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Politics and the english language george orwell analysis
Politics and the english language george orwell analysis
Politics and the english language george orwell analysis
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In the essay “Politics and the English Language,” George Orwell conveys that the modern writing style is in dire need of Improvement. Orwell directly states that “. . . the English language is declining . . .” as his thesis (1). He wrights this essay in order to draw attention to and help to fix the problems with modern English. Therefore, his audience is, broadly, anyone who is a competent writer or speaker of the English language. Specifically he directs his essay to politicians and advanced writers or scholars. Orwell uses examples of “bad” English throughout his essay. In one instance, he uses a mocking tone before listing a number of improper phrases; asserting that they “. . . save the trouble of picking out appropriate verbs …show more content…
and nouns” (Orwell 3). The author does not literally mean that the phrases he lists avoid the necessity of choosing the right words; he uses the words “save the trouble” as a kind of joke. He applies a sarcastic tone to make his audience take the use of these phrases less seriously. His wittiness makes the phrases that modern writers use seem almost laughable, this makes the reader agree with his message; that modern English needs to change. When describing how corrupt political language is, Orwell uses inverted syntax; he writes, “One need not swallow such absurdities” (9).
He continues his wittiness when he inverts the sentence. In his essay, Orwell discloses how “professional” writers make themselves sound more intelligent, the use of inverted syntax is one way of doing so. By using inverted syntax himself, he is not attempting to make himself more astute in the reader’s eyes, but being ironic. He shows his audience how ridiculous modern writing has become through the swapping of the words "need" and "not," making the sentence seem, on the surface, intelligent, but really it is more difficult to understand. The subversion is another hint to the audience of the foolishness of modern writers who inflate their …show more content…
wording. A.
Orwell uses pretentious diction to create Irony as well. After reviewing modern writing abuses, Orwell states that he “ . . . made a catalogue of swindles and provisions, . . .” instead of simply saying that he “listed mistakes.” (5). Orwell illustrates how infected our language is today by using the same poor wording that modern writers use. The word “swindles” is certainly not applied in everyday language, like many other old English and foreign words, so why do writers use them? Orwell wants to show his audience that the application of discontinued words in writing is an effort from the author to sound well educated, moreover it is highly unnecessary. Unnecessary words are another mistake Orwell wants to remove from modern works, he brings attention to them by, ironically, using them himself, which shows how much improvement is needed. B. Towards the end of his essay, he writes with direct diction to contrast his Irony. He states directly what he believes needs changing. One of Orwell’s changes is to “Never use a long word where a short one will do” (9). The concise rule to ‘keep it simple’ shows the audience how clear wording is so much nicer and more understandable than the lump of complex words used in modern language. In expressly saying, “Never,” Orwell uses word choice to be resolute about how unacceptable language abuses are. His audience now sees the difference in the styles of writing, and therefore why their needs to be
changes. A. To clarify message, Orwell makes use of Personification. He portrays the relationship between thought process and writing style by saying, “If thought corrupts language, language can also corrupt thought” (7). He Implies that language and thought are intertwined, using personification to say that if one is declining, so is the other. Accordingly, Orwell hints at the detrimental effects of a deteriorating language. He suggests that if people continue to misuse English, people will become increasingly unintelligent. Personifying language and thought to be able to effect each other makes the audience feel as if, if nothing is done, the modern language style will continue to degrade their intelligence and vice versa. The use of personification makes the problem personal by making the issue seem more alive, which compels the audience to do what they can to save the English language. B. When describing how modern writers often use complex words to mask their ineptitudes, Orwell uses the simile “A mass of Latin words falls upon the facts like soft snow . . .” (7). The image this simile creates shows the audience just how modern writers try to fool their readers. In using intricate Latin based words, modern writers may seem clever externally, but are really covering their meaning, if they have one, by trying too hard to impress their reader. Comparing the use of complex words to the way snow whites out anything it lays on creates clarity; the reader can visualize just how modern writers get around making any clear statements. This visualization reenforces Orwell’s thesis. In reading this sentence the audience observes how corrupt our language is.
George Orwell uses strong, noticebly-patterned diction to highlight his argument, that choosing human imperfection is better in some situations
This essay opens the minds of people to see that perfect writing is not always the perfect thing. Murray’s essay would interest almost every person who has been a student and taken an English class. Most
Politics is dirty and competitive and has not changed between 1879 and 2018. It is a complex system of jargon, charm, facts, and lies. Mark Twain’s “The Presidential Candidate” satirically expresses the essence of both old-world and modern politics as a presidential candidate who blatantly tells the truth of his wrongdoings. As a politician, one must be an open book. Their life must be truthfully written on the pages for the readers to analyze and evaluate their credibility as leaders. “The Presidential Candidate” resonates both in 1879 and 2018 with his use of humor, use of diction and use of subtlety.
Orwell, George. “Politics and the English Language.” George Orwell: Critical Essays. London: Harvill Secker: 2009. 270-286. Print.
1) The device Orwell uses to introduce his thesis are chiasmi. The first chiasmus is “A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks” and the second chiasmus is “It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts.” Both sentences are examples of chiasmus since they reverse key terms in their clauses, the key terms being “drinking” and “failure” in the first, and the state of the language and “foolish thoughts” in the second sentence.
Marianopolis College ENG-101 Introduction to College English C. Killam. 81-82.
Howe, Tom. "George Orwell." British Writers Volume VII. Ed. Ian Scott-Kilvert. New York: Scribner, 1984. 273-287.
Orwell argues that society is completely oblivious to the constraint that is involved in every day life. There is no individual in society and that everyone remains the same. “Don’t you see that the whole aim of Newspeak is to narrow the range of thought?” (46) Not only does a limiting of words show society that by controlling methods of co...
Despite the warnings of Orwell through both his essay and dystopian novel, bad English is still used today, and could be argued to affect more English than it did during Orwell’s life. The consequences are also just as he predicted, those who control the language are able to wield control over the thoughts of others. The usage of poor quality English by media has he effect of making the recipients of news more detached from events and as a consequence, more self-focused. The clumsiness and foolishness imposed by bad English ultimately degrading thought, politics, culture, and society is what Orwell had foretold. This is the English tragedy that is disregarded, modern thoughts of “English” are not of language but of the English Queen.
The tone of Orwell’s essay is formal. Throughout the entire essay, Orwell is informative and professional to achieve ethos. Orwell stays professional even when he is expressing his feelings, for example, in this passage, “In our time it is broadly true that political writing is bad writing. Where it is not true, it will generally be found that the writer is some kind of rebel, expressing his private opinions and not a ‘party line’. Orthodoxy, of whatever colour, seems to demand a lifeless, imitative style. The political dialects to be found in pamphlets, leading articles, manifestos, white papers and the speeches of undersecretaries do, of course, vary from party to party, but they are all alike in that one almost never finds in them a fresh, vivid, homemade turn of speech.” Orwell does not veer off topic and continues to be
Rhetorical Analysis Presidential Debate Clinton and Trump The presidential debate was an event where most of the population not only of United Stated of America but the whole world was waiting anxiously for. The first of the three presidential debates was developed in Hofstra University, Hempstead, NY. The first debate drew a record of the audience being one of the most watched debated in the history of United States of America.
The three Aristotelian appeals include logos, ethos, and pathos. These three appeals were created by Aristotle, and he came up with them in his On Rhetoric. Each commercial made sure to incorporate at least one these appeals with the goal of attracting their targeted audience. In the commercial advertising Shamwow, the demonstrator called “Vince” made sure to incorporate logos into this technique by talking fast and excited. This appeal is successful at times by catching the attention of the viewer by waking up the viewer. In the TD Ameritrade commercial, a well-known actor and activist named Sam Waterston applied ethos by talking confidently and earnestly to the audience. By apply ethos, the audience will feel like they can trust and believe
George Orwell’s essay, Politics and the English Language, first published in 1946, talks about some “bad habits”, which have driven the English language in the wrong direction, that is, away from communicating ideas. In his essay he quotes five passages, each from a different author, which embody the faults he is talking about. He lists dying metaphors, operators, pretentious diction, and meaningless words as things to look out for in your own writing and the writing of others (593-595). He talks about political uses of the English language. Our language has become ugly and the ugliness impedes upon communication. Ugly uses of language have been reinforced and passed down in the population “even among people who should and do know better,” (598). Ugly language has been gaining ground in our population by a positive feedback mechanism.
In his essay, “Why Good English Is Good For You,” John Simon argues that speaking and writing English correctly is obligatory; the author suggests that he acknowledges the fact that language is constantly evolving, but Simon still believes that one should always use the correct “framework of accepted grammar,” while still “producing a style that is his very own” (31). Simon suggests that the argument that it is acceptable to use incorrect English since language is always changing is merely “an imperfect excuse for bad usage” (29).
Based on the two essays, George Orwell is a vivid writer who uses a unique point of view and strong themes of pride and role playing to convey his messages. His writings are easy to pick out because of the strengths of these messages. Just like politicians in government, people with power turn corrupt to stay in power and keep their reputations. Anyone who takes on power must be prepared to live with the consequences of his actions. Orwell knows this challenge well and conveys this principle in his writing. After all, his narration is based on real life experiences and not fictional fantasies.