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Essays on feminine power in shakespeare's richard iii
The role of women in Shakespeare's time
The role of women in Shakespeare's time
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The Power of Women in Richard III
In Shakespeare's The Tragedy of King Richard the Third, the historical context of the play is dominated by male figures. As a result, women are relegated to an inferior role. However, they achieve verbal power through their own discourse of religion and superstition. In the opening speech of Act 1, Scene 2, Lines 1-30 Lady Anne orients the reader to the crucial political context of the play and the metaphysical issues contained within it (Greenblatt, 509). Lady Anne curses her foes, using strong language to indicate her authority. She speaks in blank verse, by which she utilizes imagery to emphasize her emotions and reinforce her pleas. Her speech clearly illustrates the distinction between the submissive female role within the male sphere of war and the powerful female voice within the realm of superstition.
The language Lady Anne uses is appropriate for the scene which is set during the funeral procession of King Henry VI. Lady Anne mourns the deaths of King Henry VI, her father-in-law, and his son, Prince Edward. Lady Anne says to the King that she was "wife to thy Edward, to thy slaughtered son" (1:2:10), although in history she was only betrothed to him. As a result, her relationship to his father, King Henry VI, is closer and her sadness is more valid. This supposed marriage also generates greater shock over her ensuing marriage to Richard III. The end-stopped lines are appropriate because they slow the speech and emphasize the dullness of one who feels pain and sorrow at the loss of a loved one. In addition, the ornate verse emphasizes the drama of her speech and the powerful emotion she exudes. The language upholds the sanctity of the King and recalls an elegy or psalm that w...
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... She asks that his wife be "more miserable by the death of him / Than I am made by my young lord and thee" (1:2:27-28). The fact that she marries Richard suggests that her curse is somewhat false. Perhaps she intentionally imposes a lenient punishment for his wife, one that she has already suffered, knowing that she might become his wife.
Lady Anne derives power from the language she uses to present her oaths. Like Lady Anne, Queen Elizabeth and Queen Margaret also recite curses as a form of control over their situations. The manipulation of a curse for personal means is the only power that a woman has within the male dominated Shakespearean society. Whereas the male derives power from physical force, the women can exert some power through verbal strength.
Works Cited
Greenblatt, Stephen, ed. The Norton Shakespeare. New York: W.W. Norton & Co., 1997.
What can be learned from these decrees about Russian social relationships and the state of the Russian economy?
Anne is quite like a modern woman in the way that if a man tells her
Lady Anne’s monologue in act 1 scene 2 of William Shakespeare’s historical play Richard III is one of sorrow and hate. Anne is mourning the loss of her father in law King Henry VI who was murdered by the same man that killed her husband. Although she never says it during the monologue, we soon find out that the Lady knows that Richard is the one that has caused her all of this pain. The beginning of this section of Lady Anne’s monologue uses alliteration to emphasize her pain, by having many of the words start with the same continent it stresses the word allowing the reader to see that it is much more important than other sections of the text. Anne also reuses the word cursed when referring to how she believes the murderers life should be.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
...n he tried to intimidate her earlier and that she would be so bold to his face. The criticism faced by the characters in the plays demonstrate the idea that women are inferior to men and should not speak out for themselves.
...ca in African American college students helped lead to the formation of Black History Month. The increase of younger activists allowed the ASALH to cultivate into a more modern association. Fifty years after the first celebration, the ASALH was able to develop the week long celebration of Negro Achievement Week into Black History Month. Every president since 1976 has made some sort of endorsement of Black History Month.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare's Women. N.p.: n.p., 1981.
Women that go against traditional roles of femininity are punished through perfect executions of “an eye for an eye” justice. This is evidenced through the consequences of Lady Macbeth’s, minor female characters’, and Lady Macduff’s actions. What initially seems to be a depiction of Shakespeare’s approval of unconventional gender roles is actually a reinforcement of traditional notions. This is a clear indication that Shakespearian women were beginning to crack stereotypes in favor of feminism- else Shakespeare’s assertions would be unnecessary. Modern attitudes towards gender equality stand as indications of this silent war- still raging within society. All in all, there is hope for women to stand abreast with the very men that have dominated thus far.
Kidney and liver conditions can tell a person whether or not adopting a vegetarian diet can be helpful for their conditions. Those that exhibit lower levels of protein, phosphorus, sodium, manganese, and have an abundant amount of zinc and potassium are better suited to diets that focuses on meats, those that show signs of the opposite levels, are better suited to adopt vegetarianism. However it ...
Richard’s disdain for humane beliefs and customs (such as religion, marriage, and family) shows when he treats them as nothing more than empty forms – this further labels him as a demon of indiscipline and rebellion. He sees virtues as contrary to his power-thirsty nature and aim, which emphasizes his pathological shamelessness and lack of hremorse. With his charisma, he woos Lady Anne in order to disempower her, revealing his disregard towards the seriousnesss of murder and respect for women: “What though I killed her husband and her father?” (I.i.156). Richard shows his disrespect towards love and marriage as he becomes her husband “ not so much for love / [but] for another secret close intent” (I.i.159-160) to benefit himself. In Act IV, Richard “prays” with ...
Written during a time of peace immediately following the conclusion of the War of the Roses between the Yorks and the Lancasters, William Shakespeare’s play Richard III showcases a multi-faceted master of linguistic eloquence, Richard, Duke of Gloucester, a character who simultaneously manages to be droll, revolting, deadly, yet fascinating. Richard's villainy works in a keen, detestable manner, manifesting itself in his specific use or, rather, abuse of rhetoric. He spends a substantial amount of time directly interacting and therefore breaking the fourth wall and orating to the audience in order to forge a relationship with them, to make members not only his confidants of murderous intentions, but also his accomplices and powerless, unwilling cohorts to his wrongdoings. Through the reader’s exploration of stylistic and rhetorical stratagem in the opening and final soliloquies delivered by Richard, readers are able to identify numerous devices which provide for a dramatic effect that make evident the psychological deterioration and progression of Richard as a character and villain.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
“Frailty thy name is women” (I.II.150) are words which are spoken by Prince Hamlet, the prominent character of the tragedy play Hamlet by Shakespeare, in his first soliloquy. These words underline how Hamlet truly feels about Gertrude, the queen, and Ophelia, his “beloved” maiden, and women in general. Although the two women play awfully passive characters and lack their voice for the world to hear, they are significantly important because they show how Hamlet, possibly Shakespeare, are a misogynist, which is one of the themes of the play. Through the fickle, passive, and submissive portrayal of the two woman characters, Shakespeare shows women needs to have an autonomy-sense, otherwise their lives will turn out to “cannot come to good” (I.II.163).