Arthur Miller's Death of Saleman
On February 10, 1949, at the Morosco Theatre in New York, Death of a Salesman opened. It was immediately acclaimed as a perfect blend of script, setting, staging, and acting. The New Yorker called the play a mixture of "compassion, imagination, and hard technical competence not often found in our theater."
Death of a Salesman swept the award field in 1949, winning the Drama Critics' Circle award, the Tony, Theatre Club, and Front Page awards, as well as the much-coveted Pulitzer Prize. Road companies took it on tour. European productions in translations played to full houses. The printed edition was a Book-of-the-Month Club selection and set a sales record for plays in book form. The movie rights were snapped up, and for months it was the most popular play for college and amateur productions. In fact, Salesman was a triumph that Miller has not been able to repeat - whatever the success or the true merit of his later work.
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.
Sidebars: How does writing a script differ from writing a novel? Do you think it is easier to write in one form than the other? Why or why not?
Death of a Salesman was a major success not only on the stage, but also in book form as well.
Try to bear this in mind as you read. Try to visualize the action on the stage. In Death of a Salesman, Arthur Miller uses a dramatic approach to the problem of presenting time (and its passage and meaning) onstage. Dramatists have used many devices to deal with the problem of the movement of time through the ages - from the classical Greek chorus simply telling the audience that time has passed, to minutely realistic aging of the characters through make-up.
Novels and plays are essentially the same in the sense that they assemble the means necessary to showcase a variety of stories ranging in diversity. The quintessential underlying difference between the two is the format in which the stories are displayed. Plays, like Hansberry’s A Raisin in the Sun use literary techniques such as dialogue, acts and scenes, and stage directions contrary to novels to guide the audience’s response and interpretation of the characters and actions in the
This play shows the importance of the staging, gestures, and props making the atmosphere of a play. Without the development of these things through directions from the author, the whole point of the play will be missed. The dialog in this play only complements the unspoken. Words definitely do not tell the whole story.
In the year 1949, Arthur Miller created the play, Death of a Salesman. This is the play that made him most famous (Gioia and Kennedy 1763). “…This work is unquestionably the pinnacle of his achievement” (Gioia and Kennedy 1763). Miller wrote many additional plays, but is best known for Death of a Salesman.
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Arthur Miller’s Death of a Salesman is quite a captivating piece of literature. I really thought this book was fantastic, even reading it for a second time. Since this is a play, the majority of the characterization had to be done through dialogue, but the astonishing depth of development that Miller achieved with his characters was astonishing. I truly felt that I intimately knew the characters by the end of the play despite how slim the volume was. Miller's play is an expose of the harsh reality of the American Dream, and while his play's message may not be hopeful, the honesty of his work will resonate with middle-class America even today. Miller's play showed me that not much has changed since post-WWII America. Average people are still struggling to capture the dream that we all feel this land offers us. Happy and Biff are the tragic characters that I hope never to become, but who can blame them for aspiring for something greater? Most disturbing of all, I truly hope that my parents' generation never fall victim to the same destructive hopes that possessed Willy Loman. Perhaps the scariest realization is that any one of us can get caught up in the delusion of what we believe we deserve.
Cardullo, Bert . "Death of a Salesman and Death of a Salesman: The Swollen Legacy of Arthur Miller." Columbia University in the City of New York. The Columbia Journal of American Studies, n.d. Web. 20 Apr. 2014. .
Miller, Arthur. “Death of a Salesman.” The Norton Introduction to Literature 10. New York: W. W. Norton & Company, 2010. 495-506.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
Koon, Helene Wichkam, ed. Twentieth Century Interpretations of Death of a Salesman. Englewood Cliffs: Prentice-Hall, 1983. Print.
"Death of a Salesman By Arthur Miller ." Goodreads . N.p., n.d. Web. 23 Apr. 2014. .
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
In the original 1949 play of Death of a Salesman, Arthur Miller was the American playwright. Death of a Salesman was a tragic play that presents a story about a salesman named Willy who believes that personality and being “well-liked” will achieve his American Dream. The play premiered on February 10, 1949 at the Morosco Theatre in Manhattan, New York (Avery). Miller’s play reflected on his relationship with uncle, Manny Newman who was also a salesman like the protagonist of the story and two sons who he took great pride on (Tierney). Through his characterization of Willy and Biff Loman, Miller presents contrasting (or surprising similar) illustra...
What is the story behind “The Death of a Salesman”? Arthur Miller first published this play in 1949, as it was first performed in this year also. Miller presents a character named Willy who is a salesman, but he has fallen on hard times, and the luxuries he had before no longer exist. For this reason, Willy has caused himself and his family heartbreak because he cannot provide any funds for them. Indeed, Willy has encountered rough patches, he and his family now live new lifestyles, and therefore Willy has lost sense of his American dream depicted by burden, guilt, and sorrow.
He wrote Death of a Salesman in 1948 in a small Connecticut studio. The play took place in the great depression where a struggling business man tried to provide for his family. He has been working for years and is becoming very tired and crazy. He dies a sudden death in the end and he never completes the dream he wanted to as a salesman.