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Movie analysis of psycho
Movie analysis of psycho
Movie analysis of psycho
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I Need to Return Some Video Tapes…But I Won’t Be Returning This One
Patrick Bateman is the physical embodiment of everything wrong with society: he’s narcissistic, power-hungry, and immune to the world around him. On top of all that, he’s wealthy, fit and overwhelmingly handsome. American Psycho is the perfect dark comedy for those who love to love the bad guy. Sick, twisted, and absurdly charming, Christian Bale’s Patrick Bateman is every sociopath’s dream. But are his sharp cheekbones and expensive suits enough to distract people from his leisurely pursuits?
Apparently, yes. Self-proclaimed sociopath, Patrick Bateman, likes to dissect girls. He regularly engages in recreational drug use with his colleagues and routinely picks up prostitutes,
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Manhattan is the perfect place for your contemporary killer to seek out new victims. Between the fine dining establishments and sleazy clubs, the rich, white men of the 80’s had a wide variety of destinations to smoke or do drugs in. Despite Patrick and his cronies all being employed, they appear to spend most of their time wining and dining at fine establishments, or scoping out the club scene for good bathrooms to get high in. The extravagant food presentation, plush furniture and atmospheric lighting exude decadence, and you see a materialistic side of the characters that’s so strong, it’ll make you wonder exactly how far they’ll go, how much they’ll spend, to have a good …show more content…
Not limiting himself to one means or method, Patrick honors each of his victims with their own original death. The theatricality of the attacks paints Patrick as a true professional, carefully planning out each detail and manipulating any situation to set himself up for success. For someone so self-involved, he’s incredibly self-aware; the way he uses his good looks and charm to disarm unsuspecting victims demonstrates formidable power and control over those foolish enough to indulge him. Watching this madman get away with despicable crimes by hiding behind his wealthy façade is entrancing, alluring, and at times, downright terrifying. Viewers and victims alike will come to find that Mr. Bateman brings a whole new meaning to the phrase “too good to be
Patrick Kane is a hockey player for the Chicago Blackhawks and he “became the first American-born player to win the Art Ross Trophy, awarded to the NHL point leader at the end of the regular season” (“Patrick Kane”). His goal on ice may be to score a goal or to clinch a Stanley Cup victory, but off the ice he wants to be a role model to kids and to anyone else for that matter. He may have had a couple hiccups in the start of his career, but that does not stop the millionaire athlete from becoming one of the most well looked up to and respected hockey players in the NHL (“Patrick Kane Bio”). Patrick Kane is able to influence kids and others with his performance on and off the ice with the Chicago Blackhawks.
He drinks excessively, lies, cheats, steals, rolls drunks, and jumps small children. His life of crime began very early, jailed at the age of ten and has spent many days in prison for robbery and assault; he also spent three years living on the wild side in New York. It is no wonder that he is “tougher, colder, meaner” than the other Greasers. In
Sean didn’t commit his first murder until 1994. His first victim was an 81 year old woman, Ann Bryan in March 1994. Ann was living at St. James Place which was an assisted-living facility located across the street from the convenience store where Gillis worked. As she often would do, Ann left the door to her apartment unlocked before retiring to bed so that she did not have to get up to let the nurse in the next morning. The warrant says Gillis told detectives he entered Ann Bryan's home at 3a.m. to rape the 81 year old, but she started screaming when he touched her. Gillis then told detectives he cut her throat to stop her screaming and began stabbing her a total of 47 times. The warrant says Gillis gave them details about this elderly woman's death only the killer could know. He seemed fixated on stabbing at her face, genitals and breasts.
Throughout the tale of time, thoughts of revenge have corrupted even the most innocent of minds. In Andre Dubus’ “Killings”, Matt Fowler is conflicted by two opposing forces: his own desire and his wife’s demand for the death of their son’s murderer. Through her manipulative words and her emotional meltdowns, Matt Fowler ultimately succumbs to his wife’s request and commits the gruesome act, which causes the audience to reevaluate the appropriateness and cost of vigilante justice.
Although a fiction film, New Jack City details a chapter of New York’s development in which the city struggled to regain control over its dwindling economy and increase in extreme poverty and criminal behavior brought on by crack-cocaine. The poor economy encouraged a desperate scramble for money, and the rush for money, by any means, became the channel through which individuals sought to achieve the American Dream. Further, they planned to realize that dream in any way possible even if it meant making a profit from the very thing [Crack] that brought on their demise in the first
In 2013, just shy of my 17th birthday, I planned a day trip with two of my friends to see The Phantom of the Opera in New York. At this point in my life, I was entirely unaccustomed to large cities, such as New York City, and felt excited to experience the bustle I expected. While in the city, a woman informed me about methods to avoid the crime so intertwined with life in the city and introduced me to the concept that, just as New York City held many attractions for tourists, it also held some dangers as well. This idea takes pride of place in Edward Jones’ short story, “Young Lions” and its discussion of Caesar Matthews. As I learned a few years ago, the city truly contains amazement for those experiencing it, but, like all things in life,
.... Maloney would leave to be with the other women. This thought though, became a reality for Mary Maloney. Mary Maloney has testified to happening to “stumble across” a will, which mentioned Mary Maloney receiving three quarters of Patrick’s fortune if he were to pass away. Being the wife a detective, Mary Maloney new how to plot a scene. First she would murder Patrick, receive his fortune to care for the unborn child, never have to face him again after he said to her face that he loved another women and had been having affairs with her. Secondly, she would need to dispose of the murder weapon secretly, and create an alibi that would testify for Ms. Maloney. Thirdly, pretend that it was all a dream and that it never happened. Sadly, it was an incredibly easy task for a clever woman such as herself. How is it that money is what shapes our world but also destroys it?
John Wayne was a psychopath who authorities should not have let out on parole and released him early of his sentence. He murdered 33 people and enjoyed every single death. No normal human being would enjoy killing someone.
The movie Gangs of New York takes place in Lower Manhattan’s Five Points’ neighborhood. It begins in 1846. The main protagonist Amsterdam Fallon, Priest Fallon’s son, watches his father who is the leader of the Dead Rabbit gang prepare and die in battle. As his father is on his last breadths of life giving his son counsel, Billy “the Butcher” Cutting snaps the Priest Fallon’s head. Amsterdam runs away from Cuttings henchmen to hide his father’s knife before he is captured by the Natives gang. He is taken to Hellgate orphanage. In 1862 Amsterdam returns to Five Point’s neighborhood and finds his old friend Johnny Sirocco. Johnny works now for Billy “the Butcher” and introduces Amsterdam to Cutting. Amsterdam makes his way into Cutting’s inner circle of Natives. Amsterdam also meets Jenny Everdeane while hanging out with Johnny. She bumps into Johnny to pickpocket his watch. Amsterdam notices and lets Johnny know. Johnny claims he always lets her take things. As both Cutting and Jenny take a liking to Amsterdam Johnny becomes jealous. He notices young Vallon quickly making his way into Cutting’s gang’s high ranks and into Jenny’s heart. Out of jealousy, Johnny reveals Amsterdam’s true identity to Cutting. Cutting decides to make Vallon angry. He succeeds by playing a dangerous game that involves knives with Jenny at the annual celebration of Priests Vallon’s death. Amsterdam then attempts to assassinate Cutting but fails and is taught a lesson by Cutting. Amsterdam lives at the help of Jenny. To avenge his father he starts the outlawed Dead Rabbit gang up again. He proposes a challenge to Cutting after his friend “Monk” McGinn is killed by Cutting. The fight takes place at Five Points’ neighborhood on the day the ...
Picture Manhattan in 1860, a time before the city had been dolled up and gotten ready for the silver screen, before the glamour and allure took over. Amsterdam Vallan (DiCaprio) is a young Irish man that migrates to the USA at a young age. Amsterdam’s story takes place in Five Points District of New York, a filthy and dangerous part of the city before it was deleted form history. As a young boy Vallan witnessed his father’s murder at the hand of William Cutting or Bill the Butcher (Day-Lewis) during one of their many gang wars. As Amsterdam’s story progresses along side The Butcher they become inseparable, but Amsterdam had ulterior motive. Ultimately, Amsterdam attempts to betray his new found ally in order to avenge his father’s death. Historical accounts of events are almost always synthesized by the storyteller; in the case Gangs of New York Martin Scorsese tells of Five Points, The Dead Rabbits Riots, and The Draft Riots, but is his fictional story accurate through history?
When he would become angry with someone he would automatically threaten them. For instance, he was angry with the bartender and muttered to himself how much he would enjoy killing her. He could not function in normal settings. He would be with his coworkers and would have trouble staying focused on the conversation because he had his mind on other things going on in his life, such as killing another person. He would have strange verbal outburts, would sweat perfusualy, was uptight, and was rude to his friends. He did not care about anybody except himself, and that was evident when he broke up with his fiance. As she began to cry during the breakup, he clealy had no feelings for her. His behavior was dysfunctional; he could not work productively, and could not hold relationships. Patrick Bateman was clearly a danger to others. Even if he didn’t have a specific problem with someone, such as a prostitute, he still felt the need to kill them. He had poor impulse control, and would
The major reason for the Babadook’s appearance in the film is the death of Amelia’s husband on the day of Sam’s birth, which has haunted her since the day it happened. Had the antagonist of the film been a male, it is likely that the character’s mental illness would be portrayed much differently, and the viewer would identify with the victims rather than with the antagonist. Even today, it is likely that a man with mental illness in a horror film would be portrayed as a violent killer. Although not necessarily considered a horror film, American Psycho provides an example in its main character, Patrick Bateman. Patrick Bateman portrayed by Christian Bale in the 2000 film, could be diagnosed with any number of mental illnesses, like antisocial personality disorder or borderline personality disorder. Of course, throughout the film, Bateman is a violent serial killer who derives pleasure from his kills. More often than not, women in modern horror cannot be like Patrick Bateman, but rather they are the victims or in the case of the Babadook, a grieving mother who cannot control her emotions. In the case of Patrick Bateman, we identify with his innocent victims. As both the victim and the antagonist, the viewer identifies with Amelia for most of the film, After, the viewer is again able to identify with Amelia as the “final girl” as she becomes a “badass” and is
Anthony ‘Tony’ Perkins was well known for his roles in romantic comediess. The attractive, shy, well-intentioned young man not only captured the hearts of many teenage girls, but the eye of Alfred Hitchcock when looking for the perfect Norman Bates. Hitchcock’s clever choice of actor immediately threw off the audience and made them ask what is Anthony Perkins doing in a horror film? Perkins' shy personality and slightly awkward movements did him well in his usual genre but did him even better when playing a homicidal schizophrenic. In fact, Perkins' portrayal of Bates made people second guess themselves as to who murdered Marion and Arbogast. This makes the movie significantly more thrilling.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
Bateman seems like a complete psychopath until he posits ¨I´m weeping for myself, unable to find solace in this crying out sobbing I just want to be loved” (345) where some emotion and possible catharsis for his actions is discovered. When Patrick decides to kill Luis Carruthers, his co-worker who is mocked by his peers for his tacky taste, he is confronted by Luis in a way that is laced with comedy. ¨ I tense the muscles in my arms, preparing myself for a struggle...instead he looks down at my wrist and...kisses my left wrist¨[158-159]. It makes no sense how Bateman can kill multiple people for the sake of envy over a business card or dinner reservation, yet he cannot bring himself to kill Luis Carruthers because it is revealed that Carruthers has a crush on Bateman. Patrick also inexplicably never kills Jean, his secretary, who again, is revealed to have a crush on Bateman. Bateman seemingly carelessly kills just to see if it will invoke any attention, which it doesn’t, up until the shootout scene. Bateman murders his ex-girlfriend, Bethany and also claims that ¨[he] used to write her poems, long dark ones, quite often when [they] were at Harvard¨. Bateman then finds out that Bethany is going out with the head-chief of Dorsia, a restaurant that he could never obtain reservations at, Robert Hall, explaining his envy. Bateman never talks of writing his fiance, Evelyn any poems, or