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Essay about Contemporary dance
Essay about Contemporary dance
Critical analysis contemporary dance
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Terrain is an Award winning dance performance that first premiered in 2012 by Bangarra Dance Theatre organisation, which is Australia's leading performing arts company known nationally and internationally for its influential dancing, unique theatrical voice and astounding sound-scapes, music and design. Bangarra's creative teams research and explore the stories of the Indigenous Australian culture by building a relationship with the Traditional Custodians of the stories so that the integrity and authenticity of the dance performance is respected. The Terrain is a compelling performance that effectively combines the spirituality of Indigenous Australian culture with contemporary dance and storytelling without compromising the values and foundation …show more content…
of expressive dance. The Bangarra spectacular was designed to delight both contemporary regulars and those new to the art form – and the popularity of the theatre's dance performance showed the ambitious production delivers on both counts. The Terrain explored the spirit, colour, sound and vulnerable ecosystem of Lake Eyre (Kati Thanda), through the eyes of the Arrabunna people who have a deep connection to the land and this was evident by the use of spectacular costumes, moving backdrops and masterful movements of the dancers.The powerful and evocative dance movements were breathtaking, mind-blowing, hypnotic and visually stunning.
Expressing culture beliefs, values and identity through contemporary dance and storytelling enabled the audience members to learn, appreciate and embrace the Indigenous culture. The choreographer and dancers develop a language of movement, using elements of dance showing incredible strength, grace and passion. The male and female contemporary dances use a mix of indigenous and international dance languages to convey strong messages about humans damaging the environment. The dances use circular patterns and free flow throughout the performance to capture the spirit and connection between Indigenous culture and the land as intended by choreographer, Frances Ring. The Red Brick 4 men take turns lifting the female dancer passing her between themselves by twisting, turning and lifting her. The Spinifex 6 female dancers twist, turn and dart across the stage. Their elbows, arms and legs bend in different shapes and they extend
their legs. In Salt two male dancers mirror each other as they move their body in time with music. In Landform the dancers are linked together, they glide, rise and fall in Unisom. The movements in Deluge are quick and follow a pattern of swirling and weaving in and out of circles. The dance captures the beauty and continual changing of the landscape in and around the lake, which makes the performance authentic and captivating. The audience is drawn in by the music and dance movements and taken on a journey of discovery. The dancers used different movements and tempo to create tension and evoke emotions. The costumes and backdrops in each section combined and took the audience on a journey of time conveying how the land around the lake changes and evolves over time. It is a moving story that will captivate all ages and encourage everyone to go watch the amazing and mesmerising performance.
...re of different dance cultures within the vocabulary of their scope, then the results would be so astounding as to give that dancer an unspoken quality distinguishing them from among their peers. Movement knowledge is cultural knowledge and remembering that each culture is beautiful and different in its own way can help create a dancer that will resonate with any audience member.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
...ating with each other and these are the same values that are being passed on to this generation. The dancers in South-central Los Angeles, uses this form of art to express their feelings and it a form of communicating just like their ancestors did back in there days. At the same time, it allows them to have a much deeper connection with their roots.
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
[6] Cohen, Selma Jeanne. International Encyclopedia of Dance: A Project of Dance Perspectives Foundation, Inc. New York: Oxford UP, 1998. Print.
Mathinna, choreographed by Stephen Page and performed by Bangarra Dance Theatre, tells the story of a young Aboriginal girl who has been adopted into a traditional western society. Inspired by the ‘stolen generation’, this story illustrates the personal journey of a lost soul caught between two cultures. Throughout this essay, three excerpts, titled Exile 1, Adoption and Nursery will be analysed in relation to how the dance work communicates the true story of how “British settlers relocated the Aboriginal people from their home lands and intervened in their cultural practices”(Mathinna Bangarra Dance Theater). Both movement and non-movement components will be analysed to reveal how Stephen Page’s choreography informed and engaged the audience.
Irish dance is known all around the world for its music, style, and costumes. What once started as a cultural folkloric dance has now turned into a worldwide phenomenon because of many contextual factors on the three defining characteristics. In this paper I will attempt to show how the Gaelic League, An Coimisiún, and Riverdance influenced and changed the posture, movement, and appearance of the dance form. The story of Irish dance thus far is one of a constant changing dance that reflects the influences around it. Each of the changes in the style, costuming, and meaning of the dance has molded it into the globally accepted and loved dance form seen today.
Choreographers define dance as “telling a story without speaking”, “the language of the body”, “explaining your heart through movement”, and “is a unique passion that ca be fulfilling to its choreographers, dancers, and audience” (Senior Mastery Choreography Survey). The responses to the Senior Mastery Choreographer Survey proves that the stimulating and creating process of the choreography in the brain is the difficult aspect of this job, but when the visions are transferred to the dancers the results can be tremendous and sometimes breathtaking. The choreography can be created by the use of shapes, kinesthetic and scenic spacing, timing, and different tactics to leave a meaning to the audience. Choreography and dance have been a part of the arts for a myriad of years and will be for numerous more. It is an emotional entertainment that leaves the audience with a message and feelings towards a
The performing art form of dance, characterized as purposeful, selected sequences of human movement, is often described as a universal language. It is a form of expression that can be translated by all people of all cultures and places. However, if this form of artistic expression is so inclusive, then why is it that it is most often assigned a female gender identity? What are some of the factors that have influenced changing attitudes toward dance’s gender identity over the past century?
Contemporary dance first originated from ballet, however, changed when Isadora Duncan decided that she didn’t want to dance ballet. She disregarded the refined technical Classical ballet and thus the concept of Contemporary dance was born. This style incorporates movements where the body moves freely and doesn’t have restrictions, embodying raw human emotion. Pioneers of contemporary dance comprise the internationally known Isadora Duncan, Martha Graham and Merce Cunningham (The Conversation, 2014, online) + (Bibliography, 2012, online).
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and
Tracks ensures that the dancers involved are from a range of different cultural circumstances, this allows more diverse choreography, performances and audiences. McMicken describes the diverse environment, “If you just had one plant growing everywhere, its bland and not interesting, and not healthy… I often use [the] image that a healthy environment has maximum diversity in it”. This concept is parallel when regarding the education of cultural dance in schools, “maximum diversity builds respect and understanding” of traditions and beliefs.
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”