The Complex Mercutio
Throughout history and literature, many compound characters can be found, ranging
from Odysseus, hero of the Trojan War, to Richard III of Shakespeare’s play. A prominent,
though obviously so, of these multiplex characters is Shakespeare’s Mercutio of Romeo and
Juliet. Mercutio is often overlooked when a list of round characters is compiled, but he is in fact
one of the most multi-faceted people in the play.
The first of his many traits is his profound wit. Throughout the play Mercutio seizes every opportunity to turn a phrase into a speech of puns and metaphors. Skillfully crafted, these orations often grasps the duplex meanings of words, speaking in those terms to refer to other things. At one such point, Tybalt
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refers to Mercutio as the consort of Romeo. Immediately leaping upon the dual meaning of consort, Mercutio replies, “Consort? What, dost thou make us to be minstrels? An though make minstrels of us, look to hear nothing but discords. Here’s my fiddlestick, here’s that shall make you dance. ‘Zounds consort” (III.i.45-48)! Here Mercutio’s incorrigible wit is demonstrated as he turns to phrases associated with minstrels. He makes his sword out to be a fiddlestick that would make Tybalt dance as a fiddler does at parties or banquets. This same wit is at times offensive and rash, getting him into fights that might have been otherwise avoided. The second attribute of Mercutio’s complexity is his ever-present truculence. This rash need to start fights is what eventually causes his death. His wit is what often brings about the arrogant way in which he deals with people, especially the enemies of his best friend. The most marked of these times is when he challenges Tybalt the Capulet, saying, “And but one word with one of us? Couple it with something; make it a word and a blow” (III.i.38-39). Here Mercutio responds to what seems a civil request for a word with one of them, with a barbed challenge. This in a way couples with his wit, and yet also contradicts it. It his is wit that often causes him to jab at people, but it is also his wit with which he reasons with Romeo about love and dreams to cause peace. This tendency to quarrel is yet another aspect of his personality. The final attribute to be discussed is Mercutio’s sometimes wild and erratic emotions.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
people and actions. The prominent, erratic, rash, and witty Mercutio has many faces and facets, blending to become one of the best and most complex characters in literature.
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
The first foil character that appears in ''Romeo and Juliet'' never actually appears at all. She is mentioned, talked about, and bemoaned, but never sets foot on stage. Rosaline, the girl Romeo is in love with before he sees Juliet, is a foil for Juliet's character. Rosaline is aloof, quiet, and sworn off marriage and pleasures of the flesh.
While reading Shakespeare's play “Romeo and Juliet” it is easy to see that everybody in the story is at fault for the deaths of Romeo and Juliet. Personally however, I believe that three of the main characters are more at fault then the other characters. First is Mercutio, Romeo’s best friend. Next is Benvolio, nephew of Lord Montague and Romeo’s other friend. Last is Friar Lawrence, Romeo and Juliet Franciscan Priest. In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths.
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
Mercutio is one of the most unique characters in Shakespeare's Romeo and Juliet. His language is always powerful and imaginative. The Nurse is a very important character in the play because as her title suggests, she is. a Nurse for the Capulet family. She is also a surrogate mother to Juliet.
clever punning - 'If love be rough with you, be rough with love' and '
After Tybalt killed Mercutio and Romeo challenges him to a duel, Romeo demands, “That late thou gavest me, for Mercutio’s soul/ Is but a little way above our heads/ Staying for thine to keep him company/ Either thou or I, or both, must go with him” (Shakespeare Act III scene i, lines 119-123). This quote shows how Romeo’s downfall is partly his fault because he is defying the prince’s command to no longer fight with the Capulets by challenging Tybalt. Since Romeo is aware that he is defying the prince and fighting anyway it is proven he is contributing to his own demise or downfall. When Mercutio is wounded after fighting Tybalt , he cries, “I am hurt/ A plague o’ both your houses!” (Shakespeare Act III scene i, lines 84-85). The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged in it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown a tragic hero because his demise is partly his fault and not an
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
At the time Mercutio makes his famous "Queen Mab" speech in Shakespeare's Romeo and Juliet, he and Romeo, together with a group of their friends and kinsmen, are on the way to a party given by their family's arch-enemy, Lord Capulet. Their plan is to crash the party so that Romeo may have the opportunity to see his current love, Rosaline, whom they know has been invited to the Capulet's masque that evening.
Loyalty to another person can cause people to act without thinking. Romeo and Juliet by Shakespeare is a dramatic play about two lovers and the quest for love. Many of the decisions that were made throughout the play were bad decisions and affected Mercutio and Juliet’s outcome greatly. While Mercutio and Juliet both make decisions out of lack of impulse control, Mercutio also makes decisions that are influenced by violence, and Juliet makes decisions that are influenced by suicidal actions.
O there dramatic ironies included when Romeo falls in love with Juliet, Mercutio imagines he is still in love with Rosaline. “Ah that same pale hard-hearted wench, that torments him so that he will sure run mad. '; (Act II, Scene IV, Line 4). All the dramatic ironies caused a very lively presence throughout the play and has caught the eye of many readers.
As life proceeds its slow waltz, and humans live their lives, meeting countless other people in the same predicament of nearing an unavoidable end. In this cycle of monotony and conversation there can be people found that are different. Those who are never bothered by the burdens of death and monotony, and hurry through life to greet death as a lost friend they had encountered many times on their sprees of invincibility. From the handful of people who resemble these characteristics, one can be found in the William Shakespeare play Romeo and Juliet. In which the zany character to be found is Mercutio, who is of neither Montague nor Capulet but falls to the hands of Capulet in the defense of Romeo of Montague in a fight of a childish altercation. In which even at his fall in Romeo and Juliet, Shakespeare still displays his distinct characteristics that greatly define him such as: humor and impulsiveness.
In Act One of William Shakespeare’s play, Romeo and Juliet, we meet Romeo, Mercutio, and Tybalt. Right away, we get an idea of who these characters are and what kind of role they will play throughout the story. Romeo, Mercutio, and Tybalt share many distinctive characteristics and personalities in the story. We learn that Romeo is the romantic and handsome son of the Montagues. In the beginning of the story, he was depressed, but his mood quickly changed as the story went on. We also learn that Mercutio is Romeo’s closest and good friend who tries to make Romeo forget about his first love, Rosaline. He is a great entertainer and he’s very sarcastic too. Instantly, we learn that Tybalt is a Capulet and Juliet’s cousin. He is very hot-headed, aggressive, and violent. He loathes the Montagues very much. Finally, in Act One of William Shakespeare’s play, Romeo and Juliet, we meet three characters, Romeo, Mercutio, and Tybalt and we directly get an idea of what the characters are like.
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.