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Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise, death, is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending …show more content…
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while grasping ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo ingesting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood. …show more content…
Any director worthy of recognition is aware of his or her audience and aims to draw pleasing reactions. The 1996 film surely offends masses as images concerning religious beliefs are depicted next to outrageous elements. The Elizabethan playwright scripts the host of the event exclaiming, “You are welcome, gentlemen.—Come, musicians, play./(music plays and they dance)/A hall, a hall, give room!—And foot it, girls.—/More light, you knaves! And turn the tables up,/And quench the fire” (I v 25-30). Capulet 's hospitable words form an image of a formal prestigious event. In contrast, the costume party hosted by the Capulet family in Baz Luhrmann’s vision kicks off with the unforgettable dance number of a man dressed in feminine attire. The director continues to insist on an absurd innovation when Shakespeare does not leave room for audiences to imagine a guest as eccentric as Luhrmann’s Mercutio to make an
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
from Odysseus, hero of the Trojan War, to Richard III of Shakespeare’s play. A prominent,
While reading Shakespeare's play “Romeo and Juliet” it is easy to see that everybody in the story is at fault for the deaths of Romeo and Juliet. Personally however, I believe that three of the main characters are more at fault then the other characters. First is Mercutio, Romeo’s best friend. Next is Benvolio, nephew of Lord Montague and Romeo’s other friend. Last is Friar Lawrence, Romeo and Juliet Franciscan Priest. In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths.
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
clever punning - 'If love be rough with you, be rough with love' and '
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
Tragedies are dramas based on human sufferings, where often many characters or events can be blamed for. In Shakespeare’s Romeo and Juliet, the two forbidden lovers’ deaths ultimately reconcile their feuding families. Romeo and Juliet’s heartbreaking fate can be attributed to Mercutio’s disobedient behavior, Friar Lawrence, and the Capulet’s party.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.
The director's choice of lighting and music helped to create an actual party scene with the liveliness it brought. The explosion of fireworks in the sky could have been interpreted as an explosion of lust that would occur later on between Romeo and Juliet. Also I found that the use of fireworks in the sky emphasized the stars, and Romeo and Juliet were star crossed lovers of their time. The coloring of reds and gold helped make the Capulet house outstanding and showed the audience royalty and richness. The statues that were on each side of the staircase representing half man and half fish were showing the controversy of how a man is torn from being masculine, to being put in the direction of femininity or romanticism.
Luhrmann’s 1996 Romeo and Juliet is compelling when communicating the main ideas of the play by providing the audience with a modern translation of the play using the motifs in the film which correlate to the play.
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
Countless people all around the world are familiar with the idea of the famously tragic tale of two star-crossed lovers in William Shakespeare’s play, Romeo and Juliet. Their heart wrenching love story has been an inspiration for many literature pieces throughout various genres and later cinematic works of art. The young couple was not only memorable for their passionate, devoted love, but also the tragic events that ultimately lead to their death. One aspect of the play that has a strong impact on the audience is Shakespeare’s use of charismatic and compelling language seen throughout the play. The unique personality traits used to describe Romeo and Juliet allows many to relate to the young lovers. Shakespeare’s use of descriptive language, allows the audience to understand the societal expectations, beliefs, and values set out for the men and women of Verona, Italy. Romeo’s character, however, can be been seen defying these expectations and also
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
Translated across many forms of media, William Shakespeare’s Romeo and Juliet has long gripped the hearts of audiences around the world. Its many adaptations have made it readily available in a range of forms. Baz Lurhmann’s William Shakespeare’s Romeo + Juliet is one example of film bringing the story of Romeo and Juliet to a new generation. Originally met with hesitation, Lurhmann’s film was deemed a pop culture remake of the classic story. The trailer released for the film followed suit, flashing images of violence, guns, and heart-throb Leonardo DeCaprio, in order to grab the attention of the audience. In most cases, people do not realize that behind these scenes lies subliminally transmitted emotion. Through the instrumentation
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.