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Analysis of fairies in literature
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Saint George and the Dragon as Fantastic Literature
Set "in the days when monsters and giants and fairy folk lived," Margaret Hodges' tale Saint George and the Dragon brings to the world of children Edmund Spenser's classic Faerie Queene. Retold in children's format in 1984, Saint George and the Dragon is based upon Spenser's English legend of the sixteenth century. Through examination of the characteristics that describe fantastic and magical realist literature, a more concise understanding of magical realism can be obtained.
In Saint George and the Dragon, many "magical" elements exist throughout the text. The setting, in the days when "monsters and giants and fairy folk lived in England," lays the groundwork for many other mysterious elements (Hodges 7). The Red Cross Knight, the main character of the story, was "bound on a great adventure, sent by the Queen of the Fairies to try his strength against a deadly enemy, a dragon grim and horrible" (Hodges 7).
The Red Cross Knight, with a princess and a dwarf accompanying him, set out to find the dragon. On his way, "there against the evening sky, they saw a mountaintop that touched the highest heavens. It was crowned with a glorious palace sparkling like stars and circled with walls and towers of pearls and precious stones" (Hodges 11). Finally, they saw the dragon. Despite the Red Cross Knight's attempts to kill the dragon, he was unsuccessful. The "half flying, half running" beast threw him to the ground, clapping its wings in victory (15). "But he had fallen beneath a fair apple tree, its spreading branches covered with red fruit, and from that tree dropped a healing dew that the deadly dragon did not dare to come near" (Hodges 16). When the dra...
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...ealistic characteristics, but they function differently in the magical realist mode than they do in Saint George and the Dragon. Although Saint George and the Dragon is not true fantastic literature, many of the elements are the same. By examining the elements that characterize fantastic literature, the boundaries of what can be considered magical realist literature are narrowed.
Works Cited
Faris, Wendy. "Scheherazade's Children: Magical Realism and Postmodern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris.Durham, N.C.: Duke UP, 1995. 125-144.
Hodges, Margaret. Saint George and the Dragon. Boston, M.A.: Little Brown and Company, 1984.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary From. Cleveland: The Press of Case Western Reserve University, 1973. 168-174.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
...rms of literature, too. The hesitation in this story is a characteristic of fantastic literature, and the language is a characteristic of the sublime. This story may also be categorized as psychic or grotesque realism. Whether or not this is a work of magical realism or another form of literature, the final conclusion is up to the reader.
On May 2, 1863, 10:00 A.M. Jackson’s force began to move towards Hooker’s flank. Union scouts found Jackson and reported it to Hooker but Hooker thought it was the Confederates retreating. By 3:00 P.M. Jackson had made his way across the Orange Turnpike towards Hooker’s flank. At 5:00 P.M. Jackson’s force attacked Oliver O. Howard 11th Corps near the Wilderness Church. Jackson’s attack was so swift the Union didn’t have time to form a line. By 8:00 P.M. the Union had formed a secondary line. That night when Jackson came back to camp from a scouting mission he was shot by his own guards who didn’t recognize him. Command of Jackson’s portion of the Confederate force then we...
Faris, Wendy B. "Scherazade's Children: Magical Realism and Postmodern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995.
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage, 2010. Print.
entertainment. There are many precedents for dragons in medieval literature, two of the most prominent
An essential difference, then, between realism and magical realism involves the intentionality implicit in the conventions of the two modes…realism intends its version of the world as a singular version, as an objective (hence ...
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 109-116.
year. The deadly plague hit the invaders and was killing off soldiers at an unstoppable
The Canterbury Tales, written by Chaucer, and Sir Gawain and the Green Knight, written by an anonymous author, are both sophisticated fourteenth-century examples of medieval romance. Medieval romances captured the heart of their audiences as narratives and stories that featured a protagonist, often a knight, and dealt with religious allegories, chivalry, courtly love, and heroic epics. The concept of the knight emerged from the remnants of the Anglo-saxon literature and ideals and influence of the Christian religion and church. There is a distinct difference between the famous pagan heroic like Beowulf and the romantic medieval tales like Sir Gawain and the Green Knight of the Canterbury Tale. The Anglo-Saxon hero Beowulf exemplified qualities expected of warriors who could attain kingship by their heroism and battle deeds. They possessed the qualities of valor, military prowess, generosity, and honor. The hero fights for the survival of their tribe and nation, and it is in battle that the mettle of the epic hero is ultimately tested. The romantic conventions , influenced by Christianity and French ideals, created a new chivalric knight who sets out on a trial or adventure. They possessed similar qualities to their epic hero counterparts – valor, loyalty, honor, and skill in battle – but differed in knowing temperance, courtesy towards women, and courtly skills. The hero is no longer fighting for his people but for his ideals. By the 14th century, The Tale of Sir Gawain and the Green Knight and The Canterbury Tales have began to criticize the notion of chivalry which had become old and obsolete in their society; the idealization of chivalry practiced by knights could longer withstand the complexities and indeterminateness of situa...
Rollin, Lucy. “Fear of Faerie: Disney and the Elitist Critics.” Children’s Literature Association Quarterly Volume 12. Number 2. 1987. Retrieved 18 Dec. 2013 from < http://muse.jhu .edu/journals/chq/summary/v012/12.2.rollin.html>.
“The United States had been upset with British for several reasons. British failed to withdraw from American territory along the Great Lakes despite United States victory during the Revolutionary war. British military allegedly supported the Indians on American frontier; and their unwillingness to sign commercial agreements favorable to the United States.” American resentment grew during the United Kingdom’s ongoing war with Napoleon’s France. France had domination over the continent of Europe, while Britain had power over the seas. This affected many countries, and it particularly affected America’s trade.
In order to see how Magical Realism is found in this treatment, one must first consider at least one of the identifying marks of Magical Realism. Among the characteristics that identify Magical Realism is the feeling of transcendence that the reader has while reading a Magical Realist text (Simpkins 150). During transcendence, a reader senses something that is beyond the real world. At the same time, however, the reader still feels as if he or she were rooted in the world (Sandner 52). After the reader undergoes transcendence, then he or she should have a different outlook on life.
Magical Realism evolved only in the last century. Franz Roh was the first to use the term to describe paintings and the new style that had come about after the expressionistic era (7, p.15), however it was Alejo Carpentier who used it to describe Latin America's fanatastical writing styles (3, p.373). He felt that magical realism expounded upon reality and "was able to elude realism's insufficiency, in its inablility to describe an ex-centric experience"(3, p.373). Latin America, though perhaps the first to name the new writing phenomena, was not the only country to use it. In the course of this paper I will compare and contrast several different novels from female authors who evoked magical realism into their writing styles. These authors come from Latin America, Africa, and the Caribbean, showing the wide range of history and environments. Feeling that the Caribbean alone may prove to narrow a topic for a style that has taken the world by storm, I felt it only fitting that other countries should be included the theme of women in the paper. Also, I selected Africa and parts of Latin America to compare to Caribbean writings because these two continents play a pivotal role in shaping what the Caribbean has become today.
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.