Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of women in movies
Gender roles in society movie
Gender roles in society movie
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Michael Almereyda’s movie adaptation of Shakespeare’s Hamlet brings about a new perspective through its performance. The movie adaptation, Hamlet (2000), retells the original play in a modernized setting, bringing out various different elements of characters, which highlights a new reading of these characters as individuals, and a newfangled reading of the play as well. Throughout the movie, Ophelia and Gertrude, the woman-leads, are advanced in a progressive manner compared to the original play. In particular, Gertrude from Hamlet (2000) is noticeably altered from Hamlet, the play. This new interpretation of Gertrude and the play created by the movie adaptation advances the position of Gertrude as a woman, as well as motifs of incest, misogyny, …show more content…
This is to be expected in a society that did not even permit women to perform in theaters, so men played the women’s roles. Women were not allowed to perform on stage until 1660 when Charles II took the throne and the Restoration occurred (Nestvold). Hence, women are often restricted by husbands or fathers, like Juliet who was controlled by her father in Romeo and Juliet, or women are victimized by men and not in control of their own fate, like Desdemona who dies at the hands of Othello in Othello. To begin, Gertrude is presented in differing manners throughout Hamlet the play versus Hamlet (2000) the film. In Shakespeare’s play, she originally is cast as a woman who has power due to her husband, but sits as a trophy wife. Craving power, safety, and comfort, she depends on men for her position and control. Seeming to have poor judgment, she never expresses self-reflection throughout the play and just seems to be a bit oblivious to everything, ultimately resulting in her death as an unaware victim of a game she ensnared herself …show more content…
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and
My aim in this essay is to compare the representation of the central figure of John Updike’s Gertrude and Claudius, Gertrude, with two Hamlet films, Zeffirelli’s one and Branagh’s one. First of all, we will deal with the plot of the story of Gertrude and Claudius.
There have been numerous remarks of William Shakespeare’s most celebrated drama Hamlet. Almereyda managed to make Hamlet a theoretical play, into an intense, action-driven movie without losing much of the initial tragic atmosphere of the original play. The play Hamlet focuses strictly on the state of Denmark on the original Elsinore castle, however Michael Almereyda was able to modernize the movie to New York City. In many ways I think that the modernized version of Hamlet is easier to appreciate but in review that diminishes the play’s “greatness,” in my personal opinion.
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
"Through the lens of Gender theory, Shakespeare's characterization of men and women in Hamlet demonstrate a patriarchal approach throughout the play. In particular, we may explore the female characters of Gertrude and Ophelia and how they challenge -or fail to challenge- the domination of male characters. Throughout the play, Ophelia is represented as incoherent, silent, and a quintessential mad woman. Whilst Gertrude is represented as solely dependent on men, and
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Different adaptations of William Shakespeare’s works have taken various forms. Through the creative license that artists, directors, and actors take, diverse incarnations of his classic works continue to arise. Gregory Doran’s Hamlet and Kenneth Branagh’s Hamlet bring William Shakespeare’s work by the same title to the screen. These two film adaptations take different approaches in presenting the turmoil of Hamlet. From the diverging takes on atmosphere to the characterization of the characters themselves, the many possible readings of Hamlet create the ability for the modification of the presentation and the meaning of the play itself. Doran presents David Tenant as Hamlet in a dark, eerie, and minimal setting; his direction highlighting the
Hamlet’s philosophy on life is also much different than Gertrude’s. Hamlet doesn’t care at all for his mortal life and is in search of life’s most elusive answers. Gertrude on the other hand, only cares for her mortal life. She enjoys the many pleasures that comes with being a beautiful, prominent queen and takes full advantage of it. She takes pride in her personal possessions and also is very sexual while Hamlet care more about the greater things in life. One person argues than, “It was her sexuality that turned Hamlet so violently against her in the first place.
Hamlet lead his life in circles, never comfortable enough with his current conditions to settle down. The crisis’ placed upon him were never resolved, because he couldn’t handle decisions, leading to a severe downfall in his family’s life. Such demise began in a terrace of the palace Hamlet called home, with a sighting of a ghost that foreshadowed troubles in the near future.
With particular reference to Hamlet, feminist critics might explore the characters of Ophelia and Gertrude and how they challenge—or fail to challenge — the domination of male characters. Feminist critics would also be interested in exploring how the play expresses ideas about femininity that were common in Shakespeare's lifetime and how complicit Shakespeare is in Hamlet's personal misogyny. … Elaine Showalter's essay "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" explores the difficulties, even embarrassments, that feminist critics have had in approaching Ophelia. The problem is that Ophelia has tended to be overshadowed by Hamlet, even by feminist critics, who then feel the need to liberate Ophelia from obscurity. However, even liberated Ophelia is problematic for she suggests some potentially troubling connections between femininity, female sexuality, and madness.
"I was raped," the girl said to me overtaken with tears. I was taken by surprise and was at a complete loss for words. She had just taken one of the darkest secrets of her life and brought it out to the splendid light for just me to gaze upon. A little apprehensive, I responded, "I'm sorry." What is one to say at the revelation of such a horrid thing? Anything else I thought of saying sounded stupid and insensitive, so I opted for silence and hugged her to comfort her to the best of my ability. A few months later the girl came to me and thanked me. She said that my gesture meant more to her than anything anyone else had said about the rape. I then realized that sometimes, if not most of the time, actions can speak louder than words. The parts of us that are less vocal, such as our clothing, gestures, facial expressions, etc. can be more impacting than words.
In Gertrude’s choice to marry so soon after her husband’s death she transgresses the patriarchal bound of femininity. She refuses to remain in passive grief and obedient devotion to his memory. Gertrude’s sin was her inaction. She was willing to accept Claudius and didn’t think twice of rejecting him. In Hamlet’s eyes his father was the very d...
Gertrude was Hamlet’s mother. She was a selfish and evil woman. She cheated on Hamlet’s father with Claudius, Hamlet’s uncle. She married Claudius a month after her husband’s death. Gertrude wanted Hamlet to stop his grieving. She told Hamlet, “thou know’st ‘tis common, all that lives must die, passing through nature to eternity” (I.2.72-73). When Hamlet was depressed and grieving, it reminded Gertrude of the terrible sin she had committed. She wanted Hamlet to be happy just so she could feel better about herself. Throughout the play Gertrude’s motives do not waiver; she looks out for her own well being.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
The mindset of the unequal genders in the past is thought to have influenced the way playwright William Shakespeare portrayed females in his plays. Shakespeare exemplified this in his revenge tragedy Hamlet, written in 1601 with one of the most significant characters, Gertrude. She is central to the plot due to her relationship with the main character, Hamlet, being his mother. However, not only is she the mother to the tragic hero Hamlet, she is also widow to his late father, King Hamlet Senior, and also newly wed to Hamlets uncle, Claudius. In this tragic play, we witness not only the downfall of women of the play in general, but specifically the falling out of Gertrude as a mother to Hamlet, as a wife to the new King Claudius, and as a woman herself.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.