The "Moon Over Buffalo" is a comedy written by Ken Ludwikg in 1953 and it represents a play with humor, sharmy and higher performance, action between actors. This comedy showed a great plot which follows a line organization structure from the beginning to the end with original solving the problems. The story takes place on stage, and backstage at the Erlanger Theatre, Buffalo, New York, on the mid- morning in June 1953, where we saw for the first time George and Charlott Hay were performing " Cyrano de Bergerac" and " Private Lives." Charlotte, as a great actor in a local stage, had a dream to became a Hollywood film star and Georg a good actor with superiority in live theater who received a call from a very famous film director Frank Capra. …show more content…
The audience feel under presion what is going to happen in every singl movement and what will be the next step after this event. The Moon Over Buffalo express the modest hope that this story will be considered worthy for all age and social level. The language in this written is in the apropeiet of the year wher this story talk about, and is popular written. It is very easy to understend for all age who watch the play and is a stage as comedy should be. The language is funny, and it doesn't let you stop laughing. It is a wild and wacky farce and rolling audience with echoing. To many part of pras we can remember and use as a comic tops of our dicenery and in the recent memory. The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
Cosi uses a wide range of Dramatic elements, all through-out the play. This play particularly highlights The Tension, the Role and the way the characters portray their selves on stage. The use of these techniques allows the audience to accept more readily the intent of the play. It draws everyone into a world, that in many ways is foreign to us, but the human interaction, with the characters, makes it seem more real.
Not knowing what this play was about, I went to go see it Wednesday after noon at Holyoke Community College in the Leslie Phillips Theater. I had many mixed emotions about this play. I thought some parts were very funny, but others were a little uncomfortable because of some racia...
One Night the Moon (2001), is based on the events that took place in the harsh Australian outback in the early 1930s. The film evolves when a young girl, Emily, goes missing into the mountainous terrain of the Australian outback one night to follow the moon. Her family, European settlers, though desperate to find her, fail to employ the skills of a local Indigenous tracker, Albert Riley, due to their own racism. Perkins uses many literary elements such as camera angles, music, dialogue and editing to shape meaning and to influence her audience. One Night the Moon, introduces song into the Australian landscape, Indigenous people have always used song to talk about the land, and song itself has always been one of the central means of land management. One Night the Moon has been described as “A beautiful, seemless film with the ability to transport the audience.” Perkins endorses the idea that White settlers have failed to learn anything from the original inhabitants of this land and to support this statement, she layers the literary elements to highlight the racism, connection with the land and also contrasts the two male protagonists in the film.
The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text. Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence. The music makes the audience drawn is drawn to feel sympathy and pity her when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s dead corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events.
In conclusion I think that the stage directions and dramatic irony are significant to the play, and without them there would be no need for a lot of the events that happen in the play.
The structure of `Translations' builds slowly towards this brief and brilliantly hesitant, pivotal love scene of Act Two scene II. It is central to the play both dramatically and conceptually. Translation and communication are the key themes.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
2. What is the significance of the scene to the play as a whole? (try to dig deep here - think about themes, character development, tone, etc.)
“Language is frequently used to stir up & manipulate emotions.” - Mary Hamer. The words that people say can appear brutal or detrimental. These violent words take up many forms such as lying, insulting, etc. Along with its’ comedic formula, William Shakespeare's, Much Ado About Nothing is enhanced with humorous mockery and intertwined dialogues. In the play, the soldiers have just returned from a successful war. Love is traveling through the village; however the “language of war” appears rooted in the language. Numerous times do the characters joke around in cruel dialects. The mockery, however, is not considered to be as harsh due to the presence of comedy within the play. William Shakespeare’s intricate use of language in his play, Much Ado About Nothing, allows immense aggressive language to thrive in the characters yet is able to use this to alleviate the violence.
Singing was also very important in the play. Most often, the songs that were sung in the play were used in conjuction with lighting to create the mood. Deep, slow songs indicated that times were changing from good to bad, or from bad to worse. High, fast songs introduced happy scenes. Scenes were also changed according to song, such as the jail scene. The cast began to sing a song about freedom and the jail bars disappeared, indicating through song that the men had been freed. Also, song was important in the play because the songs were specific to the african american culture.
It was very nice to read something that had a lot of drama and suspense. This story has a mix of everything. It has a bit of suspense, drama, and comedy; therefore, it led it to be a very nice play. The people that would most like this play, has to be people who like suspense, drama, and thriller. These people would like it, because this story has a mix of everything, so the people who like to have a mix in their stories, they will love this story. It will suit them, and will give them a pleasure of reading a nice
The archetypal tragedy of two star-crossed lovers, separated by familial hate, is a recurring theme, which never fails to capture the minds of the audience. It is only at great cost, through the death of the central characters that these feuding families finally find peace. This is an intriguing idea, one antithetical. I have chosen to analyze both Shakespeare 's Romeo and Juliet and Laurent 's West Side Story. The purpose of this essay is showing how the spoken language is utilized in these different plays to meet differing objectives. The chosen scenes to further aid comparison and contrast are the balcony scenes.
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
William Shakespeare’s usage of stage techniques and language effects in Macbeth are extraordinarily used in creating gradual tension from the moment King Duncan is killed by Macbeth, followed by a short relaxation period and then increasing it again until the climax point of the act of regicide. The reader and the audience are kept in suspense right from the beginning of the play until the final scene.
In a more extreme version of the play, directed by Baz Lurhmann, some of the weapons such as swords were replaced by modern day guns, but despite this he still managed to keep it all in context by cleverly placing words, or using other satire. With this paper I hope to produce my own unique version of the play.