was trying to save her son.
Hamlets misogyny is not something that was engrained in his culture but what his mother has engrained within him. Hamlet hasn’t always hated women as he does now, his harsh treatment of Gertrude and Ophelia are because of their betrayal of his love. Hamlet knows that even though she has made mistakes she has not stopped being a mother to him, apart from that he stills feels anger towards her and the hate that he now feels for Ophelia is just a displacement of his feelings for his mothers, “the total reaction culminates in the bitter misogyny of his outburst against Ophelia…Hamlet is really expressing his bitter resentment against his mother” (1199) towards the poor and innocent Ophelia. His hate for women is just his frustration for his mother and Ophelia blinding him and not truly him hating women because in Ophelia’s grave he tells Laertes “I loved Ophelia, Forty thousand brothers could not with all their quantity of love make up my sum.” (5.1.262) Hamlets repulsion against women is just him repressing his true love for the women in his life who have hurt him, “the powerful repression to which his sexual feelings are being subjected.”
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Hamlet is vicious to the women in this play. He orders Ophelia, to “get thee to a nunnery!”(III.i.121), and he tells his mother Gertrude, “Frailty, thy name is woman,”(I.ii.146) even though Hamlet is not very strong himself. Heroism does not always involve taking heroic actions. Hamlet’s inaction is his own form action. In Shakespeare’s Hamlet, Claudius has and uses power, Hamlet has power but mostly chooses not to use it, Polonius has less power than he imagines himself to have, and Ophelia and Gertrude have no power.
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Hamlet’s disillusionment with the women in his life, come from confusion as to where they’re allegiance lies. Firstly, Ophelia abruptly ends her relationship with Hamlet, simply because Polonius states that “[he] would not have you give words to Lord Hamlet”. Ophelia obeys her father by denying “his [Hamlet’s] access to me”, proving that her loyalty lies with her father. In addition to this, Ophelia outwardly lies to Hamlet during Polonius’ trap, stating that her father is “at home”. Hamlet’s reservations towards women can be seen when he says to Ophelia “if thou dost marry…marry...
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
The Shakespearean play of Hamlet, Prince of Denmark is easily criticized from a feministic perspective due to its pronounced gender roles and its pervasively patriarchal biases throughout every scene. The feminist criticism focuses on the relationships between genders and the malicious dominance men have over women both physically and psychologically. It examines the patterns of behavior, power, values, and thought between the sexes. The damage that male dominance has on the females in Hamlet is prominent when considering feminist criticism. It forces these women’s given situations to go from bad to worse. The societal viewpoint held hinders or prevents the female characters from attaining a true sense of identity. Without their own cultural
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
One quote that backs up the point that Ophelia represents a tragic character is from the Bloom’s Literature document which goes into detail on Ophelia as a character, stating that, “Ophelia 's nature is abundantly affectionate; her wounded but faithful love—both for her father and for Hamlet—makes her one of the most touching of Shakespeare 's characters” (Boyce 1). Boyce also go on to state that, “the relationship between Hamlet and Ophelia is not a love story” (Boyce 1), which is why we see things fall apart between the two characters. It is very clear to us that Hamlet still had feeling towards Ophelia but felt betrayed by her which is the reason that he shut her, and all women out of his life, which you can find evidence of when he states, “man delights not me: no, nor woman neither” (2.2.301). The reason that Ophelia is one of the major factors to
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.