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Analysis of Richard III
Richard III character analysis
Analysis of Richard III
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The Character of Richard III as Shakespeare Presents Him to Us Shakespeare presents Richard to us in a very negative way. Richard is portrayed as an evil person who is attracted to the power that the throne could bring him and would take whatever risk is necessary. Driven by his need for power he manipulates and murders his way to the throne. Richard shows himself as a manipulator right from the start of the play. He tricks Clarence and makes him think that he has nothing to do with his arrest. "But what's the matter Clarence? May I know?" Clarence is the first person that Richard manipulates in a long line of victims. Richard also successfully manipulates Anne. He manages to get her to marry him only a few days after he has killed her husband. He manipulates Anne with convincing arguments and by flattering her. "Divine perfection of a woman….fairer than tongue can name thee." This is Richards's persuasive skills at his best, now he has a stronger claim to the throne. Richard knew that the king was unwell and by springing the news of Clarence's death upon him he died. This was typical of Richard, observing his enemies weaknesses and capitalising. "Who knows not the gentle Duke is dead?" Richard manipulates the arrival of Prince Edward so that he is seen as the only loyal uncle to greet him and also gets the princes into the tower."Your highness shall repose you to the tower." Richard during his play act before accepting the crown says how he will not be a good king. "So might and so many my defects." This is a gamble if he is to convincing they will not want him on the throne. Richard then states there is no need for him as ... ... middle of paper ... ...mber of the royal family apart from the princes that had a solid claim. There is proof that the Tudor historians went about blackening Richards's name. Recent x-ray scans have shown that many paintings were altered to enhance Richards's deformity. This is because during the fifteenth and sixteenth century's deformity was linked closely with evil, and therefore by enlarging his deformity they blackened his name. I think it is clear that Shakespeare represents Richard as an evil usurper who murders his way to the throne. I think it is fair to say that this play does reflect the Tudor view of the events. This is because the only resources that Shakespeare could have used would have been written by historians who worked for the Tudor monarchs to blacken Richards name in order to secure their own seat on the throne.
Composers throughout various zeitgeists are linked by different representations of universal human concerns, and their texts simultaneously embody certain values and agendas individual to themselves. An exploration of Shakespeare’s King Richard III (1592) and Al Pacino’s Looking for Richard (1996) allows for a greater understanding of the composer’s respective contexts, along with their intended agendas, through the lens of their own societal values and concerns. The manipulation of Richard III’s persona, whether by authorial adaptation of historical sources related to his character, or through the differing views of Richards motives, are universal concepts, that when studied in relation to the differing time periods, accentuates the context and our understanding of recurrent aspects of the human experience.
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
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accept his terms. He mocks Arthur, who is silent, and before the king can accept,
murder of Duncan and may never have been King. In this way she is also
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and sent before his time" and "since he cannot prove to be a lover; he is
start, but in real life he was apparently not as good a king as is
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Not only does Macduff wins back his rightfully place to his father’s throne by taking action and killing Macbeth with his bare hands, he is intelligent enough to distinguish whom can be trusted: he puts Malcolm through a test to be certain that Malcolm is trustworthy. Through the characters of Macduff, Shakespeare reveals that only those who possess leadership, intelligence, and deliver a good performance can become possess absolute
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
thoughts. He lets his ambition to become king run a wild. The murder of Duncan