Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Antigone character analyis essay
Antigone character analysis essay
Tragedy characters essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Antigone character analyis essay
Tragedy. What comes to mind when you see or hear that word? For many, they often refer it to as “the play in which everybody dies.” But tragedy goes far more beyond that, it goes beneath the surface and digs up what is truly beneath. As exemplified in “Antigone” a tragedy depicts the downfall of a character through their flaws which results in a change in perspective or death. Even though it may seem as if the role of tragedy in a play causes nothing but mishaps, they hold a much greater significance and reaches towards a universal concept that sets tragedy apart from other genres such as comedy.
Often, Tragedy is inflicted upon a character because of their own personal flaw. The character, which can also be noted as the tragic hero, is someone who falls as a result of their flaw. Character traits such as pride, arrogance, ambition, etc. may make a character admirable and praiseworthy but when it is excessively overdone, it can become their worst enemy. At times, the problems a character inflicts upon themselves can not only harm them but also those around them that they may not intend to hurt. Antigone has been a victim of acting upon her flaw. “Perhaps you aimed too high.” (pg. 230) The chorus mentions as the case may be that Antigone stepped out of her boundary and went overboard. She dared to challenge Creon’s edict and went ahead to bury Polyneices when she was fully aware of the edict and punishment that awaits those who dare threaten it. “You dashed your foot on fate…” (pg.230) Antigone was too ambitious trying to fulfill her goal. She thought “the crime” (pg.213) she had committed was rather glorifying and “may be called a virtue there.” (pg.213) Antigone states that what she did was of moral goodness and in her eyes it i...
... middle of paper ...
... significant role in connecting the play to the audience. The effect of tragedy is called “Catharsis” which means purification. This makes sense since tragedy can teach viewers compassion and sympathy of others and purifies the soul of being rash and selfish. It brings us out as an audience to be more aware of others rather than ourselves. Tragedy can also reveal how a character really is, their true intentions and identity. For example, how far will one go to save a beloved one from danger or perhaps even death? In times of great hardship, things will slowly begin to reveal itself. From tragedy, viewers can also expect to learn a lesson or two from a character’s flaw rather than experiencing it firsthand for themselves. In conclusion, tragedy is a healthy and necessary component, whether in our lives or in plays, it is something that is truly meaningful to life.
A tragedy is : a dramatic composition, often in verse, dealing with a serious or somber theme, typically involving a great person destined to experience downfall or utter destruction, as through a character flaw or conflict with some overpowering force, as fate or an unyielding society. Romeo and Juliet is a tragedy in which the great person or character caught up in downfall and utter destruction is Romeo. Romeo’s utter destruction as a tragic figure is the suffering around him. All of this suffering and tragedy in Romeo and Juliet can be traced back to Romeo or the grudge between the Montagues and the Capulets. Romeo is the most tragic figure in the tragedy of Romeo and Juliet, so he is the leading cause to all suffering to other characters.
Aristotle states that "For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to the representation of character: character comes in as subsidiary to the actions. Hence the incidents and the plot are the end of a tragedy; and the end is the chief thing of all.
There are many tragedies to be found in literature, but only a few are like Shakespeare’s Romeo and Juliet. It is a story of forbidden love in which a young couple are torn apart by their families’ feud in Renaissance Italy; the play’s tragic ending has both main characters die. Many aspects of this play have sparked a heated debate: is Romeo and Juliet a tragedy or is it simply tragic? Some critics claim that the play lacks elements that are necessary for a tragedy. Yet Aristotle explicitly states the essential components of a tragedy in his Poetics, and Romeo and Juliet meets those requirements. Romeo and Juliet can be considered an Aristotelian tragedy because of Romeo’s impetuousness, Juliet’s loyalty to Romeo, and the play’s peripeteia.
A subject of debate in Sophocles’ play Antigone is which character complies with the characteristics of a tragic hero. The qualities that constitute a tragic hero are, in no particular order, having a high social position, not being overly good or bad, isolation, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Creon possesses some of these qualities but, does not completely fulfill them all. Antigone does, however, conform to the persona of a tragic hero.
Aristotle once said that a Greek Tragedy must include an important person that has a flaw. By this flaw, the audience should feel pity and fear. Creon, a character in the Greek tragedy “Antigone”, resembles a perfect example of a tragic hero. This play was written by Sophocles, a historic playwright during the 5th century. It begins with the illegal burial of Polyneices, Antigone’s beloved brother. Creon, the King of Thebes, is coerced to condemn his niece Antigone to death. Being loyal to his city, Creon follows through with his punishment of Antigone. By doing so, his character is changed forever. Creon has the qualities of a tragic hero: he is a good person with superior status, he has a tragic flaw, and he comes to realize the role he plays in his own downfall.
Beginning with the Greeks, tragedy has been an essential form of entertainment. Although it has changed slightly over time due to different religious and social values, it is still written and performed to this day. Perhaps the most well known tragedy of all time is Shakespeare's Hamlet. Hamlet is perhaps the epitome of all tragedy. Not only does the tragic hero Hamlet meet his demise, but all the main characters in the play at some point due to some flaw in their character, or some fatal decision, also meet the same fate. It is because of their character flaw and/or their fatal decision at some time during the play that their death can be justified.
…The tragic feeling is evoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing -- his sense of personal dignity. …The underlying struggle is that of individual attempting to gain his "rightful" position in his society. … Tragedy…is the consequence of a man's total compulsion to evaluate himself justly.
Aristotle wrote “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” (Poetics). Shakespeare 's “The Tragedy of Hamlet, Prince of Denmark,” is viewed by most as one of the greatest tragedies that was ever written. Hamlet, an ideal tragic hero in his right, as appealed to many people of different cultures since it was written all those years ago. Hamlet has all of the makings to be a real man and that is what brings us into his world so easily, but like every human being on Earth, he has a hamartia. John Green
Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary work that describes the downfall of an honorable, main character who is involved on historically or socially significant events. The main character, or tragic hero, has a tragic fault, the quality that leads to his or her own destruction. In reading Aristotle’s point of view, a tragedy play is when the main character(s) are under enormous pressure and are incapable to see the dignities in human life, which Aristotle’s ideas of tragedy is based on Oedipus the King. Shakespeare had a different view of tragedy. In fact, Shakespeare believed tragedy is when the hero is simply and solely destroyed. Golden (1984) argued the structure of Shakespearean tragedy would be that individual characters revolved around some pain and misery.
The play Othello is Shakespeare's own version of a classic Greek tragedy. A classical dramatic tragedy derives its essence from the ancient Greek plays that were often popular in Athens. These plays would typically consist of the downfall of a famous Greek character in history/legend, or the breakdown of a hero. Typically the hero is forced to struggle against overwhelming odds, and fate only that this characters downfall would be so imposing that regardless of these forces of nature and fate that destroy him, that he would rise and regain glory due to his moral victory. These tragedies would invoke terror and pity on the audience, in a sense a tragedy could be considered a form of a catharsis, literally cleansing the soul as it is performed, even though the horror typically disturbed audiences, at the same time it cleansed their soul and purified the spirit.
A tragedy, in literary terms, is defined as a literary work in which a great person suffers extreme sorrow, or is destroyed as a result of a character flaw or a conflict with an overpowering force, often through no fault of their own. William Shakespeare is known as one of the greatest play writers in the world. Many of his tragedies exemplify this common theme: some things in life seem destined to happen, regardless of the path we take. Three of his most famous tragedies, Hamlet, Julius Caesar, and Romeo and Juliet, illustrate this theme.
A tragedy is defined as a dramatic composition, often in verse, dealing with a serious or somber theme, typically that of a great person destined through a flaw of character or conflict with some overpowering force, as fate or society, to downfall or destruction. The play Antigone by Sophocles displays many qualities that prove to form into the epitome of a tragedy. Tragedy is usually marked with a person of great standing—in this case, a King—who falls because of hubris, or extreme pride. Antigone proves to live up to both of these definitions which is proven through its themes. Sophocles uses many techniques in this tragedy to contribute to the overall theme. This theme is accomplished by creating emotions in the readers to evoke the understanding of the theme. In the play Antigone, Sophocles uses the themes of pride, power, and femininity to convey his overall theme of tragedy.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
The second most important part of a tragedy is Character. Characters actually play a secondary role to the plot in the “perfect” tragedy. The actions of the characters make them responsible for their fate, not a higher power. There should be a protagonist and a tragic hero. Tragic heroes are also exceptional beings; Hamlet was very intellectual, giving him a brilliant mind and a quick wit. The tragic hero is the ma...
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...