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Theory of magical realism
Magical realism theory
Theory of magical realism
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Psychology and Magical Realism Four Works Cited Magical realism provides the reader with a unique perspective of the world -we look on it with new eyes. The reader must go beyond reality to understand magical realism. Magical realism may be related to certain academic fields such as psychology because of the state of mind one must use to really know what is happening. Magical realism can be characterized in many ways. Mainly, it depends on one's own opinion, but for me reading certain selections about it, one can get basically the same point of view from it. "Meticulous craftsmen all, one finds them In the same preoccupation with style and also the same transformation of the common and everyday into the awesome and unreal"(Flores 114). The "awesome and the unreal" are characteristics that usually represent what magical realism is. Many magical realists use it in their selections to give readers a brief idea about magical realism. It is not just the everyday word or meaning to life. It is an outlook on what life has to give one if he or she is willing to look further into it. In the psychological field, Victor Frankl discuss something called "will-to-meaning." Frankl says that in one life meaning is love for one's children to tie to; in another life, a talent to be used; in a third, perhaps only lingering memories worth preserving. In his studies, he stated that people survive to weave those slender threads of a broken life into a firm pattern of meaning and responsibility. Frankl poses three different lives in his theory. Either a person could be living one of the three or he or she could be living all three at one time. People just do not realize the magic. If one cannot find his or her "will-to-meaning in life, Frankl says that the sufferer fails to find meaning and a sense of responsibility in his existence. Later on, Frankl puts an answer issue to this by saying "A human suddenly realizes he has nothing to lose except his so ridiculously naked life." Frankl titles this idea as a mixed flow of emotion and apathy that is simply arresting. Also, Frankl gave a good meaning to his theory by quoting Nietzsche, "He who has a why to live can bear with almost any how." That quote was a really moving statement to me. In the story Like Water For Chocolate, a young woman named Tita was haunted by her mother when she died. The love for a man made her mother haunt her because of Tita's disobedience to her mother after she had died. In relation to Frankl's ideas to this story, Tita had a reason to live as well as Frankl did. Frankl lived to write about what he had learned. His family all died in concentration camps with no meaning to life whatsoever. Tita at first thought she had no reason to live until meeting the love of her life. As Nietzsche said, "He who has a why to live can bear almost any how." Magical realism relates to certain academic fields such as psychology because of the state of mind one must use to really know what is happening. In Frankl's will-to-meaning, like magical realism, one has to have a realization of what is going on and a "why and how" attitude towards it. Both are based upon the "real and unreal" where a person look upon things with other minds, not just a person's own natural state (psychologically)-(magically). I think magical realism has became more popular over the last sixty years because it is shown to be a relation to things used today in our academic fields. I think that if it was not used then it would not be as fun to learn about it. When there are more perspectives, learning is a lot more interesting. Works Cited Esquivel, Laura. Like Water For Chocolate. N.Y.: Doubleday Printing Press, 1989. Flores, Angel. "Magical Realism: Post-Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 109-117. Frankl, Victor. Man's Search For Meaning. Boston: Beacon Printing Press, 1963. Roh, Franz. "Magical Realism: Post-Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 15-31.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
Delbaere-Garant, Jeannie. "Variations on Magical Realism". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham" Duke U.P., 1995. 249-263.
Faris, Wendy B. "Scherazade's Children: Magical Realism and Postmodern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995.
For the purposes of this paper, I would like to adopt the synthesized definition editors Zamora and Faris distill from several key writers and academics featured in the anthology/reader Magical Realism: Theory, History, Community:
Roh, Franz. "Magic Realism: Post-Expressionism." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 15-30.
6.5 million Jews were sent to concentration camps during the holocaust. The holocaust is a sickening story that still brings a chill down people’s spine today; it is without a doubt the coldest non-fiction story ever told. Germans hated the Jews and felt disgusted with them so that’s why the Nazis would end so many families’ lives with children and babies. 6.5 million People died and 1.5 of the dead where children. The Nazis lost WWII to Russia and U.S. who were called The Allies the reign of Hitler ended when he committed suicide in 1945 so the Germans decided to surrender. The war was over so The Allies went to all the concentration camps and freed the people who were still alive.
Step 3 and 4 were concentration camps and extermination, where the mass killings began. Jews were forced into concentration camps where they would work till they die. In order to take away their identity and treat them as animals, they were not allowed to have hair or wear clothes. Many inhumane practices and terrifying stories happened in these deadly camps, such as laboratory experiments, human flesh purses, and the lady who swallowed her diamonds because that was all she had. Extermination killed millions of Jews, people who did not die from the concentration camps would be gassed in gas chambers, and mobile killing units were established to eliminate J...
3 An elaborate plan of mass genocide in which the Nazi officials would annihilate all European Jews.
While being held prisoner in the death camps, Frankl began to observe his fellow inmates. He payed close attention to the prisoners who survived and those who did not. Frankl concluded that those who felt they had meaning in life such as hope in seeing loved ones at home, unfinished business or great faith had better chances of survival than those who had no hope. This quickly became the basis of his theory. Frankl extrapolated that philosopher Friedrich Nietzsche was correct in saying, “He who has a why to live for can bear with almost any how.” (Frankl 126).
In order to see how Magical Realism is found in this treatment, one must first consider at least one of the identifying marks of Magical Realism. Among the characteristics that identify Magical Realism is the feeling of transcendence that the reader has while reading a Magical Realist text (Simpkins 150). During transcendence, a reader senses something that is beyond the real world. At the same time, however, the reader still feels as if he or she were rooted in the world (Sandner 52). After the reader undergoes transcendence, then he or she should have a different outlook on life.
Roh, Franz. "Magic Realism: Post-Expressionism." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995. 15-30.
Magical realism, the term in itself is a contradiction. When you think of real, magic does not normally come to mind. It is a literary style that dances on the boundaries of reality and a whole other world. We see extraordinary things, but in completely ordinary settings. Magical realism is a metaphor because it is associating the word magical, with something as non-magical as realism. It causes us to wonder what reality actually is, we are exposed to something so completely foreign, and we must make something of it. Thus, magical realism.
Obviously the most concise definition of magical realism is that it is the combination of magical and real elements. The magical elements that exist in works of magical realism are; superstitions, exaggerations, dreams that come true, universal humor and the coincidence of bizarre events. All of these Elements are present within Chronicle of a Death Foretold.
The first recorded appearance of magical realism occurred as an art category described by Fran Roh, an art critic, who saw it as “a way of representing and responding to reality and pictorially depicting the enigmas of reality.” (Moore). Later, around the 1940’s, “magical realism was a way to express the realistic American mentality and create an autonomous style of literature.” in Latin America (Moore). This particularl...
Faris, Windy B. "Scheherazade's Children: Magical Realism and Post Modern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Windy B. Faris. Durham & London: Duke University Press, 1995. 163-190