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Is there a theme of racism in othello
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How has Shakespeare represented race throughout the play othello
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Othello deals with the tragic events following the elopement and wedding of the “Moor” Othello and the Venetian Desdemona. Over 400 years since the infamous Elizabethan play was first written, questions were already raised regarding the nature of race, its social implications and furthermore, the correlation of a person’s outer appearance and inner self.1
The issue of racism and stereotyping is obvious in the play and is pivotal for the interpretation of the play. In this essay, I plan to analyse the role of
Othello, his racial background and along with other key characters, to see if the play itself, or rather the society in Venice would be considered racist.2
In order to answer the question of whether Othello is a racist-based play, one must need to define the word “race”. As the definition and concept of race has changed and continuously been changing, the investigation will examine
Elizabethan attitudes towards foreigners and how strangers were portrayed on stage in this time period.3
Moreover, I will analyse the play itself and the characters within it. The essay will look at their differing roles and separate prejudices towards Othello’s skin colour and how they influence his self-conscious and eventually, his personal fate.4
In Othello, “skin colour” is much more than a physical property or cultural background. It defines the character’s inner life, and hugely determines the eventual outcome of the play. The significance of racial concepts and stereotypes, along with Shakespeare’s intentions of racial bias will be touched upon in the last part of this investigation.5
As reported by the Oxford English Dictionary, the first record of the term
“race” dates back to 1508. Scottish poet William Dunbar first co...
... middle of paper ...
... to fail, not because of their biological differences, but due to the social, political and cultural obstacles they had to face.”63
Despite this, Desdemona’s true love for Othello shows it is possible for a white woman of such beauty to fall in love with a black man. The failure of their marriage is not caused by a lack of love, or even racial differences, but rather, a society who fails to integrate the outsider.64
Shakespeare portrays Othello as a human being with deep feelings, which address the audience emotionally. He is shown as a hero, a victim and a perpetrator at the same time, and it is probable that the audience hoped for
Othello to realize Iago was deceiving him before it was too late. Shakespeare made it possible for the audience to identify the society’s racism at the time, and by doing so, he did more than portray racism… he challenged it. 65
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Race has no biological meaning. There is only one human race; there are no subspecies, no single defining characteristic, traits, or even gene, separates one “race” from another. Instead of being a biological concept, race is a social construct, and a relatively modern one at that. It was created to give light-skinned Europeans an advantage by making the white race superior and all others inferior. Throughout its history, the concept of race has served this purpose well.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
The idea of ‘race’ is a problematic concept in various academic fields. In the discipline of Anthropology, the definition of this term carries much controversy. The concept of race that many people hold is in a sense, a social construct that changes amongst different cultures, one could look at different cultures to see racial definition as a cultural phenomenon in action (Kottak, 2000:139). King supports this idea that races are not established by a set of natural forces, rather they are products of human perception, “Both what constitutes a race and how one recognises a racial difference are culturally determined” (1981:156). Cashmore provides a brief definition of race as “a group of persons connected by common origin” (1988:235).
William Shakespeare’s “The Tragedy of Othello” shows how a manipulative villain can create chaos within a society. The play was written around the year 1603 and takes place in Venice Italy before it is repositioned to Cyprus. This Shakespearean tragedy shows the effects of jealousy, love, desire, betrayal and passion in a society with an imbalance of power in a race, gender, and social position.
Racism in William Shakespeare's Othello. The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialogue. This racism is directed toward Othello, a brave soldier from Africa and currently the supreme commander of the Venetian army.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
One of the major issues in Shakespeare's Othello is the impact of the race of the main character, Othello. His skin color is non-white, usually portrayed as African although some productions portray him as an Arabian. Othello is referred to by his name only seventeen times in the play. He is referred to as "The Moor" fifty-eight times. Webster's Revised Unabridged Dictionary (1913) states that a Moor is "Any individual of the swarthy races of Africa or Asia which have adopted the Mohammedan religion. In Spanish history the terms Moo, Saracens, and Arabs are synonymous." This indicates that Othello is constantly being degraded and set up as an evil person throughout the play. What this really means is that Othello is being judged by his skin color rather than the person under the skin. The view that whites and non-whites are equal is a relatively new concept in our society. In institutionalized racism, such as American slavery, those of a different color were often viewed as inferior. As Shakespeare wrote Othello, this idea was becoming quite prominent as England entered the African slave trade. One can look at the racial issues from the perspective of color, slavery, and society.
Race is an important element in "Othello". Someone who has so much social and political power should be treated with honor and loyalty. Although Othello’s power wasn’t tampered with before he fell in love with Desdemona, it became strained due to the fact that he is black. The fact that Othello is black is significant because he notices this is one of the reasons why he could have been undermined, and contributes to the lack of his own confidence. The issue of race Shakespeare understood that it was powerful topic. Color and ethnicities is the underline of social tension which made Othello endure a lot of plots and schemes. Such as being tricked and lied to.
Some of the central components to this book include but are not limited to: a glossary of terms and concepts, notes on the play’s production history, a compilation of pertinent socio-cultural information, playwright information, history/historiography, dramatic criticism/commentary, a scene break-down, notes on genre, pertinent notes on characters (like their specific functions throughout the play), and other references like images of art, architecture, and geography (4).
The definition of race is a group of people sharing thing such as history, culture, and language. Although, this doesn’t go for every race, in every country in the world. Around the world race is interpreted in different ways. According to American Anthropological Association(AAA) “From its inception, this modern concept of "race" was modeled after an ancient theorem of the Great Chain of Being, which posited natural categories on a hierarchy established by God or nature. Thus "race" was a mode of classification linked specifically to peoples in the colonial situation”.
Written during Elizabethan times, William Shakespeare's Othello provides insight into how race and racism has a role in society. Racism functions as one of the main forces that compels Iago to plot against Othello and ultimately lead to the tragic outcome of the play. However, the apparent racism acts as a facade, there to conceal the bigger issue: the distrust of women in the play. But herein lies the question - is Othello just a black man, villainized by white men and the victim of racism, or is he simply an accomplish to the patriarchal society in which he lives, conforming to the same behavior towards women as his white Venetian equivalents? The dynamics of the play act upon the idea of male superiority over women no more than by the oppressive racism towards one of the main male characters, Othello. Othello serves as an example to show the inequality in power between not only men and women, but also between race. Shakespeare reveals the role that gender
Fellow by Shakespeare is still accessible to today’s society as a has a focus on issues like racism. It can be seen that people continue to judge others by the color of their skin. In this country alone the recent rise of nationalism has brought back the problem of racism as strong as it was during the civil rights movement. What is even more ridiculous is that these conflicts have perdurated from thousands of years ago.
The academic recourse I have chosen, titled Racism in Othello, starts out to by talking about how race has been a problem throughout history. About how your race can affect you depending on what race you are and where you happen to be. It then continues on and explains how Othello is a story that heavily grasps this subject. The writer of this academic paper even goes into great detail so as to prove his point. This resource would be very useful to my paper because it goes into great detail about how racism is present in the story of Othello and it does not stop there. It gives the ‘so what?’ The ‘so what?’ of the racism present is that it affects the main character of the story heavily, thus giving it a story.