Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes and film techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Few movies in today's day and age display prominent themes of love and sacrifice that classic films were able to capture so flawlessly. Films such as Casablanca, by Michael Curtiz, were able to captivate their audiences with their array of magnificent actors and sublime cinematography that not only leave their viewers in awe, but also make them contemplate the world around them in a different manner. Actor Humphrey Bogart, who stars as Rick Blaine, an equivocal night club owner in the film, and actors Ingrid Bergman and Paul Henreid, Ilsa and Victor, are key components of what made this film into a classic. Through the acting of this film, its music, and its use of lighting, Casablanca is easily amongst the most notable classics films of American …show more content…
cinema history. The story of Casablanca surrounds the character Rick Blaine, played by Humphrey Bogart, who is the owner of the famous nightclub “Cafe Americain”. His cafe has been the safe haven for war refugees looking for ways to escape from Germany, over to America. Amongst the refugees, Rick encounters the famous rebel Victor Laszlo, played by Paul Henreid, and his beloved spouse Ilsa, played by Ingrid Bergman, who used to be Rick's old lover. Between these three characters an ambiguous love triangle forms, with the two men shared love for the conciliator Ilsa. As the story progresses, Ilsa and Victor plead with Rick to give them the letters of transit; however, due to his past emotions with Ilsa, Rick promptly refuses to help the couple. Ilsa knows that Rick would never let both Victor and herself leave Casablanca, so she chooses to stay with Rick if he lets Victor flee the country. It is at this point that Rick chooses to go with a change of action. At the airport, Rick holds up Captain Louis Renault, who is played by Claude Rains, and forces him to allow admission for Ilsa and Victor to board one of the planes and escape together. The couple ends up leaving, and Rick is forced to face his demise. Fortunately for Rick, Captain Renault has a change of heart, and chooses to save the abandon Rick. As they walk through the mist at the very end, Rick states, “Louis, I think this is the beginning to a beautiful friendship” (Casablanca n. p.). The characters within Casablanca are one of the key components of what makes this film a classic.
Rick Blaine and Ilsa Lund, played by Humphrey Bogart and Ingrid Bergman, were profoundly intricate and complex characters. The way the two actors interacted within the film the audience could feel the tension, and the genuine emotions between them. According to one source, “Because of their great acting, the acting where the actors experience genuine emotions that their audiences could clearly see and feel” (Comey 28). From the moment viewers first see Ingrid as Ilsa, she portrays herself as a dedicated wife to Victor. As the film progresses, the viewers can see the changes in Ilsa’s character, and her past emotions for Rick become more evident. It is details like these in the acting that bring out the depth in the characters, and make the connections between them seem more genuine and compelling to the audience. It makes the viewers want to see what happens between the two unfortunate lovers as they find their way to freedom. Humphrey and Ingrid did a spectacular job in Casablanca, and because of their acting, it easily was put among the …show more content…
classics. As well as the acting within Casablanca, the producers of the film were able to convey the feeling of drama and love of the film through music. Composer Max Steiner, who was nominated for an Academy Award for Best Music in a film (IMDb n. p.) , was in the lead of composition for Casablanca, and he personally scored the scenes between Rick and Ilsa. Author Edward Sorel stated that, “Max rebelled at the idea of composing a score based on someone else's song. He insisted that Wallis allow him to write a new song for Rick and Ilsa” (Sorel n. p.). The scenes of Ilsa and Rick would have been less emotional and dramatic if the music had not been there. The music that Steiner composed to mold the theme to the scenario, orchestrating the melody of the stage, was able to enhance the dramatic qualities of the film. This was a key asset to the success of Casablanca, and it extremely underrated by many who watch it. Without the composition, the film would have lost its dramatic appeal, and would have left many of the scenes with a lack of emotion. A very notable aspect of Casablanca was the lighting techniques that were implemented for each shot of the film.
These were created by Arthur Edeson, who was nominated for an Academy Award for Best Cinematography (IMDb n. p.). The main focus of the lighting was mainly on the character Ilsa, or Ingrid Bergman. The lighting was used on her from the sides, to give her face a gloomy, honest and unforgettable appearance. One author agrees that, “The films use of backlighting reinforces Ilsas purity and honesty” (Smith 2). However, the shadows that cast over Rick in the beginning shows that he is shrouded in anger and isolation. The lighting is used to convey the unspoken emotions of the characters to the audience, and allows them to feel the specific emotions of that scene. Using lighting, the director is able to create the tensions between the characters with very little dialogue between them. Using the art form of lighting techniques, Casablanca, the director was able to express emotions that would have otherwise seemed bland. Giving the ability to be realistically conveyed, this adds to the movies emotional appeal and captures the attention of any viewer that chooses to watch
it. The product of Curtis's ingenuity had left a indelible mark on American cinema history. Casablanca will always remain as an American classic, and one of Michael Curtiz’s best films. Through the capabilities of the actors, the music, and the lighting techniques, Curtiz created a cinema masterpiece that would last for generations to come. From its black and white cinematography to its spare and cynical dialogue, Casablanca will continue to be an ageless film. Not only did this film serve as a classic romantic wartime drama, Casablanca also serves as a historical reminder for the chaotic world that reflected WWII, the world that both Ilsa and Rick wanted to escape together. As the protagonist, Rick, once stated, “The problems of three little people don't amount to a hill of beans in this crazy world” (n. p.). No matter what they were going through, it was nothing compared to what was happening in their country.
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
Audience members, when seeing Casablanca, would associate it as a war film, and I agree with that, but to be more precise, it is a pro-Allie war film. The literary elements in the film are the reasons why it can be viewed this way, with the emphasis on the plot and characters. The timing of when the film was released also supports the idea of it being an anti Axis film. Although it was set in 1940, it was made a year after Pearl Harbor and America entering the war, but it was released right before the Allies had a meeting in Casablanca, so the filmmakers seemed to have wanted the audience to empathize with the Allies. The whole plot seems to be focused around how Rick is neutral at the beginning of the film, but because of an old flame coming into his life once again, he slowly becomes in favor of the Allie side.
The body of Kunze’s essay is broke down by the “three triangulations of desire” and these relationships are dissected to support Kunze’s argument. He elaborates on the importance of Rick, Ilsa, and Sam; Rick, Ilsa, and Victor; and what he believes is most important Rick, Ilsa, and Renault. He uses resources such as Kosofsky Sedgwick’s work on homosocial male desire to support his own argument that Casablanca “accurately depicts the emotional complexity of male friendships and the reductive role of women in these fraternal bonds not only to fulfill the film’s admittedly propagandistic goals, but as an inadvertent testament to gender dynamics in a power structure organized around male power and interactions” (Kunze pg.20). Using Sedgwick’s work as a model, Kunze constructs this erotic triangle between each group of characters mentioned above. Kunze examines each relationship and believes it serves as a sensitive register. Kunze explains that there is more power and meaning that the general content. Utilizing Sedgwick 's model, Kunze suggest that the viewer can see the “complexity of Rick 's interactions with Sam, with Victor, and with Captain Renault—each of whom represents different levels of homosocial desire, all trumping Rick 's love and respect for Ilsa” (Kunze pg.21). Throughout the body of the
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.
“The greatest sacrifice is when you sacrifice your own happiness for the sake of someone else.” Sacrifice does not come easy, but one sacrifice can inspire many as seen in the novel One Flew Over the Cuckoo’s Nest. In the novel McMurphy sacrifices himself to undergo a lobotomy to inspire the other men on the ward that they aren’t crazy and they can stand up for themselves.
During the film Casablanca, there were many occasions where each character had a connection with the other. The entire film seemed to be about a man who is going through multiple complications of reality consequences without informing and information towards his loved one. As you can see in the movie Rick is trying to solve and deal with as many unideal situations for the sake of keeping his partner LSA safe and unaware from the events at all times. The Films shows motivation between him trying to do whats best for him and Llsa who is the partner of Rick shows a high trait of curiosity and awareness. Rick is also a character who moves in and out of hard shadows, often within a frame by himself.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
What makes this film a favorite of women? Lets take a closer look at the film and find out. Casablanca is set in the exotic land of Morocco where refuges wait for passage to America, the Promised Land. In a popular American café, Rick, the café owner, hides from the memories of a lost love. Rick is a mysterious, masculine hero who hides behind a hard outer shell but is really thoughtful and unpredictable. Rick soon runs into the girl he loves, Ilsa. Ilsa Lund is a beautiful woman who is torn between two lovers. Thus begins the tender love story that women cannot turn away from.
Over time, the role of women in films and society has changed drastically. In the 1940’s, all women were portrayed as weak. Many different films during this time made female characters dependent on other male characters, however, fighting women have overcome this obstacle and broke the stereotype about them being weak. Casablanca is a movie directed by Michael Curtiz that was filmed in 1939 and takes place at the start of World War II. In this film, Ilsa is the main female character and she is always relying on two men throughout the plot, Rick and Laszlo. For example, in one of the scenes, Ilsa says to Rick, “you have to think for both of us” (Curtiz). This demonstrates the idea that Ilsa is and also portrays that Ilsa is so weak that she
Films are a visual representation of the words in a screenplay. The director and actors of a film collaborate together to properly embody the characters the screenwriter had in mind when writing the script. The way a character is presented in the film influences the audience’s perception of the character. In the films Fargo and Casablanca, actors utilize various acting tools and character elements to influence the audience’s perception throughout the film.