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Communication skills quizlet
Review of related literature about communication skills
Personal experience about communication skills
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I’m speechless. Words constantly running, jumping, turning, moving through my mind. All types of thoughts, emotions, feelings, and ideas all shifting about in my brain, but yet here I stand speechless, not a whisper of a word heard. From the second we come into the world we are taught a language, which is commonly known as our first native tongue. And as time passes and we continue to cultivate, we advance to learn more about it and how to use it in conversation, reading, writing, and many other forms of communication. But what if after all those lessons at home and in school my spoken language is not enough. I speak and comprehend how to communicate, but my words, from the language which I have been taught, are not enough, and not understood …show more content…
And just like regular literacy and language, it modifies and improves throughout the years and as I continue to progress. The more that I practice dancing and the art, the better I will be at it and the more I will learn. I started to learn to dance when I was 4 years old and just like the words I spoke were simple and small, the dance move I knew how to do were the same. Dance classes consisted of pink tutus with canvas ballerina slippers and a whole bunch of hair spray and bobby pins. You could hear the loud classical music being played over the teacher telling us what are 8 count combination was in French. But as I got older and persisted going to practice 3 hours during weekdays and 5 hours during weekends, the more I exceled. I accomplished more advanced dance moves along with better control and technique. But as I got older and went through more things, I realized how much of a language my dancing really was and what I could truly express while doing it and using it to its full potential. I realized that I could use it to recount stories of events I had been through that had affected me and changed who I was. I could use it to bring a certain topic or problem into the light that I might have been going through at the time. And I realized that it would become what I used to help me cope and express myself through my entire life. It helped me express my feelings without having to use
On September 2nd, I experienced one of the most enjoyable folk dances, known as contra dance, at the First Baptist Church. Due to my cultural and religious background, this experience was new to me and full of mystery. However, it led me to wonder how social music, especially contra dance, is powerful enough letting strangers dance and communicate with each other in a perfect harmony.
I have been dancing since the age of four. I started my intense training with Tanju and Patricia Tuzer, Debra Bale, and Linda Brown at Tuzer Ballet. I developed as a dancer, attending every summer intensive performing in every show, advancing from intermediate to apprentice to junior company and finally to senior company. The dance studio became my second home. I took classes in ballet, pointe, modern, contemporary, tap, jazz, lyrical jazz, theatrical movement, hip-hop, zumba, and African-Ballet, pointe, contemporary, and lyrical jazz being my favorites. Even w...
I have been a dancer since the age of 3. My earliest memory of dance was when I was too terrified to go on stage during a recital and I refused to go on no matter how much they tried to push me. Up until the age of about 12, dance had been just a hobby or an extracurricular activity. In fact, I didn’t even enjoy going to dance. I didn’t have friends there and I wasn’t that good of a dancer. It wasn’t until I participated in Dance Bermuda’s summer dance intensive in collaboration with the American Ballet Theatre in 2012, that I realized that I had a passion for dance. At the program, I was exposed to other dancers that were my age and older and most of them were much more advanced than I. So to avoid being the worst dancer in the program, I took to YouTube and watched hours and hours of dance videos. I researched all the ways to improve my ballet technique. I can remember trying to practice my pirouettes in the kitchen and falling onto the table and knocking a whole bunch of things over. I was determined to be as good as the other girls in the program. By the end of the two weeks I was fired up, motivated, and ready to get back to class after the summer.
Humans have expressed thoughts and emotions through movement long before the development of speech. However, the origins of ballet can be traced back specifically to the Renaissance period and the early court dances in France and Italy. Any celebratory occasion, such as the birth of an heir or an influential marriage would call for social court dancing. All ladies and gentlemen of the court learned these rather intricate dances as part of their grooming for society. Around the 1400s, as the court dances became more detailed and complicated, it became necessary to formally codify these dances to maintain consistency. Special dance instructors or “Ballet Masters” began to appear. These men were highly revered and considered to be the finest dance teachers. They also served as dance makers or choreographers, creating dances that were used throughout Europe. King Louis XIV had a profound influence on the progression of ballet. Not only was he an avid supporter of dance, he was also a beloved performer. In fact, King Louis XIV is commonly referred to as the Sun King, a name he received after appearing ornately adorned in gold as Apollo, god of the sun, in Le Ballet de la Nuit (The Ballet of the Night). Many other highly respected dancers include: Giovanni Battista Lulli, Vaslav Nijinsky, George Balanchine, Vladimir Malakhov, and many more, all being men. It wasn’t until the early 20th century where women were finally respected in the dance world. Women like Martha Graham, Angela Isadora Duncan, Mary Wigman, Gret Palucca, Harald Kreutzberg, Yvonne Georgi, and Twyla Tharp were the first dancers and choreographers who began to create a reputation for women that changed the image of dance all over the world. Today, one renounced Africa...
In the heart of Miami, Miami Dade College’s (MDC) dance majors put on a performance called The Art of Dance. Under the direction of Michelle Grant- Murray, guest choreographers challenged the students of MDC. The students were also able to exhibit their own work, as this was also their student choreography showcase. The evening consisted of diverse styles such as – African, contemporary, and world dance; unfortunately, I cannot say the all of the pieces impressed me.
Terrain is an Award winning dance performance that first premiered in 2012 by Bangarra Dance Theatre organisation, which is Australia's leading performing arts company known nationally and internationally for its influential dancing, unique theatrical voice and astounding sound-scapes, music and design. Bangarra's creative teams research and explore the stories of the Indigenous Australian culture by building a relationship with the Traditional Custodians of the stories so that the integrity and authenticity of the dance performance is respected. The Terrain is a compelling performance that effectively combines the spirituality of Indigenous Australian culture with contemporary dance and storytelling without compromising the values and foundation
Irish dance is known all around the world for its music, style, and costumes. What once started as a cultural folkloric dance has now turned into a worldwide phenomenon because of many contextual factors on the three defining characteristics. In this paper I will attempt to show how the Gaelic League, An Coimisiún, and Riverdance influenced and changed the posture, movement, and appearance of the dance form. The story of Irish dance thus far is one of a constant changing dance that reflects the influences around it. Each of the changes in the style, costuming, and meaning of the dance has molded it into the globally accepted and loved dance form seen today.
First, one way I develop my ability to dance is by watching other great dancers. I watch one of my favorite dancers, Misty Copeland, and study her technique to apply to myself. The grace and beauty in her movements inspires me to be better every time I watch her. I also pay close attention to the older girls at my dance studio to be inspired. It is nice to look up at them and see all of the skills that I will be able to do when I am their age.
I am stronger because of dance, physically and mentally. Dance is my grip on reality when I feel like i'm losing myself. Dance is my identity. I don't know another place where I could go and truly be myself and always be accepted. When friends fail, dance is always there.
When I was in 10th grade, I was offered by my dance instructor to be a part of an outreach program where I would help teach dance at the Boys and Girls Club. When I went there, I was shocked to hear some of the stories these kids would tell me. One girl told me her parents gave her a bag of chips for dinner on weeknights because that’s all they could afford. One told me the girls in her grade made fun of her because she only had three outfits to wear to school. One little boy had one parent that was in jail and the other that was an alcoholic and not fit to take care of him, so was living with his grandma temporarily.
4:3). From all of these Scriptures, we can see that lewdness is condemned by God and is not to be a part of the Christian life. Because dancing is a form of lewdness, it is sinful. To further illustrate the sinfulness of dancing, let us look at Matthew 5:27, 28 again. In this passage, Jesus essentially stated that lust itself is every bit as sinful as fornication.
On the night of the DancePlus performance, I saw numerous little performances. There were six of them in total and the one I had most reactions and favors to is the last one of the first half, which is called Swampin. It was choreographed by John Evans with additional material by Oluwadamilare Ayoride, Jennifer Payan and surprisingly, the dancers. Usually what I would expect from a piece of dance performance is choreographers dominating the process of being creative on the grounds o f coming up dance moves. However, this time, it is nice to see how the dancer actually participating first hand in the creating process of the whole performance which would definitely benefit the quality of the dance, since the dancers would their own choreography
The Northern Territory is known for its culturally diverse population and some would say it is the ‘multicultural hub’ of Australia. With all of these cultures comes distinctive customs and traditions. Throughout history dance has been used to help people develop a sense of identity, the younger generations are also taught social patterns and values through the different dances. The significance of these traditional dances was to reinforce and celebrate cultural law and practices including the celebration of the passage from child to adulthood or spiritual worship. The predominantly Western culture in Australia often causes minority groups to struggle for recognition regarding their beliefs and traditions. This is parallel to the Australian dance industry, where many cultural dance groups feel they have to justify who they are and are often
To many, dance is only an art. In reality, dance is much more. It 's an art, a sport, a way to express one’s self, a way to exercise, a way to get feelings out. Since the beginning of time, humans have used different types of dance to express themselves. There are many advantages to dancing, however there are also some disadvantages. Dance is one of the most physically and cognitively demanding sports.
“A dream doesn’t become reality through magic; it takes sweat, determination and hard work.”- Colin Powell