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Over time, the role of women in films and society has changed drastically. In the 1940’s, all women were portrayed as weak. Many different films during this time made female characters dependent on other male characters, however, fighting women have overcome this obstacle and broke the stereotype about them being weak. Casablanca is a movie directed by Michael Curtiz that was filmed in 1939 and takes place at the start of World War II. In this film, Ilsa is the main female character and she is always relying on two men throughout the plot, Rick and Laszlo. For example, in one of the scenes, Ilsa says to Rick, “you have to think for both of us” (Curtiz). This demonstrates the idea that Ilsa is and also portrays that Ilsa is so weak that she
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
In Beowulf, the role of women is greatly different then that of old Greek literature and epic. Women in Beowulf are presented as peace-makers and they are respected, compared to the Greek view that women are on the same level as spoils of war and livestock; something you own and show as a trophy. Hygd is one of the generous, gracious, and wise woman portrayed in Beowulf. But even the wild, cruel, and ruthless women can be civilized and grow to be good, such as Modthrytho. Once she got married, she changed and became virtuous and kind.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
A women's job in the 1920s was to be chained to her house and abide by the unwritten laws of being a woman. Women were stuck in various rituals and traditions that only benefited the men of the world. In 1931, a novel named Brave New World was published by a man who made a utopian society where everyone was "equal" and science was all everyone believed. In the utopian society sex was acceptable, even encouraged, to have it at a young age. The novel went against everything society in 1920 stood for and was a disturbing culture shock for people; but if you look closely, a Brave New World wasn't that different from their society. In the novel, Aldus Huxley portrays women as inferior by using gender roles, birth control, and a woman's worth;
Lerner's words hold true for two women involved in the film I, the Worst of All. Both of them had to "reinvent the wheel" and show their male contemporaries that women can and will find their way out from under the control of patriarchy. Juana Ines de la Cruz and Maria Luisa Bemberg are separated by three centuries of continuous strife for feminists to affirm feminine subjectivity and feminine values. The struggle was/is doubly difficult because of what they have to face. At the time of making the film, Bemberg faced a mainstream cinema in which women were presented as a "function of male ambition" and as objects of possession, display, or currency (Bemberg in Pick 78). I, the Worst of All appeared in the 1990s, a time that we like to think is so different from the convent of 17th-centuryMexico. Bemberg shows us that it is not. Mainstream cinema never looks at women as "beings with ideas," as she says in an interview, but as empty shells, foils for the male characters, so that they can act and think (Pick 78). She had to fight a whole tradition of male filmmaking with her movie, and (re)assert her own feminist values in a film that challenges all the stereotypical filmic representation...
Contemplating the relationship between gender and power, one undoubtedly notices that tradition regards men as the holders of official office and power. Historically, men have also always been the leaders of their families, and turned to in times of trouble or need. Making generalizations is normally a weak approach to any task; in this case however, it is necessary to do so in order to illustrate how drastically opposite the situations prove in various selections from "1001 Arabian Nights." Rather than men taking critical roles of power, the women characters, especially at crucial moments in the plot, empower themselves far beyond the male figures, and, consequently, prove much more important to their respective plots. The stories offer a different perspective on the gender-power relationship and, consequently, ask readers to reconsider their notions of the traditional relationship between gender and power.
The Disney movie, Mulan, is a fantastic movie that depicts gender-stereotyped roles, socialization of gender roles, and consequences of over stepping one’s gender role. Both males and females have a specific role in the Chinese society that one must follow. Mulan made a brave choice pretending to be a man and going to war against the Huns in place of her father, risking serious consequences if she were to get caught. She broke the socialization of gender roles and could have been faced with very serious consequences of her actions. The Chinese society in Mulan exemplifies the typical gender roles of males and females, the consequences of displaying the opposite gender role, and showed what the society expected in males and females in characteristics and attitudes.
The Realm of Women in Literature “So it is naturally with the male and the female; the one is superior, the other inferior; the one governs, the other is governed; and the same rule must necessarily hold good with respect to all mankind.” This quote, spoken by the famous Aristotle, proves to be timeless. The words express knowledge concerning gender that proves to be centuries ahead of its time. Aristotle, however, may not have even realized the amount of truth expressed in these few, simple words. Men are commonly thought of as the dominant of the two sexes, but as we have seen through many of the literary works studied, this is most certainly not the case.
It is difficult to fully understand the role of women in ancient Egyptian society because the understandings of the society and government are still incomplete. There are also two other major problems, those being that there is very little source material on women, and the material that has been found was biased by the ideas and minds of previous Egyptologists. The only source material that has survived from great kingdoms of Egypt is material that has been either found in tombs on the walls and sarcophaguses, or carved on major government and religious document. None of the writings on papyrus and other delicate materials survived. This material, which has survived, is the writings of the Egyptian literate male elite. In their writings the also did not show any emotions or feelings, this was not the style of the Egyptian people, writings were purely a record keeping device. Because of these limitations, “It is essential to avoid the temptation to extrapolate from the particular to the general, a process which can only too easily introduce error.”
Women from the 20th century were viewed and treated differently than women of today. Facing hardships that in today’s society have improved over time, and less of a major case/deal. During that time period women were not looked as women as today are looked at; in the other hand all of these indecisive decisions lead up to a groundbreaking era. However, before they reached to that level, women struggle to live in society going through different areas such as politics, women’s rights, and roles. All of these areas impacted before and after the movement, that revolutionized how women ended up being treated. Also, all three points tie together in where all women struggled and mistreated. Leading to different accusations towards women, like Margaret Hossack; murdering her husband. Therefore, exploring numerous areas to explain past historical events.
In the 16th century, women and men were defined as having specific and contrasting roles within society. Men were defined as being powerful and dominant while women were defined as being submissive and meek. These ideals can be seen across cultures and throughout time. With these definitions of gender roles in place, the text suggests that gender is a social construct therefore qualities of femininity and masculinity are subjective. This is shown when Portia cross dresses as the lawyer Balthazar (IV) and when the truths of the rings are discovered by the two women (V). The strong female characters in the play exemplify that women are not confined to their social construct as they manipulate the male characters. During the 16th century only
In Shakespeare’s The Merchant of Venice, the role of women is quite significant. Although there are only three women throughout the play, Jessica, Nerissa, and Portia, all play a role that affects the outcome of the play. Portia, Jessica, and Nerissa are all very significant characters from this time period. The three women display characteristics of bravery, independence, and intelligence.
The role women play in today’s society is a drastic change from the previous role. Women used to be confined to the superiority of the man. Physically, mentally, and emotionally abused, belittled, embarrassed, and silenced. These are just a few examples of the emotion from the isolated treatment of the past. A woman’s role in today’s society is more valued than ever before.