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Love in romeo and juliet essay
Love In Romeo And Juliet
Shakespeare's ideas of love
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Love is often perceived as something perfect and flawless in today’s society. However, Romeo and Juliet, a play written by William Shakespeare, portrays love as a form of passionate and violent force that comes with both rewards and consequences.The tragedy focuses on two young lovers called Romeo and Juliet, whose families are intertwined in an ancient feud that disrupts the peace in Verona, Italy. For love, the two teenagers are driven to overcome obstacles they will never imagine doing, and as a result, they along other family members are forced to pay the price of their lives. Through the play Romeo and Juliet, Shakespeare exhibits the reality of young love through the portrayal of the Queen Mab Speech, the impulsive actions taken by both lovers, and the results caused by the powerful nature of their love.
Through Mercutio’s portrayal of Queen Mab, it depicts the reality of Romeo and Juliet’s delusional love. After Romeo reveals his apprehensive feelings of his dream, Mercutio also begins to unveil his ‘dream’ of the enchanting fairy called Queen Mab. At first, his description of Queen Mab seems to just be an innocent dream of fantasy: “O,then I see Queen Mab hath been with you/... and she comes/ In shape no bigger than an agate stone...Tickling a parson’s nose as he lies asleep” (1.4. 58- 85). Although Mercutio seems to be depicted simply as a witty character who constantly makes comedic puns throughout the play, he is also shown have intellectual insight that Romeo lacks. Little does Romeo know that the dreams Queen Mab bring also refers to the naive, myopic dreams Romeo has about Rosaline (1.1. 226-232), a woman who he perceives to be his everlasting lover. He is reinforcing the naive mindset of Romeo’s visions of love, bu...
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... portrays the reality of love’s intoxication. The Queen Mab Speech accentuates the difference of the fantasy that Romeo and Juliet imagine to be living in and the reality of their young love that Romeo and Juliet are oblivious to. The two are unknowingly being intoxicated by their own love, which causes them to make rash actions as they gradually depart from the world of reality. The love becomes so overpowering to the point where the lovers are willing to end both of their lives in order to preserve their love. Despite the tragic end of the lovers, the feud between the families does cease to an end, further displaying the riveting force of love. Through the portrayal of Romeo and Juliet, Shakespeare conveys that in reality, young love is not as dainty as what most perceives it to be; it is often delusional, intoxicating, and it results in both rewards and tragedies.
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
“Don’t waste your love on someone who doesn’t value it.” In the play Romeo and Juliet, William Shakespeare exposes the life of two young lovers in the Renaissance period fighting for something they cannot live without; each other. Although fate takes its toll, the everlasting feud between two families, conditional love by parents, and the irresponsibility’s of father and mother like figure are the main causes in the death of Romeo and Juliet. The idea of love is something that is valued in this play from many different aspects of characters, lines, and scenes. Shakespeare leaves the minds of readers soaring over not why it happened, but who was at fault.
The prosperous and vibrant Elizabethan Age made England the heart of all commerce, culture, and most importantly, theatre. Romeo and Juliet, the masterpiece tragedy by William Shakespeare, takes place in this time period and relays the story of two young lovers whose ill-fated deaths eventually end an ancient family feud. The two, Romeo and Juliet, come from quarreling families who adamantly disapprove of their union. Thus, after knowing each other for only a few days, the star-crossed pair marries in secrecy and continues their furtive relationship. The situation complicates as the story progresses, with a previous love, arranged marriages, a perilous plan, and several deaths. Ultimately, Romeo and Juliet both fall to the consequences of their actions and have a pain-filled and sorrowful demise. Shakespeare’s use of various tactics in developing Romeo’s character in the play Romeo and Juliet shows that Romeo has an impulsive and emotional disposition. Romeo’s inner feelings, his actions and responses, and others’ opinions about him all help shape his character. William Shakespeare’s methods all combine to draw Romeo’s disposition.
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while grasping ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo ingesting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
In William Shakespeare’s Romeo and Juliet and Yukio Mishima’s The Sound of Waves, the secondary characters play an essential role in the book. In Romeo and Juliet by an English playwright and poet William Shakespeare, Friar Lawrence is an important secondary character who designs solutions for Romeo and Juliet and brings the play into the dramatic results. The failure of his plan causes the tragedy of death for both main characters at the end of the story. In The Sound of Waves, Shinji Kubo, a young and poor fisherman in Uta-Jima falls in love with Hatuse, a rich man’s daughter. Shinji and Hatsue try to be together throughout the book, but encounter many difficulties with their neighbors. Shinji’s mother tries to help Shinji and Hatsue by asking many people and going to shrines to beg the gods for help to get them together.
A character goes through many changes that depend on the kind of events they experience. The play “Romeo and Juliet” written by William Shakespeare, uses different tones and language that shows the readers that Juliet, a Protagonist, changes over time, proving the idea that she is a dynamic character. At the beginning of the play, we are introduced to a young, innocent and inexperienced girl, Juliet the daughter of Lord Capulet . She has not yet seen the real world and is raised by the person she trusts most, her nurse. Juliet begins as a naive child who has thought little about love and marriage, but she grows up quickly upon falling in love with Romeo, the son of her family’s great enemy. Due to the fact that Juliet is a girl in an aristocratic family, she has none of the freedom Romeo has to rome around the city, climb over walls in the middle of the night, or get into swordfights. As we begin to learn more about the character of Juliet, we learn that Juliet is not the girl she used to be anymore. She is more courageous and willing to break the rules. She goes against her and her family beliefs. In the beginning of the play she obeys her parents. But as the play descends Juliet is disregarding of what her parents say. She is no longer the innocent girl she use to be. Shakespeare use of language helps the reader to see the change in a character that makes them a dynamic character.
This extract reflects on the theme that romantic love can be beautiful and ennobling. Romeo sneaks into Capulet’s orchard and uses the most charming figurative language to describe Juliet and her beauty. Shakespeare uses metaphorical language comparing Juliet to the sun; this shows Shakespeare’s craft in writing, because this scene is placed at nighttime, “It is the East, and Juliet is the sun.” Romeo describes her beauty in glowing images of light, like the sun, moon, and the stars. Also, he uses personification saying the moon is jealous of Juliet’s beauty, “Kill the envious moon who is already sick and pale, that thou her maid art far more fair than she.” Furthermore, Romeo brings in heavenly bodies and uses metaphorical language saying Juliet is an angel who stands over the clouds, “As is a winged messenger of heaven, when he bestrides the lazy-pacing clouds.” Romeo is so in love with Juliet that he compared her to the universe and its beauty along with alluring imagery.
Love is a wonderful curse that forces us to do unexplainable things. Romeo and Juliet is a famous play written by William Shakespeare, who does an exceptional job in showing the readers what hate, mercy, death, courage, and most importantly, what love looks like. This play is about two star-crossed lovers who are both willing to sacrifice their lives just to be with one another. Unfortunately tragedy falls upon the unconditional love Romeo and Juliet have for each other, but along the way they experience immeasurable forgiveness and extraordinary bravery just to be with one another. Sadly enough, love is a cause of violence in the end.
Shakespeare’s “Romeo and Juliet”¬¬ is considered to be one of the most tragic stories ever told and the most asked question is ‘What, exactly, caused their deaths?’ That question has been answered from a respected, educated literature critic to the adolescent mind of an annoyed teenager. The sources that shall be used are from professional critics, but the opinion shall lean toward more of an annoyed teen. While not exactly annoyed, more exasperated, one could say. Romeo and Juliet commit suicide because of their young age. Romeo’s impulsiveness and desperation to love mixed with Juliet’s innocence and easily influenced personality prove to be a deadly pair. Romeo and Juliet’s lack of experience for love because of their age ultimately led to their death.
The proverb goes that “the road to hell is paved with good intentions.” In the classic play Romeo and Juliet by William Shakespeare, this proverb reflects Friar Lawrence’s preeminent role in the tragedy of the two teenage lovers, each belonging to feuding families in Verona. Though Friar Lawrence’s motives are filled with good intentions, he does not always use the moral approach to reach them. In his play, Friar Lawrence is the most responsible character for Romeo and Juliet’s deaths because he is not only political, but also irresponsible and deceptive.
Young love; a questionable topic since the early days of mankind. Even after centuries have passed, many still wonder whether it is considered true love or just plain lust. This mystery reincarnates itself through Shakespeare's Romeo and Juliet. The question that arises in this tragic love story of young, supposedly star-crossed lovers is who is to be truly blamed for their deaths within the first two acts? With a story as complex as this one, the blame can fall on various characters. However, the most evident characters to take the fall are Benvolio, Romeo and Friar Lawrence.
Aristotle proposed what is believed to be the first definition of a true tragedy. Specifically, he states that a tragedy triggers great pity and fear caused by the main characters’ actions alone. Likewise, a true tragedy lacks coincidence and fate plays little in the overall play. William Shakespeare writes the play of The Tragedy of Romeo and Juliet in which the audience knows the destiny of these two tragic heroes from the very beginning. Although this play is tragic knowing that the lives of two lovers are lost, it is not a tragedy as Romeo and Juliet are not solely responsible for their own deaths. Destiny is determined through the hands of greater forces than that of Romeo and Juliet, making this play merely tragic and not a true tragedy. Therefore, the play of Romeo and Juliet is not a tragedy as coincidental events, the role of fate, and Romeo and Juliet’s numerous tragic flaws are what ultimately cause the outcome of this play.
Romeo and Juliet is a romantic love story about a young lad named Romeo who has fallen in love with Lady Juliet, but is unable to marry her because of a long-lasting family feud. The play ends in the death of both these characters and the reunion of the friendship between the families. Romeo is in love with Juliet, and this is a true, passionate love (unlike the love Paris has for her or the love Romeo had for Rosaline) that nothing can overcome, not even the hatred between their two families that is the reason for the death of their two children. Throughout the play, Shakespeare thoroughly explores the themes of both true love and false love and hatred. Without either of these themes, the play would loose its romantic touch and probably would not be as famous as it is today.
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”. The general umbrella of love encompasses various kinds of love such as romantic love, the love of a parent for a child, love of one’s country, and several others. What is common to all love is this: Your own well-being is tied up with that of someone (or something) you love… When love is not present, changes in other people’s well being do not, in general, change your own… Being ‘in love’ infatuation is an intense state that displays similar features: … and finding everyone charming and nice, and thinking they all must sense one’s happiness. At first glance it seems as though Shakespeare advocates the hasty, hormone-driven passion portrayed by the protagonists, Romeo and Juliet; however, when viewed from a more modern, North-American perspective, it seems as though Shakespeare was not in fact endorsing it, but mocking the public’s superficial perception of love. Shakespeare’s criticism of the teens’ young and hasty love is portrayed in various instances of the play, including Romeo’s shallow, flip-flop love for Rosaline then Juliet, and his fights with Juliet’s family. Also, the conseque...
In the play “Romeo and Juliet”, Shakespeare shows that love has power to control one’s actions, feelings, and the relationship itself through the bond between a destined couple. The passion between the pair grew strong enough to have the capability to do these mighty things. The predestined newlyweds are brought down a rocky road of obstacles learning love’s strength and the meaning of love.