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Music in culture and society
Music in culture and society
Music in culture and society
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Contra Dance: The Wonder of Social Music On September 2nd, I experienced one of the most enjoyable folk dances, known as contra dance, at the First Baptist Church. Due to my cultural and religious background, this experience was new to me and full of mystery. However, it led me to wonder how social music, especially contra dance, is powerful enough letting strangers dance and communicate with each other in a perfect harmony. The contra dance community was friendly. There was a group of people that differ in age, gender, occupation, and experience. Yet, by utilizing the different techniques of the contra dance, including the unique atmosphere, none of these boundaries existed on the dance floor. Another reason that makes the contra dance community easily approachable is that no preparation is required. The dances are taught step by step at the beginning of each dance; so no prior classes are needed for participation. Also, the dress code is another comforting feature to this community. It is informal and therefore, it does not require to spend much money on fancy clothes. Thus, you only need to bring your musical soul to the community …show more content…
First, it is obvious that the music reflects a major part of the success of dance. The live band makes the atmosphere and the music sound much better because they are engaged with the dancers and the caller as well. The caller is an essential element of the contra dance. The caller worked on instructing the next moves while ensuring a smooth and harmonious performance of the dancers. I perceived the role of the caller to be a tough one because the caller is responsible for monitoring, teaching, engaging, and dancing with every dancer. Additionally, there was a clear connection between the band, performers, and the caller. Personally, I believe that the band and caller are like one body with different functions as one can’t stand without the
I considered myself a performer, and after years training as a classical ballerina I expanded into stunting and tumbling. While on tour, I developed friendships and bonds with dancers strengthened by a mutual love for dance, a commonality over the pain our bodies endured daily, and conversations on bruised and broken toes.
Ragland, Cathy. "Mexican Deejays and the Transnational Space of Youth Dances in New York and New Jersey." University of Illinois Press: Ethnomusicology. Autumn 2003 47.3 (2003): 338-53. Print.
The documentary “Rize” by David LaChapelle, focuses on the lives of Black Americans who live in South Central Los Angeles and the struggles they go through in their daily lives. Moreover the film also introduces two types of dancing groups that they have in the community. These dance groups are meant to keep the youths and children occupied and distracted from all the problems that have been going on in their community, such as the LA riot. The two styles of dancing are Clowning and Krumping. Clowning was created by Tommy the Clown in 1992. Tommy used to be a formal drug dealer, he went from having his life together to losing all his money and house. However, instead of doing nothing productive with his life, he decided to help his community by changing the lives of others through entertainment. In addition, not only did this dancing group help him get to a better place in life but also the group members are like his family. His main goal was to help put similes on people’s faces and help get some of these children and youths away from gangs. On the other hand, Krumping was also generated from Clowning, however Krumpers believe that their form of entertainment is different from clowning. Moreover, these dancing groups main focus is to distract the youths and children in the community by giving them the opportunity to do something they love, which is dancing. Furthermore, passion, spiritual connections and connection to the African culture are conveyed through the film by Clowning and Krumping.
It is said that ancient times were simpler than the present day. Life was simply about surviving. But of course, change is inevitable. Humans constantly feel the need to expand grounds or to go where conditions are best suited for them. Eventually, a tribe or race would have met another on their own. But what was life like before the different tribes and races met? In present day research, it is seen that though there was no contact whatsoever, separated ancient tribes and/or races were deemed similar. Somehow, human minds branch off into different views of the same topic, depending on where the people are located. Take the Hawaiians and Middle Easterners for example, they remained on opposing sides of the world and yet they have similar forms of
Irish dance is known all around the world for its music, style, and costumes. What once started as a cultural folkloric dance has now turned into a worldwide phenomenon because of many contextual factors on the three defining characteristics. In this paper I will attempt to show how the Gaelic League, An Coimisiún, and Riverdance influenced and changed the posture, movement, and appearance of the dance form. The story of Irish dance thus far is one of a constant changing dance that reflects the influences around it. Each of the changes in the style, costuming, and meaning of the dance has molded it into the globally accepted and loved dance form seen today.
The first major figure’s in ballet according to the textbook name is Catherine de’ Medici. She is important because she married into France and brought a few dance masters along with her which effectively started court ballet. Another Major figure of ballet was King Louis 14th. He established the first academy of dance along with having a huge love for dance, thus giving huge state support to dance. Another reason Louis instituted ballet was a political, instead of fighting people would dance. Finally, King Louis was considered the first ballet star. The next person who has influenced ballet’s name is Marie Salle. She is famous for being very talented along with being the first female choreographer. Jean Georges Noverre is the next person to influence ballet. His main contribution is writing the Letters on Dancing and Ballet which was used in the Balled D’ Action. After Georges the next influential person’s name is Carlo Blasis. He is important because he shaped ballet how ballet was taught and wrote some instructional books. Anna Pavlova was the next influential person. She is one of the most famous ballerinas for her dramatic dancing. The ballet ruesses were importatnt to the longevity of contemporary ballet because
The first social dance explored was ballroom dancing. Ballrooms were a place of courtship; therefore, these dances were always performed by a male, female couple. Traditional gender roles began the dance as the men always asked the women to dance. As the dance began, the bodies were transformed into vehicles to connect these opposite sex partners. However, societal rules applied to this dance because partners must be from within the appropriate class, the intentions proper, and the movements executed in a specific manner. The woman’s role was essentially to avoid a misstep of tripping on the man’s feet, since the male always led the dance.
The meaning behind why we dance is to ultimately get the message across of whatever we want to say, express, or exert. Butoh was the largest and most obscene leap any form of dance ever took when it came to such conservative preferences in what the audience expected out of a performance. It is never going to be about perfect love stories nor adventures to fantastic places. This existence is often a dark one and while some art is an escape to avoid despair, others are meant to convey realism and the truth. For a while in Japan, butoh was the only form of expression that faced the truth in a way that wasn’t painful. It gave the Japanese something to take pride in and much like Hajikata himself, it reminded the Japanese that they were hit but they never fell, they just kept standing back up.
The topic I decided to choose to conduct my Capstone Research on is Copyright in Choreographic Works. Choreography is “Choreographers use dance performances to express ideas and stories. There are many types of dance, such as ballet, tango, modern dance, tap, and jazz (bls.gov). Choreography is also something that should be made from the heart, it’s not something that should be taken from someone else because at that point, it wouldn’t be considered your choreography and it wouldn’t be something you made from your own mind and creativity. Dancing is something you have a passion for and you show your emotions through your movements, so there shouldn’t be a need to copy. The problem now is, many choreographers are starting to steal choreography
Dance is my favorite hobby when I was a child. I used to watch dance concerts on TV shows, but I had not even watch it on stage. On April 08th, 2016, I attended a dance concert called Make Your Move like an audience. It was performed at John Anthony Theatre – Spring Creek Campus of Collin College. The concert consists of many styles of dancing from different College and University such as Collin College, West Texas A&M University, and Illinois State University. Three performances that I like best were Intus, 9.28.11 and Havana Dream.
Belly dancing is thought to date back into the third millennium BCE in the Middle East, with evidence of solo improvised dance seen in Egyptian paintings, figurines, and tombs (Shay & Sellers-Young, 2005: 3). There are now several different versions of this dance in the Middle East, for example, the shikhat in Morocco, the ciftetelli in Turkey, and the raqs sharqi in Egypt (Shay & Sellers-Young, 2005: 2). While these dances are similar in movements, the dance’s meanings differ in each culture. Here in the United States, we adopted and renamed belly dance in the late 1890’s from the Middle East, but based our understandings of the dance off of mistaken notions we assumed to be true in those countries. The meanings of belly dance in the United States have been shaped by orientalist views, and therefore are misrepresentative of the true connotations. Several contradictions exist between what Americans see belly dance as and what is actually true in the Middle Eastern culture, such as the implications of the dance, the dress and context of the dance, who actually dances, and spiritual significance.
Ballet, What is it? It definitely is not just a girl twirling around in a tutu. Although that is what most people see it as. It is form of expression and is considered an art because with performance there is a story being told.
Dance is communication through physical expression, although the type of expression and frequency differs vastly from culture to culture. Belly dance has an interesting history, one that dancer and instructor Susan Diamond states started “thousands of years ago” (Diamond, Belly Dancing). Today, however, belly dancing is gaining popularity and there are many different “branches” of the dance form that have evolved over merging two or more dance forms. While researching belly dance I found that my particular “flavor” happens to be Tribal Fusion.
The dances and movements of todays is influenced by the evolution of dance. Likewise, culture has played a significant role in dance. There are various reasons to dance, and dance is incorporated in numerous functions. For years, people have dance at weddings, religious ceremonies, professional, clubs, and just for fun. On the other hand, the dance forms have changed over time. Some of the same techniques and styles are common in today’s dancing, but still many changes. Each generation introduces something new to the industry of dance. Dance is an art that continues to grow. One of the great aspects of dance is taking a style of dance and adding your own personal flavor. In other words, dance is not a cut and dry art form. We will discuss hip hop, and Baltimore club dance. Seen at the hush party
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”