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The tension between the Catholic Church and the Protestant one during the Elizabethan era
Elizabethan era religion
Elizabethan era religion
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During the 1600’s (Elizabethan), in which Othello was published, the philosophies of religion were a dominant feature in literature. Religion was also a highly domineering facet of Elizabethan Literature, due to the influence of the protestant church and reigning monarch at the time. Religion is arguably explored as being painful and harrowing, which is debatably exemplified in Othello during his tribulations. Furthermore “The Monk”, being written in 1796, the ideology of religion was a reoccurring aspect of literature. However, Lewis adds elements of Eros and lust, entwining it with the concept of romanticism, arguably challenging the capability of man in maintaining the dogma of Christianity. More on, “Oranges aren’t the only fruit”, which was written during the contemporary period, arguably challenges the ideology of Christianity in its entirety. It can be regarded as exploring human natures inability in conforming to religion, therefore resulting in sense of oppression and arguably failure of self.
Shakespeare uses Othello in order to convey the difficulties individuals face when interpreting the teachings of religion. These ingrained thoughts form the basis of Othello’s behaviour, thus enabling Iago to use varying elements of deception, Shakespeare utilising Iago as a catalyst thus furthering the plot of the play. Othello elevates himself into the role of judge and jury concerning the accusations made against Desdemona. He declares “if you bethink yourself of any crime unreconciled as yet to heaven and grace, solicit for it straight”. The assonance of ‘if you bethink yourself’ creates an interrogative tone with the power being placed on the personal pronouns to show guilt. This is combined with sibilance when Othello de...
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Wikipedia the free Encyclopaedia (2014) “Othello” [online] Available at: http://en.wikipedia.org/wiki/Othello
SparkNotes Editors (2014) “Oranges are not the only fruit” [online] Available at: http://www.sparknotes.com/lit/oranges/
John R. Lenz (1996) Why I Am Not A Christian [online] Available at: http://www.users.drew.edu/~jlenz/whynot.html
Prometheus Books (1986) God and Religion [online] Available at: http://www.thirdworldtraveler.com/Bertrand_Russell/God_Religion.html
Wikipedia the free Encyclopaedia (2003) Bertrand Russell [online] Available at: http://en.wikiquote.org/wiki/Bertrand_Russell
Wikipedia the free Encyclopaedia (2001) Christianity [online] Available at: http://en.wikipedia.org/wiki/Christianity
The Holy Bible, English Standard Version, Crown bibles (2001) Being A Man [online] Available at: http://www.openbible.info/topics/being_a_man
Shakespeare’s Othello illustrates the story of one man’s, Othello’s, self-destructive journey through vicious lies and slander surrounding his loved ones. Who is to blame for this? While the play focuses heavily on “Honest” Iago’s devious acts, Brabantio becomes the catalyst by warning Othello about Desdemona: “Look to her Moor, if thou hast eyes to see. / She has deceived her father, and may thee” (I. iii. 294-295).
William Shakespeare: I doth not bethink twas Othello 's fault. Though i knoweth that gent hath killed Desdemona, his actions wast the worketh of 'honest Iago '. That gent wast most unfortunate to has 't fallen into Iago 's trap. Though Othello accused Desdemona of cheating and hath killed that lady, that gent loved that lady with all his heart. Othello spake about how Desdemona would has 't hath lived, hadst the lady nev 'r hath fallen in love with that gent. that gent kissed that lady and hath killed himself, as a form of contrition for killing that lady.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
The fact that Othello is wavering between believing Iago and trusting his wife is reflected in the imagery Shakespeare uses in the soliloquy. The first image that is used is that of a falcon. Lines 301-304 read: “If I do prove her haggard, / Though that her jesses were my dear heartstrings, / I’d whistle her off and let her down the wind to prey at fortune.” This shows that Othello is still unsure about Desdemona, and claims that though he is in love with Desdemona, he would drop her if he found out she was cheating. This is quite a strong willed statement, but it is diminished by lines 319-320, which follow the entrance of Desdemona and Emilia into the chamber. Othello says, “If she be false, heaven mocks itself! / I’ll not believe ‘t.” This is an example of how turbulent Othello’s state of mind is. The steadfast determination expressed using the falcon image sort of “melts” when he sees Desdemona, and he immediately professes denial that she could be untrue to him. Yet, just ten lines earlier (l. 308), Othello says, “She’s gone! I am abused!” and proceeds to lament the very institution of marriage: “O cure of marriage, ? That we can call these delicate creatures ours / And not their appetites!” Shakespeare’s placing of these three different conclusions Othello has drawn in such close proximity is an example of antithesis, and a testament to the changing and chaotic state of mind of Othello.
In this brief examination of the Tempest, it becomes obvious that the play is a mirror image of the progression of events in the Bible. This use of Christian elements in the play is not obvious upon first reading the play, but becomes undeniable as the action progresses. The motif of Christianity in other Shakespearean works is not as structured and in-depth as the motif found in the Tempest.
Further dramatic tension is created in Lodovico’s polite address towards Desdemona being contrasted with Othello’s domineering commands (pg153). lines 1-10). Dramatic tension is also conveyed through characterisation in Othello’s embodiment of the attitude of a. typically patriarchal man, and Desdemona’s obedient tolerance. Evidently, Othello takes pleasure in publicly victimising Desdemona. who has in turn come to fear Othello.
Othello’s speech that begins on line 178 of act III Scene iii is absolutely central to the meaning of the scene as well as to the meaning of the entire play. Beginning with out right denial, Othello’s speech ends up working its way through all possible outcomes until he is left with only confusion and doubt regarding Desdimona’s fidelity. He goe...
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
American history is a cornucopia of racial tension, beginning with the slave trade and spanning the centuries to the Ku Klux Klan and to the days of Martin Luther King. There is evidence that racial prejudice was just as prevalent in sixteenth century England as in modern day America. Othello can be seen as Shakespeare’s condemnation of racial prejudice.
The Tragedy of Hamlet, Prince of Denmark, is one of the most famous tragedies William Shakespeare has ever written. Found throughout Shakespeare’s tragedy are many religious references. According to Peter Milward, the author of Shakespeare's Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth, and Hamlet, “From a purely religious point of view, which is more than just biblical, Hamlet is rich in homiletic material of all kinds, reflecting almost every aspect of the religious situation in a deeply religious age” (Milward 9). These pieces of religious literature are crucial to the plot of Hamlet. The religious elements found in this tragedy provide the plot, allusions, and foreshadowing.
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’