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Comparative literary analysis on play by samuel beckett
Religious writings in American literature
Religious writings in American literature
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1. Genre
We think that this play is a psichological and philosophical play, because it is about two men who are waiting a God. So, in our opinion, this play in spite of being an absurd stage, is about religion.
We think that this is a play of ideas, we know what is happenning when we see it on the stage, not before. The author explains something using the logic.
2. Narrator and narrative
As this is a play, we couldn´t find a common narrator here: what we find is the characters speaking, using the dialogue. But, in some way, we can consider the explanations of the author about the movements of the actors and the decoration as a kind of narrator, which, in that case, would be used in 3rd person.
If we consider this as a narrator, it will be objetive, because we can understand the play in the manner we want, we can interpretate the story in many ways: what this narrator does is help us with the understanding of the story
We believe
that the author´s understanding of life limits the story: the two main characters are always thinking on Godot to come, on the death to come. In our opinion, the author want the readers to apreciate life.
As we have said before, the narrator that appears in the play help us to imagine the stage, how the characters look like, their clothes...It sites us on the play.
3. Theme
As we have said before, the main theme in this play is religion, the "faith in God".
ESTRAGON:Let´s go.
VLADIMIR:We can´t.
ESTRAGON:Why not?
VLADIMIR:We are waiting for Godot.
They are all day waiting for hin because they believe
he is going to rescue them.
Another minor theme that we can find:
-The illness of the two protagonists, that in our opinion is alzheimer, which makes them , specially to Estragon, not to remember what had happened
the day before.
4. Style
All the events in this play are narrated chronologically. There are no flash-backs, the story is lineal, because an act carries another act, as we can see at the beginning
of evefy one of them:
"Next day. Same time. Same place"
When the two main characters speak is important to know that both say and repeat the same things that other has already said:
ESTRAGON:What I am to say?
VLADIMIR:Say, I am happy.
ESTRAGON:I am happy.
VLADIMIR:So I am.
shall firstly do a summery of the play and give a basic image of what
The language in this written is in the apropeiet of the year wher this story talk about, and is popular written. It is very easy to understend for all age who watch the play and is a stage as comedy should be. The language is funny, and it doesn't let you stop laughing. It is a wild and wacky farce and rolling audience with echoing. To many part of pras we can remember and use as a comic tops of our dicenery and in the recent memory.
The play is set in the 1950’s, and it has two narrators, called Voice 1 and Voice 2, which act as dramatic devices and move the play along in space and time.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
themes of the play and helps us gain insight on other characters. I find the following quote to be
This play shows the importance of the staging, gestures, and props making the atmosphere of a play. Without the development of these things through directions from the author, the whole point of the play will be missed. The dialog in this play only complements the unspoken. Words definitely do not tell the whole story.
So we see from the very beginning that this play is about the struggle between god and man, and about whose law comes first. But this play also can wash over us too quickly if we do not stop to see whether or not the characters truly act in accordance with what ...
... of all time, with a protagonist that is plagued with indecision, but spurred by a desire to avenge his father’s death. At the time of the play’s writing, religion was by far the largest influence on the lives of ordinary people, and the protagonist’s defiance of God for most of the play could only end in tragedy.
The two topics of religion and hypocrisy in the play go hand in hand. The overall play is intended to ultimately bring to light religious hypocrisy, but not to necessarily demoralize it. The play aims to make fun of religious hypocrisy, while hinting that it’s problem or flaw is the way it slanders and makes one question the grandeur of pure religion. Tartuffe’s character portrayal is made up solely by his outspoken and unapologetic displays of religious devotion. Through his actions and displays of religious devotion he gains Orgon’s trust and manipulates him into overlooking his family's wellbeing and overall safety. He used Orgon's want and need to feel close to God himself against him, which left Orgon blinded by ignorance and own self
In this play Everyman makes a point and big emphasis that death is inevitable to every human being. This play is simply in its morality and in its story. You shouldn’t be so keen on all the material things in life and forget the purpose of your life. Your personal pleasures are merely transitory, but the eternal truth of life is that death is imminent and is eternal. It is the bitter truth that everyone has to accept it. If you are born you will die one day. Science does not believe in religion. But one day Science will also end in Religion. Everyone should live their life fearful of God and accept Christ as their Savior.
the role of a narrator. One role he takes on in the play is the voice
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.
...to make opinions and observations about them. It also makes us as readers and viewers think about true love and what it means. I found this play to be incredibly interesting, insightful, and an overall wonderful text to read and analyze.
Samuel Beckett's Waiting for Godot has been said by many people to be a long book about nothing. The two main characters, Vladimir and Estragon, spend all their time sitting by a tree waiting for someone named Godot, whose identity is never revealed to the audience. It may sound pretty dull at first but by looking closely at the book, it becomes apparent that there is more than originally meets the eye. Waiting for Godot was written to be a critical allegory of religious faith, relaying that it is a natural necessity for people to have faith, but faiths such as Catholicism are misleading and corrupt.
It might be pertinent and helpful here to first discuss the structure of the narrative itself, for there are several elements in the sequencing of the discourse that contribute in no small way to the overall effect of the narration/narrator. The narrative begins in media res (beginning in the midst of the action at a crucial junct...