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Analysis of Richard III
Shakespeare as a historian reference to play richard 2
Richard III a true machiavel
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Recommended: Analysis of Richard III
While Shakespeare was writing Richard III, he was limited in options of sources that depicted the history of Richard III. In regards to the nature in which the playwright portrayed the king, “Shakespeare borrowed these negative details from other sources such as Thomas More and enemies of Richard who dishonestly wrote the majority of his history” (“Historiography”). According to the University of Michigan, “Sir Thomas More had been born in 1478, seven years before the Battle at Bosworth, too young to remember anything first hand. More spent a portion of his youth in the household of Dr. John Morton. We may assume that More’s writings were based on what he heard and learned while there. Morton was one of Richard III’s bitterest enemies and we must view his recollections as tainted and biased” (“Historiography”). With this information, it is evident that More’s writing was heavily influenced by Tudor propaganda. His historical accounts of Richard III in his 1513 publication of The History of King Richard the Third portrays him in a light very similar to Shakespeare’s. More, describi...
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
Sir Thomas More, “The History of King Richard III” in Richard III A Source Book, Keith
Richard, Duke of Gloucester, is a great seducer. However, it is easier when the seducee is rather frail in mind and heart, as I believe was the case with Lady Anne. Perhaps Lady Anne's ego was as much engaged as her anger was initially. Gloucester chips away at her resolve masterfully, but let's look at the facts. She knows that Gloucester killed her husband and her father-in-law. This fact is undisputed (within the play). Gloucester admits both murders to her saying, "[y]our beauty was the cause of that effect [the murders]" (I.ii.121). Her father-in-law's corpse is lying just feet away. Yet in under two hundred lines, Anne goes from calling him a "black magician" and "foul devil" to accepting his ring (I.ii.34; I.ii.50).
In Shakespeare's The Tragedy of King Richard the Third, the historical context of the play is dominated by male figures. As a result, women are relegated to an inferior role. However, they achieve verbal power through their own discourse of religion and superstition. In the opening speech of Act 1, Scene 2, Lines 1-30 Lady Anne orients the reader to the crucial political context of the play and the metaphysical issues contained within it (Greenblatt, 509). Lady Anne curses her foes, using strong language to indicate her authority. She speaks in blank verse, by which she utilizes imagery to emphasize her emotions and reinforce her pleas. Her speech clearly illustrates the distinction between the submissive female role within the male sphere of war and the powerful female voice within the realm of superstition.
and sent before his time" and "since he cannot prove to be a lover; he is
...in themes similar to those found in the two Henry IV plays, such as usurpation, rebellion, and the issue of lineage of royal right. But Richard II and King Henry V are decidedly more serious in tone, and in comparing them to I Henry IV and II Henry IV, the argument can be made that it is these two latter plays which resound with greater realism with the broader spectrum of life which they present. Shakespeare carefully balances comedy and drama in I Henry IV and II Henry IV, and in doing so the bard gives us what are perhaps the most memorable characters in all of English literature.
According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel. This build up only serves to further the dramatic irony when Richard falls from his throne. The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants. By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.
Richard III couldn’t have been deformed as Shakespeare said that he was, because in real life Richard III was a knight that
get her to marry him only a few days after he has killed her husband.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
We often say there is no love other than mothers love, but the character of the Duchess conflict that. In William Shakespeare's Richard III, the Duchess of York seemed vague with her responds, She seems very patient also with Richard III at the being of the play; nonetheless She never explore her hatred throughout the play. She is a widowed mother, of Clarence, King Edward IV and Richard III. The Duchess of York has very bad relationship with her son due to his bad things he do, for example killing anyone that gets on his way to become king. Richard committed crimes, and killed the closest people to him and others just to achieve kingdom and be the king. Though many people might view Duchess of York as angry mother, Duchess of York is protective mother to her children and grandchildren, she resembles the mother figure very well, and she an important figure in the play as whole. However her characteristic shows her deep sadness and disappointment at Richard at the end of the play. Of course any mother would be horrified and upset of watching her son becoming murderous. Over the course, of Richard III we see her emotions when Clarence dies, when Clarence young children vanished and knowing the murder is her own son Richard.
Shortly after decided this Richard gets word that John of Gaunt is on his deathbed. He is elated because he figured an easier way to fund his war. After the death of Gaunt, Richard will claim Gaunt's lands as his own and use Gaunt's wealth for the war. Richard's coldness towards his uncle shows his lack of respect for anybody but himself. This lack of respect will help lead to his downfall.
Sir Thomas More was a character who was faced with a number of difficult choices. The major one being, when Henry VIII's first wife was unable to produce an heir to the throne, he used that as an excuse for the pope to grant him a divorce, so he could marry a new wife. The King is backed by everyone on this request except the highly regarded and religious Sir Thomas More. When the old Chancellor of England, named More his successor, it became important for Henry to get More's support, but More could not be swayed. He made his decision to oppose the marriage early on, but even though it was something he did not waver from, he still had trouble with it. More made a very difficult decision in opposing the King and his family, but regardless of the consequences, he felt that he was morally correct and for him to choose any other path would have been impossible for he could not oppose the church and God.
"What tongue speaks my right drawn sword may prove" is the sentence which concludes a short speech delivered by Henry Bolingbroke to King Richard II (1.1.6). These words are but the first demonstration of the marked difference between the above-mentioned characters in The Tragedy of Richard II. The line presents a man intent on action, a foil to the title character, a man of words.