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A murder narrative essay
A murder narrative essay
A murder essay narrative
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Throughout the tale of time, thoughts of revenge have corrupted even the most innocent of minds. In Andre Dubus’ “Killings”, Matt Fowler is conflicted by two opposing forces: his own desire and his wife’s demand for the death of their son’s murderer. Through her manipulative words and her emotional meltdowns, Matt Fowler ultimately succumbs to his wife’s request and commits the gruesome act, which causes the audience to reevaluate the appropriateness and cost of vigilante justice.
Through her emotional breakdowns and extensive grief, Ruth Fowler provokes her husband into committing homicide in order to appease her. During the weeks after the death of their son, Matt Fowler sees the pain and torment his wife goes through dealing with the fact that their son’s killer still walked the streets not persecuted for his crime. When talking to his friend Willis Trottier about his family after a night of poker, Matt Fowlers affirms, “She can’t even go out for cigarettes and aspirin. It’s killing her. […] Every day since he got out. I didn’t think about bail. I thought I wouldn’t have to worry about him for years. She sees him all the time. It makes her cry” (Dubus 2). In Matt Fowler’s recount, he describes his wife as being perpetually afflicted by the presence of their son’s killer, and he even goes further to claim that Richard Strout’s existence is resulting in the deterioration of Ruth Fowler’s health and wellbeing. Although it is too late for Matt Fowler to protect his own son, he feels obligated to guard his wife from the suffering inflicted by presence of their son’s murderer. Because of this marital responsibility brought about by Ruth Fowler’s teary performances, Matt Fowler kills Richard Strout in an effort to end his wife’s emo...
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... experienced by his wife Ruth Fowler. This story is a tragic tale of how love for another person translated into murder, and there is no moral distinction between these acts. Since there is no explicit difference between these two murders, the audience understands that vigilante justice reduces an individual into a criminal – blind to ethics in an effort to attain retribution. Vigilante justice also comes at a hefty emotional price – loneliness and regret. For example, after Matt Fowler kills Richard Strout, he experiences a great deal of isolation and hidden shame, which is evidenced by his inability to make love with his wife and his internalized sadness. Matt Fowler will forever have to live on knowing that he compromised his morals to commit the gruesome act of murder to appease others. In an effort to please others, he became the murderer he sought to end.
Sartwell, Crispin. "The Genocidal Killer in the Mirror." Writing and Reading for ACP Composition. Upper Saddle River: Pearson Custom, 2009. 252-54. Print.
“She still today never told me she loved me…never… never in her life … it’s too hard to explain,” says Anthony Sowell as he mentions his mother while he is being interrogated by Cleveland Homicide Detective (Sberna). The classic neighbor that every family wishes to have, friendly, helpful and caring was holding back numerous secrets. In Anthony Sowell’s actions of the rape, beatings and murder of 11 innocent women, he demonstrates the qualities of a human monster while showing how nurture creates a personality as well as proving that humans are capable of creation more fear than those who are written about in fiction.
Ramsland, Katherine M. The mind of a murderer: privileged access to the demons that drive extreme violence. Santa Barbara, California: Library of Congress Cataloging in Publication Data, 2011.
Ruth Fowler is Matt’s wife of many years and the mother of their three children: Steve, Cathleen and the now murdered Frank. Ruth cannot come to terms with Frank’s death and is haunted at all times of the day, whether at home or out in the town running errands, “She was at Sunnyhurst today getting cigarettes and aspirin, and there he was. She can’t even go out for cigarettes and aspirin. It’s killing her” (108). This quote is a symbolism of her mental state. The anguish of just seeing her son’s killer on the streets with freedom is more than Ruth can mentally comprehend. Ruth continually applies emotional pressure to her husband with comments and allusions to why the killer is still able to roam freely while their son cannot, “And at nights in bed she would hold Matt and cry, or sometimes she was silent and Matt would touch her tightening arm, her clinched fist” (112).
The story is set during an August morning at a funeral service for Frank Fowler, the youngest son of Matt Fowler (lead character in the story). In the opening paragraph, Frank’s older brother Steve says, "I should kill him” (Dubus 107), indicating some type of revenge. Matt indicates that he also wants revenge based on a conversation with his friend, Willis Trottier. Matt tells Trottier “Ruth would shoot him herself, if she thought she could hit him” (Dubus 109), implying that she would also seek revenge if she was able. Steve’s statement foreshadowed the mindset of revenge that the other characters have in the story.
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
The victim is nineteen year old Khadijah Stewart. Stewart had grown up in the south side of Richmond, Virginia (a high crime area) where she met a boy named Tommie. Both were in middle school but Tommie soon got arrested for robberies and gun charges, he was sentenced to life as a juvenile. As time goes on Stewart forms a history of dating bad boys. The main on and off again boyfriend throughout her high school years was a young man named Lionel. In High school Stewart is skipping school to hang out Lionel and his gang members. Afraid how the streets could impact Stewart, the mother moves the family to Chesterfield County, a successful middle class suburbs, to create new life. As her life is changing for the better her heart longs to maintain
The "Killings" is a short story written by Andre Dubus. Andre Dubus' short stories often portray tragedies, violence, anger and even tenderness. Throughout the story, Matt’s language constantly displays his deep affection for his family. After the death and funeral of his son Frank, his other two children quickly move back to their normal lives which displays that Frank was the only family nearby. His morals become quickly altered through the cold-blooded murder of his son and end with the act of murder.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Ending in death most foul, “The Cask of Amontillado” and “The Tell-Tale Heart” feature revenge and a painstaking cruelty. Pushed to the point of insanity and retribution sought over trivialities, the narrators tell each story by their own personal account. The delivery of their confessions gives a chilling depth to the crimes they have committed and to the men themselves. Both men are motivated by their egos and their obsessions with their offenders. Prompted by their own delusions, each man seeks a violent vengeance against his opposition in the form of precise, premeditated homicide.
In Flannery O’Connor’s short story, A Good Man is Hard to Find, a family gets in a car accident on a deserted dirt road. Unluckily for them, they are found by a group of three escaped convicts, led by a man who calls himself The Misfit. These convicts systematically execute the family in twos as the Misfit talks with the grandmother. While the catalyst for this execution is the grandmother’s verbal recognition of The Misfit as an escaped criminal, it is clear that he commits his crimes for deeper reasons. The Misfit is angry on a fundamental level, and acting out on this anger is the closest he can come to feeling pleasure in this life.
Knowing a victim of an unforgettable and unforgivable crime will cause a person to lose a type on innocence. However, witnessing the heinous violation of the victim is much stronger. After the witness sees and hears the exact event, it is nearly impossible to disregard his or her memory. This is true in the short story “In the Shadow of War.” The protagonist of the literary work, a young boy named Omovo, witnesses the killing of a woman.
As we immerse ourselves into Edgar Allen Poe’s “The Cask of Amontillado”, a powerful story of a man’s vengeance with “impunity”, we find that the narrator’s revenge was merely a materialization of his sinister, unrestricted human nature. The author vividly describes the resentment that the narrator feels towards the man who insulted him, and the lengths he goes to for revenge. Montressor, the narrator, swears retribution for Fortunato, whose “thousand injuries…[he] had borne as best [he] could, but when [Fortunato] ventured upon insult, [he] vowed revenge” (Poe). While the scheme sinuously progresses, Montressor thinks and acts with a certain lunacy that one cannot help but notice. Generally speaking, people wouldn’t resort to murder for simply a case of a rude, insolent offender, but the narrator has found himself looking deep inside, and what he finds is a malicious soul that wishes to harm those who have insulted him. He crafts a plan...
However, Matt Fowler had different reasoning for his actions. After burying his twenty-one year-old son who was just on the cusp of graduating college, he finds that Strout, his son’s murderer, has been released on bail pending trial and until then he has resumed his normal life. Watching his wife not only mourning the loss of their son, but also having to see the killer in daily activities, has caused a mental and emotional strain on their life. The affect on Fowler’s family that Strout is walking around free and seemingly unconcerned is one of the main reasoning that is posed when Fowler and his friend Willis T...
Director David Cronenberg’s movie “A History of Violence” brings a little-known graphic novel to life. The protagonist, Tom Stall (Viggo Mortensen), seems to be living the ideal life when it suddenly takes a turn for the worse. Two robbers attempt to hold up his diner in a little Indiana town, until Tom stops them by slamming a hot glass coffee pot into the face of one and shooting three gunshots into the chest of the other. The scene’s carnage is heightened as bits of flesh dangle off the shattered bone of one robber while he chokes on the blood from his own body. The corpse of the other robber is shown lying in the mist of shattered glass with blood pouring from each gun wound. Tom’s heroic reactions seem like something he does to save the day, however, we only excuse his extreme reactions because of our overall exposure to violence and desensitized conscience. This type of brutal and unplanned violence becomes the protagonist’s way of making peace throughout the movie.