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Aristotle poetics in theories in oedipus rex
Aristotle poetics quizlet
Analysis of hamlet
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Aristotle wrote “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” (Poetics). Shakespeare 's “The Tragedy of Hamlet, Prince of Denmark,” is viewed by most as one of the greatest tragedies that was ever written. Hamlet, an ideal tragic hero in his right, as appealed to many people of different cultures since it was written all those years ago. Hamlet has all of the makings to be a real man and that is what brings us into his world so easily, but like every human being on Earth, he has a hamartia. John Green …show more content…
But defining what gives a person full capacity or partial is hard because there is a thin line between sanity and insanity. Those whom are considered insane though often go through more than just being the babbling idiots they appear to be. Most demented people usually suffer from other mental disorders such as: Bipolar disorder, psychosis, psychopathic or sociopathic tendencies, depression, etc. All these are very serious when it comes with insanity because someone who is diagnosed as insane is extremely irrational and doesn 't know right from wrong. MedicineNet defines depression as "An illness that involves the body, mind, and thoughts and that affects the way a person eats, sleeps, feels about himself or herself, and thinks about things." Hamlet never really feels the same about himself after playing the grief stricken lunatic that makes him become depressed. Having shown most of these traits we see that Hamlet is depressed. Depression can make someone who is irrational or extremely foolish want to commit …show more content…
"Now might I do it pat, no he is a-praying,/ And now I 'll do 't." (3.3.77-78) Hamlet sees the opportunity to kill the king and he even begins to go through with it, but then he starts thinking again and he misses his opportunity. Hamlet says "And so he goes to heaven,/ And so am I revenged. That.../ To heaven."(3.3.79-83)Hamlet 's argument for not killing the king is that if Claudius is in fact praying then he shall be sent to heaven upon his death. While his argument is logical, this is Hamlet 's most opportune moment because the king is alone and he rarely is. His rationality has, once again, gotten in the way of completing his mission, and because he failed to do so then, he set in stone his own downfall. So Hamlet fails in his quest for revenge while still, somewhat, achieving his true goal of angelicness. So since Hamlet is incapable of deciding whether to truly trust the ghost, and since he cannot contemplate suicide without questioning the meaning of his existence,and finally if Hamlet is unable to kill the king without assumptions and thoughts of heaven then Hamlet 's tragic flaw must be that he is unable to act without rationally analyzing the
He is mentally disturbed by the thought of his uncle killing his father to the point where he loses touch with sanity. Hamlet is a tragedy that will never have a straightforward answer as to if he faked being crazy or not. My belief is that Hamlet had in fact lost touch with reality. The slow decline of his mental health throughout lead me to believe he did go crazy, even if he might have been faking it at first. After seeing his father’s ghost, I believe he started acting like he had lost his mind to blame his future actions on the fact that he was crazy. I also believe he truly did lose his mind shortly after when he found out about Claudius murdering his
William Shakespeare’s Hamlet, the Prince of Denmark, is a well known tragedy of the 19th century. This play has several examples of tragic heroes, tragic flaws, and other elements in a tragedy. A tragic play was one that had at least on tragic hero with a tragic flaw that ended in an inevitable catastrophe, which was usually the death of the tragic hero. This describes Hamlet, the Prince of Denmark perfectly.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Hamlet's tragic flaw was that he either considered things too much, or he acted on impulse but out of passion and not reason, which leads to his downfall. Hamlet was an over thinker and a complex philosopher who wanted revenge on his father’s death. Things don’t go as planned as Hamlet’s two opposite flaws change things. One of Hamlet’s flaws, procrastination, is shown in the prayer scene when he has the opportunity to kill Claudius and get revenge on his father’s death, and he doesn’t take it. His second flaw completely opposite from the first, was acting on impulse out of passion making him kill the wrong man, Polonius. Hamlet’s acting out of passion and anger not only killed the wrong man but it was also Ophelia’s father, causing her to commit suicide. Hamlet was a hero trying to do the right thing, but his tragic flaws turn everything around when everyone including himself dies .
By most accounts, this passage would be taken to mean that he does not kill Claudius because at this time the King is praying, and when praying one's soul will ascend to heaven if one should die. Hamlet wants Claudius to burn in hell; for him to go to heaven would make his revenge void. He will avenge his father's death when Claudius is engaged in some other less holy act, in order to insure the King's place in hell.
Shakespeare 's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his
In the prayer scene, Hamlet misses his best opportunity to kill Claudius and avenge his father’s death. With no guards around, Claudius is alone and he is unaware that Hamlet is lurking in the shadows. The scene is set for Hamlet to take vengeance for his father’s unsettled spirit. However, Hamlet does not kill him, because Claudius is repenting for his sins, allowing him to go to heaven when he is to die. As one’s religion often dictated the afterlife of one’s soul, King Hamlet is doomed to an eternity in purgatory. Hamlet does not feel it is fair for Claudius to go to heaven, while his father is at unrest, so he decides instead to kill Claudius while he is doing something sinful. This is ironic because Claudius says he is not really praying; he is just going through the ...
It could be said that Hamlet is deliberately delaying his revenge for fear of actually committing it. However, religion was a focal part of people’s lives at the time the play was set and at the time it was written, one would be justified in claiming that Hamlet genuinely didn’t want to kill Claudius while he was praying to prevent him from going to heaven.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
Once Hamlet stumbles upon his uncle praying he says: “Now might I do it pat now a is praying. / And now I’ll do’t, / and so a goes to heaven, / And so I am revenged. That would be scanned. / A villain kills my father, and for that / I, his sole son, do this same villain send / to heaven” (3.4.73-77). Hamlet had the perfect opportunity to commit regicide here yet instead of going to Claudius and killing him Hamlet stays back and once again begins to ponder the possibilities of whether or not this is really a good time to do it. Hamlet’s religious beliefs surely play a strong role here because he starts to question what will happen if he kills his uncle while he is praying. Hamlet does, as the quote reveals come to the conclusion that if he were to kill his uncle now he would go to heaven, and not hell where the ghost claimed to have to return to “My hour is almost come. / When I sulph’rous and tormenting flames / Must render up myself” (1.5.4-6). Hamlet did prove that the ghost was his father so knowing that his father is suffering because of his uncle hamlet has no desire to kill Claudius while he is in a position to go to heaven. Normally religious arguments are based on pure speculation however this is not the case for Hamlet; because he has seen the spirit of his late father who did confess to Hamlet that there was in fact a hell to go to because he has to
Webster’s dictionary defines tragedy as, “a serious drama typically describing a conflict between the protagonist and a superior force (such as destiny) and having a sorrowful or disastrous conclusion that excites pity or terror.” A tragic hero, therefore, is the character who experiences such a conflict and suffers catastrophically as a result of his choices and related actions. The character of Hamlet, therefore, is a clear representation of Shakespeare’s tragic hero.
...n Aristotle’s view of characters. Aristotle also suggests that a tragedy should have the power to provoke audience’s emotion of pity and fear. The suffering and behavior of each character in Hamlet possess that power. The author agrees with the Aristotelian analysis of Hamlet, the story of Hamlet was perfectly based on Aristotle’s tragedy theory. However, the author thinks that the tragedy doesn’t always have to end up in misery. A tragic story can also have some hidden happiness in the suffering, misery of tragic hero(s), in which way can audience realize that there is still hopeful when your life is tragic and encourage people to strive hard to create a better life.
Hamlet's fatal flaw is his delay in avenging his father's death. Hamlet is still devastated by his father's death when the ghost appears to him, and he is unable to carry through with his reprisal until the end of the play. Hamlet's delay in killing Claudius not only causes his own death, but the deaths of everyone else in his life except for Horatio and Fortinbras.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.