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Analysis of Shakespeare
Role of women characters in Shakespeare's plays
Role of women characters in Shakespeare's plays
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Richard III and The Seduction of Lady Anne
Richard, Duke of Gloucester, is a great seducer. However, it is easier when the seducee is rather frail in mind and heart, as I believe was the case with Lady Anne. Perhaps Lady Anne's ego was as much engaged as her anger was initially. Gloucester chips away at her resolve masterfully, but let's look at the facts. She knows that Gloucester killed her husband and her father-in-law. This fact is undisputed (within the play). Gloucester admits both murders to her saying, "[y]our beauty was the cause of that effect [the murders]" (I.ii.121). Her father-in-law's corpse is lying just feet away. Yet in under two hundred lines, Anne goes from calling him a "black magician" and "foul devil" to accepting his ring (I.ii.34; I.ii.50).
This is quite a turnaround. She could have walked away but she was more intrigued or flattered than angered or humiliated. Richard uses flattery to woo her. He repeatedly tells her that he killed her husband and father-in-law to be able to "spend one hour in [her] sweet bosom" (I.ii.124). Gloucester goes on to tell her that "He lives, that loves thee better than he [Edward] could" (I.ii.141), meaning that Gloucester loves her better than her husband did. After she spits on him, he calls it (the spit), "poison from so sweet a place" (I.ii.146). Gloucester is unrelenting in his flatteries and she does not walk away.
The most remarkable portion of this scene is when Gloucester bares his chest and hands his sword over to Anne to kill him and asks her to end his pain if she won't have him. She starts for him with the sword, but drops it when he tells her that "twas thy heavenly face that set me on [to kill her husband]" (I.ii.182). He then offers to turn the sword on himself. Within a few seconds, she goes from raising his own sword to him, to weakly replying, "I would I knew thy heart" (I.ii.192). She still questions his motives, but Gloucester has clearly already won her and slips a ring on her finger.
It is little wonder that Gloucester brags to himself of this conquest. Her father-in-law's corpse is barely cold and she has accepted Gloucester as her next husband.
Composers throughout various zeitgeists are linked by different representations of universal human concerns, and their texts simultaneously embody certain values and agendas individual to themselves. An exploration of Shakespeare’s King Richard III (1592) and Al Pacino’s Looking for Richard (1996) allows for a greater understanding of the composer’s respective contexts, along with their intended agendas, through the lens of their own societal values and concerns. The manipulation of Richard III’s persona, whether by authorial adaptation of historical sources related to his character, or through the differing views of Richards motives, are universal concepts, that when studied in relation to the differing time periods, accentuates the context and our understanding of recurrent aspects of the human experience.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
...einvestment in the community and more stable. This mirrors the decentralization vision because it values smaller economic entities that are locally owned . The farm subsidy debate also reflects this vision. Farm subsidies often go to large agribusiness firms rather than small farmers. This forces independent farmers out of the market and concentrates economic power which limits self-government.
The Cabinet of Doctor Caligari. Dir. Robert Wiene. Perf. Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover, Hans Twardowski. Goldwyn Distributing Company, 1994. DVD.
Few endeavors would appear as arduous and maddening to a responsible scholar as a biography of Shakespeare's wife, Ann Hathaway. We have almost no solid facts about Mrs. Shakespeare's life, and we know almost nothing about the Shakespeares' marriage. We know that the playwright could have brought his wife to live with him in London and did not, though we don't know how often he made the three-day trip back to Stratford. We know that in his will, he left his wife only his "second-best bed."
The catalyst material in a cat is in a wire mesh or honeycomb. This allows a high surface area to be exposed to the passing exhaust gasses. The catalyst converts the harmful nitrogen oxides and carbon monoxide into nitrogen, carbon dioxide, and oxygen.
...atter? The Role of Charisma in Public Leadership." Congress & the Presidency 29 (2002): 25-47.
The solution require strong government action and the help of private enterprises. The government can help by building low cost housing for poor people. Veterans need jobs when they return from serving for their country. The government can help with job training. Businesses can help by making the hiring of vets a priority. We also need more centers for treating drug addicts and alcoholics.
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
In-depth research and conversational analyses on the topic of gossip only commenced a few decades ago, and studies pertaining to this subject in terms of gender began much later. In this short period of time, however, this field of studies has gained much acrimonious attention, with many heated debates surrounding the claim that women gossip more than men (Rysman, 1977). Through a focused exploration of the subject of gossip, followed by an evaluation of the phenomenon when gender is taken into consideration, this essay aims to expound and provide clarification to this controversial gender-related claim.
The ear is an extraordinary human organ that many people take for granted until it doesn’t function. It is the only device that allows the human to hear sounds in their environment. The ear is made up of many parts that distinguish various sounds through different means. The ear anatomy and physiology along with how sound waves are transmitted into meaningful sounds will help one understand how hearing loss occurs.
feelings more clearly to the reader, so that they have a better comprehension to what he is
Gloucester also experiences family problems. His illegitimate son, Edmund, cheats him to believe that his legitimate son, Edgar, is trying to kill him and robs his property. So he readily place trust in what Edmund said and set Edgar out of the country. Without any method Edgar makes up himself as a craz...