Julio Cortazar's Axolotl Misidentified as Magical Realism

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Julio Cortazar's Axolotl Misidentified as Magical Realism Some people consider a book to be magical realism based on the author or the part of the world it was written in. Just because an author has written a book that is magical realism does not mean that all of the books that author writes will be magical realism. Though most magical realism stories are written by Latin American authors, a story is not necessarily magical realism if the author came from that region. Julio Cortazar is an Argentine writer who has published many short stories and novels. In 1956, he wrote a short story called "Axolotl". A careful reading of this work will reveal that it is not an example of magical realism. Like magical realism, this story has magical elements. One of the axolotls, which "are the larval stage...of a species of salamander", and the main character are the same being (11). The axolotls think like a human and also communicate telepathically with one another. The axolotls' eyes spoke a message to the boy, "their blind gaze, the diminutive gold disk without expression and nonetheless terribly shining, went through me like a message: 'Save us, save us'" (13). Realistic elements also exist in "Axolotl". The main character visits "the aquarium at the Jardin des Plantes", which is a zoo, to see the axolotls (11). The boy also talks about seeing lions and panthers. The same guard took the boy's ticket every day that he went to the aquarium. Throughout the story, the reader comes across several things that he or she will question. In the beginning of the story, a young boy goes to the aquarium to see the axolotls. He soon becomes obsessed with them and goes everyday to watch them. At the end when the main chara... ... middle of paper ... ...rms of literature, too. The hesitation in this story is a characteristic of fantastic literature, and the language is a characteristic of the sublime. This story may also be categorized as psychic or grotesque realism. Whether or not this is a work of magical realism or another form of literature, the final conclusion is up to the reader. Works Cited Arensberg, Mary. The American Sublime. Ed. Mary Arensberg, State University of New York Press, Albany, 1986. Cortazar, Julio. "Axolotl". A Hammock Beneath the Mangoes. Ed. Thomas Colchie, N.Y.: Plume Printing, 1991. 11-15. Delbaere-Garant, Jeannie. "Variations on Magical Realism". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham" Duke U.P., 1995. 249-263. Rabkin, Eve S. The Fantastic in Literature. Princeton. N.J.: Princeton U.P., 1976. 8-19.

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