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History of creative dance
Cultural dimension in dance
History of creative dance
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What is the history of Contemporary dance?
Contemporary dance is a style of dance developed and created throughout the mid-twentieth century that has since grown to be one of the most used and more dominant dance genres. With main popularity in Europe and the US. It was originally formed by borrowing movements from styles such as classical, modern, jazz and ballet styles it has since started borrowing from many styles and now has styles borrowing movements from itself. Although contemporary dance borrows from styles such as modern jazz and ballet it is not to be confused with the two as they are all different styles with just a few similarities. Modern dance brought lyrical and classical ballet movements such as explosive lower body focus but
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Denis was an American contemporary dance practitioner, introducing more oriental dance ideas into the performing arts. She co-founded and opened her own dance school named 'The American Denishawn School of Dance. Once she died she left behind a legacay that included her oriental-inspired dances and some of her own students later became some of the most pivotal and famous dance figures in the contemporary dance world. Even today some dance companies include collections of her most memorable and famous solos in their own work.
Martha Graham: 1916-1970
Martha Graham was an American modern performer, dancer and choreogrpaher for more than half a century she was the pioneer that brought modern dance into the mainstream world and made people want to join in. Her own style 'The Graham Technique' redesigned American modern dance and is still taught throughout the world to this day the technique has been called and recognised as the cornerstone of contemporary dance. Her shows were intended to 'reveal the inner man' in somebody. Graham was the first dancer to be asked to dance at the White House and travel abroad as an ambassador of dance. Throughout her career she was awarded honors ranging from the Key to the City of Paris to Japan's Imperial Order of the Precious
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He is acknowledged for making modern dance popular and revolutionising the afro-american participation of concert dance within the 20th centruy. Because of his companies extensive international touring the company gained the nickname of 'Cultural Ambassador to the World' One of his most famous works 'Revalations' is known to be the best known and most often seen piece of modern dance performance in the world. Ailey fell in love with dance while studying dance styles and techniques such as classical ballet, jazz and native amercian dance at Horton’s school. Horton's school was also the first multi-racial dance school in the United
Born January 5th, 1931 in Texas, Alvin Ailey was an African-American dancer and choreographer. Leaving Texas to move to Los Angeles, he studied dance under modern choreographer Lester Horton, a teacher and choreographer of a modern dance school and company. He then moved on to pursue broadway, making his debut in Truman Capote’s House of Flowers in 1954, in New York (Alvin Ailey Biography n.d). It was here that he also had to opportunity to study dance with Martha Graham and in 1958 Ailey founded his own dance company, Alvin Ailey American Dance Theatre (Alvin Ailey Biography n.d). Over the course of his career Ailey both choreographed and danced in his pieces until his death in 1989. Ailey’s pieces include influence of African culture, most evident in his piece Revelations (1960). Studying this particular piece of work over the course of five weeks I saw that it
... social dance. Many people in today’s society enjoy social; dancing. Chapter eleven dance concert, properly planning and establishing a dance concert is of the utmost importance. The partnership with the lighting designer usually takes priority over all other factors. One of the most important issues concerning customers has to do with mobility. The dancer must be able to move comfortably in the costume. The task of producing a dance concert is an overwhelming and tiring one. Chapter twelve dance in education and career in dance, many dance educators present the argument that teaching and learning dance as an art form is obviously absent from the American student education. There has always been and always will be people who have a love, desire, and passion to instruct and learn the art of dance, will ensure an important place for dance in higher education.
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
Martha Graham following Mary Wigman choreographed to the “essentialized” body through using the breath, contractions, human emotion, and so on. Martha Graham believed the pulsation of life came from the breath (6). This breath represented the soul. Graham’s breath is controlled by the contraction and release upon which her choreography was based. Graham also went on to state, “Art is eternal for it reveals the inner landscape of a man” (4). Dancing from the inside of your soul out is what Graham wanted her dancers to do. In own opinion e access our soul through surrendering to the divine power of God, which starts by connecting to our breath. Isadora Duncan danced with a connectedness of her body and soul completely inspired by nature. Graham
Alvin Ailey played a large role in the diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider variety of content that had otherwise not been popularized before. Not only did he draw his inspiration from the African culture, but he also amalgamated this with his personal experience growing up as a black child during times of segregation. Alvin was born during the Great Depression to two working class parents in Rogers, Texas.
Martha Graham is a one of the many 20th century important dancer and she’s also the mother of modern dance. She was born in Pittsburgh, Pennsylvania on May 11 1894. Her teen years she studied dance in Los Angeles. Where she studied was at Denishawn. In 1926 she then had her own dance company in New York City. Martha still was dancing when she was 60 and she also choreographed. In the Autobiography by Victoria Phillips Martha Graham saids this about her Autobiography, “I am not out to make a preach about my life. Some of it has been wonderful and I’ve been very, very fortunate some of it I regret. The things which are, perhaps, too private to ever reveal—one refuses to reveal.” (Phillips 65).
Merce Cunningham was known as a “leader of the American avant-garde whose constant innovation and artistic collaborations expanded the frontiers not only of dance, but also of contemporary visual and performing arts”. His passion and drive to succeed and push boundaries of dance and technology helped him throughout his career and in the building of his own dance establishment, the Merce Cunningham Dance Company. He also worked closely with the composer John Cage, where together they created different, new music. He was one of the most daring choreographers of his time regarding the exploration of technology in dance. He had begun to look into dance film in the 70’s, and further started to choreograph new dances using a computer program named ‘Dance Forms’. He also further created a webcast series where the public were able to view his teaching in the Merce Cunningham Dance Company, and could essentially sit in on the rehearsals
3. Bill “Bojangles” Robinson started to dance when he was very little as a busker in front of theatres to make a living. Then he was picked for some performances for small dances. He was successful in minstrel and vaudeville shows and then acted on Broadway. He was known as one of the most successful African American tap dancers and contributed significantly to the development of tap dances.
Ms. Katherine Dunham is known as one of the most influential African American woman who contributed a lot of her style and inspiration to the dance world. “ Katherine Dunham is a dancer, choreographer and educator she is known as the matriarch of black dance.” (Joanna Dee Das) When Dunham participated in dance she established the African-American dance as an art in its own. Katherine was born the youngest child in Chicago to Albert Millard Dunham and Fanny June. Her cultural background included Indian, French Canadian, English, Malagasy and African ancestry. According to Mandell while growing up Dunham was seen as the average African American girl, until her mother passed away in 1913 leaving her mothers family to care for Katherine and her
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
The new dancers wanted their movements to be authentic and to tell a story. An example of this is Isadora Duncan, a dancer and choreographer of the 20th century, when “in 1904 [she] established a school in Grunewald, Germany (and others in France and Russia), in which pupils were trained through gymnastic exercises and encouraged to express themselves through movement” (Kassing). Duncan inspired dancers to unravel themselves in their own movements, and to use the music and nature as a muse: “My art is an effort to
Ballet, a form of dance has been around for many years and did not start in America. Ballet has made its mark around the globe and many have and still are enjoying the art and entertainment that the ballet brings. Ballet is known as being the “core” of the other forms of dance as in modern, contemporary and even hip hop. People enjoy the form of dance on an everyday basis at family functions, parties and even just being home alone and many do not know that the dances they particularly like all originated from ballet. The history of ballet has been put into nine well defined sections the Renaissance Period, the Baroque Period, the Classical Period, the Pre-Romantic Period, Romantic Era, the Russian Classics, the Ballet Ruses, Ballet in Europe
Overall, Isadora Duncan was an amazing and revolutionary person. She discovered intense emotions and a strong spirituality within herself, within her soul. She transformed her discoveries into a dance in order to share it with the world.
Contemporary/modern is another type of dance similar to ballet but modern dance frees itself from the strict rules of ballet and focuses more on the dancer’s expression of inner feelings. Modern dance was created in the 1900’s as a rebellion against classical ballet. It emphasizes creativity in its choreography and performances.