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Tragic hero definition shakespeare romeo and juliet
Creon in antigone essay
Character of creon in antigone
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Aristotle once said that a Greek Tragedy must include an important person that has a flaw. By this flaw, the audience should feel pity and fear. Creon, a character in the Greek tragedy “Antigone”, resembles a perfect example of a tragic hero. This play was written by Sophocles, a historic playwright during the 5th century. It begins with the illegal burial of Polyneices, Antigone’s beloved brother. Creon, the King of Thebes, is coerced to condemn his niece Antigone to death. Being loyal to his city, Creon follows through with his punishment of Antigone. By doing so, his character is changed forever. Creon has the qualities of a tragic hero: he is a good person with superior status, he has a tragic flaw, and he comes to realize the role he plays in his own downfall.
The first characteristic of a tragic hero is goodness and superiority. Creon did cause the death of many characters, but he is still a good person with high superiority. When Creon became the King of Thebes, he announced to the people that he would try to change the city for the better so that everyone is amicable. He says, “ By such measures I’ll make this city great” (Sophocles 7). This gives hope to the city of Thebes and it ensures that Creon will be loyal to his city. Creon also shows that he is a good person by being a fair ruler to his people. His niece, Antigone has disobeyed the laws of the city by burying her brother. She is a part of the family, but Creon doesn’t want the city to think that he favors others, and so he says, “ I must execute her. / I don’t give a damn for all her talk / About family ties” (Sophocles 17). By saying this, Creon lets the people know that he believes that everyone should be punished equally, no matter how close they are to him. ...
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...nclusion, Creon is indeed the tragic hero of the story “Antigone.” Creon has the qualification of having superior status, a tragic flaw, and also a tragic realization. He shows his superior status by doing what he thinks is best for the city and promising that he will help rebuild it. Besides that, Creon demonstrates his tragic flaw of being stubborn by not accepting the fact that he has been proven wrong by Teiresias. Finally, he has a tragic realization of knowing that he was wrong about Antigone and the prophecy came true. The playwrights of Ancient Greece define Creon as a famous tragic hero because of the qualities he has. After hearing about Creon, the King of Thebes, Aristotle’s definition of a Greek Tragedy is most certainly correct.
Works Cited
Sophocles. Antigone. Trans. Michael Townsend. New York: Addison –Wesley
Educational Publishers, Inc., 1962.
Creon’s hubris is the strongest case that can be made about Creon being the most tragic character in Antigone. For example, Creon says,”Am I to rule this land at someone else’s whim or by myself?”(Antigone 835-836). This is truly a profound statement that reflects Creon’s excessive self-pride; moreover, Creon refuses to listen to Haemon, the Chorus at some points, and even Theresias for while. Furthermore, Creon refuses to acknowledge that he has done wrong of any kind, and this eventually leads to the death of his entire family. In conclusion, this is why Creon is the most tragic character in this play.
There are certain qualities that a character must posses in order to qualify as a tragic hero. Ideally, the subject is to be a person of high rank, so that they may have much to lose. (Most frequently a monarch is used.) Granted, Antigone is a member of the royal bloodline. But we must not forget that she is the daughter of incest, hardly a glamorous position to start with. In Oedipus Rex, Antigone was indirectly disgraced, while Creon was socially elevated by inheriting kingship from Oedipus. Also, Creon’s being king comparatively trumps Antigone’s lesser status of orphaned princess. While this in itself objectively proves nothing, it does at a minimum make Creon the more likely choice of protagonist.
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
Haemon makes a point of this by saying, “The people here in Thebes all say the same – they deny she is (Lines 834-835). " This confirms Creon’s status as a tragic hero when he disagrees with his people's opinion on what has happened to Antigone, which causes him to step even closer to his ultimate demise. This is key because Creon shows how his ego comes before his people as Haemon stresses, which explains how his hubris, the emotion called stubbornness will contribute to his downfall. Additional way Haemon shows Creon as a tragic hero is by highlighting how his tragic flaws are not just angering humans, but the god's that their society revolves around. Haemon shows this by saying, “You're not honoring that by trampling on the god’s prerogatives (Lines 850-851).
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Creon would qualify as the tragic hero if the only condition were not being excessively moral or immoral. Antigone's “immoral” side is shown by her (thought-to-be) incestuous behavior with her brother, Polyneicês. In contrast, Antigone’s positive side is shown by the way the she persistent on respecting her brother’s right to be buried in the religious tradition of the time in Greece, so that his soul can live on in the afterlife. “Listen, Ismenê: Creon buried our brother Eteoclês with military honors, gave him a soldier’s funeral, and it was right that he should; but Polyneicês, they fought as bravely and died as miserably, - they say that Creon has sworn no one shall bury him, no one mourn for him, but this body must lie in the fields, a sweet treasure for carrion birds to find as they search for food. That is what they say, and our good Creon is coming here to announce it publicly; and the penalty- stoning to death I the public squarel. There it is, and now you can prove what you are: a true sister, or a traitor to your family.” (Sophocles; Antigone, 3)
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
Antigone, written by Sophocles is a tale of a tragic hero who suffers with the recognition and realization of his tragic flaw. Although this short story is titled after Antigone, Creon is the main character and he provides the moral significance in the play. First, Creon withholds the respect of his citizens but it is clear to them he is not perfect through his pride (tragic flaw). Secondly, his radical reversal of fortune is made clear after he struggles with the recognition of his fatal flaw. Thirdly and lastly, his pity and fear flowers into an understanding of his prideful and destructive nature leading to his redemption. Nevertheless he is left with the burden of the deaths of his family, becoming a shell of misfortune and loneliness. Although Creon's actions cannot be labeled as courageous, his character traits pertain greatly to that of a tragic hero.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
A subject of debate in Sophocles’ play Antigone is which character complies with the characteristics of a tragic hero. The qualities that constitute a tragic hero are, in no particular order, having a high social position, not being overly good or bad, isolation, being tenacious in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Creon possesses some of these qualities but, does not completely fulfill them all. Antigone does, however, conform to the persona of a tragic hero.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
Antigone could also be referred to as a tragedy sub-genre. Tragedy "recounts casually related series of events in the life of a person of significance, culminating in an unhappy catastrophe, the whole treated with dignity and seriousness" (554). Antigone is one of Sophocles' many famous tragedies. It is centered around the tragic outcome that may take place in the occurrence of being prideful. Sophocles portrays that pride can result in tragedy and in disaster. In the story, Creon is prideful as his position of King and he ultimately brings his city to ruins. "Tragedy" played a major role in the story.