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Gender in shakespeare
Gender in shakespeare
Masculinity’s Effect on Culture
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Shakespeare’s Coriolanus asks, what does it mean to be virtuous. Today, Virtue means to be of high moral standards, but this definition is not culturally transferable. Virtue originally meant manliness, which at the time was the pinnacle of social achievement. Coriolanus was a Roman general born into a time of war, when men had to be brave and physically powerful. If manliness was seen as the highest achievement then femininity and juvenility were both viewed as failure. Even women, as shown by Volumnia and Valeria, possessed typically manly qualities. Volumnia, in training her son to be a man, forced Coriolanus into a mental regression manifesting in both a childlike state and one of hyper-masculinity. Coriolanus’s downfall is attributed …show more content…
His hyper-masculine psyche has made him both hostile and immature. He shows many child-like proclivities that largely contribute to his doom. He presents the idea of self-importance and naive ignorance when mocking the plebeians. He believes he is above them and treats them as if they were pawns or insignificant beings who are only there to serve him. He does not realize that they hold the key to his becoming consul, and upon mocking them at the election, they run him out of town. He lacks the composure of Menenius, in dealing with these people. He believes he is above everyone and generally the idea that the world revolves around you is typically found in children. He displays other juvenile characteristics such as being temperamental, impulsive, and inflexible. Upon hearing that the people changed their vote and he would not be elected consul, he flies into a fit of anger. He is then exiled from Rome, and without hesitation, he joins the Volscians, his lifelong enemies. He is like a child who switches teams because he was insulted or upset. Finally when Menenius makes a speech to try to convince him to halt his attack on Rome, he just says “Away! Wife, mother child, I know not. My affairs / Are servented to others. Though I owe / My revenge properly, my Remission lies / In Volscian breasts. That we have been familiar, / Ingrate forgetfulness shall poison rather / Than pity not how much. Therefor …show more content…
It is true that his end was brought on by his arrogance and impulsiveness, but his mental condition arose out of his childhood and development. His mother pushed to bring out his aggressive militant nature but in doing so pushed her child to the extreme. He was the soldier his mother dreamed he could be but he lacked any true character beyond combat. His peaceful and political personas took on the pugnacious mindset of combat, for that is all he knew. It was all he was born to know and his lack of composure and maturity can be attributed to his upbringing. Coriolanus was not a guilt-free human being, but when judging his character it is essential to examine his mother/
... own childhood; no matter it are security and nurturing or abandonment and neglect, guidance and respect, or abuse and disdain. Not only the man becomes psychologically or physically abusive, but he is also aggressive towards his partner whenever he feels that his experience of rejection and consecutive disruption cannot be soothed by the defence that he mounted. Those people with a history of neglect or abuse, they usually not able to have confident in their partners whereby they perceive their partners as enemies instead of allies. These abusive relationships are often repeatable becoming more intense as if the man is riding on a rollercoaster ride. The rejection-abusive cycle is considered complete when the man felt he is not appreciated as his unrealistic expectation on relationships is not fulfilled - closeness and intimacy, in other words, further rejection.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
As Dr. Carnes explains exploitative relationships can create chains that link a victim to someone who is hazardous to them. Trauma bonding can occur as a result of divorce, litigation of any type, incest and child abuse, family and marital systems, domestic violence, hostage situations, professional exploitation and religious abuse. These situations involve an incredible amount of intensity or importance and they can become a trauma bond when there is an exploitation of trust and power. An important factor in understanding trauma bonds is that “stress becomes traumatic when danger, risk, fear or anxiety is present. This critical analysis will examine some specific aspects of the content within the text.
In the play Coriolanus, Coriolanus ' mother Volumnia raises him to become this brave warrior of Rome. Volumnia is proud of who her son has become; however, she does not only think of Coriolanus as just her son, but a warrior that she has sexual desires for. Volumnia 's love and affection for Coriolanus in the play is incestuous due to her pondering the thought of having sex with Coriolanus as her husband, her over-excitement when she fantasizes about Coriolanus ' wounds, and the non-maternal indications of Coriolanus sucking on her breasts. This important to the play because Volumnia raised and taught Coriolanus to become this warrior that she fantasizes about. She uses these incestuous references to display how she really feels about her
...herself as a man and has misogynistic tendencies. Fortunately, the role of women in society today has changed very much from the roles that they played in classical mythology. Women are now seen as being able to play any role they desire, whether it is the role of a housewife or the role of a workingwoman with a successful career. It is no surprise that achieving the roles that women play today took such a long time when for so long even in mythology women’s roles in society were constantly pushed in the direction of domestics and when for so long women were portrayed as less then pleasant creatures. The fact that these sorts of roles were pushed on women in the Greco-Roman society was proof enough that it was a patriarchal society. It is astoundingly wonderful that the roles that women play in modern society have evolved so much since the times of classical myths.
Volumnia is, in my onion, one of the most repulsive characters Shakespeare has ever conceived. To create her, and place in a world of men, a world of war, where she becomes impervious to the standard means of vengeance is brilliant. But she is so distasteful because she is so influential. She is the only person Coriolanus, our title character, can ever hear. But what else would you expect with Volume in her name?
The speech patterns of "Coriolanus" reveal the title character's psychological turmoil. Churning with self-doubt about his determination, his relationship with those around him, and his relationship with his mother, Coriolanus is a man at the mercy of his environment. The environment that shapes Coriolanus is the instruction he receives from his mother Volumnia.1 In his relationship with his mother, Coriolanus plays the weak and subservient role. Volumnia's treatment of Coriolanus during his childhood and later, when he is an adult, profoundly molds Coriolanus. Even when absent in scenes, Coriolanus's mother acts as an invisible force, shaping Coriolanus's interactions with other characters in the play. Volumnia's desires and ways of speaking manifest themselves in Coriolanus's valor and also in his stubbornness. Coriolanus attempts to recreate the relationship between himself and his mother with other characters and groups in the play. However, when he recreates this relationship with others, he reverses his role in the relationship by making himself the dominant party.
Michael J. O’Brien in the Introduction to Twentieth Century Interpretations of Oedipus Rex, maintains that there is “a good deal of evidence to support this view” that the fifth century playwright was the “educator of his people” and a “teacher”. Sophocles in his tragedy, Oedipus Rex, teaches about “morally desirable attitudes and behavior,” (4) and uses three women to help convey these principles of living. This essay will explore the role of women in the drama, the attitude toward women therein, the involvement of women in plot development, and other aspects of women in Oedipus Rex.
I have spoken to many victims of abuse who say that the person they met and fell in love with “gradually changed” into a monster. This is often one of the most confusing and distressing aspects of abuse from the victims point of view. It is also a situation that the abuser will exploit with varying degrees of vicious skill. While it is impossible to be specific on these subjects in every case, careful observation and research have uncovered certain general consistencies I want to discuss here. The question is; what is going on in the abusers mind that causes them to suddenly, or gradually, become abusive to their new partner?
In today’s society, women have overcome many hardships to become able to vote, able to run for public office, and even able to hold high business positions. Some people believe that such accomplishments are because of literary examples that have, over the years, lead women to believe in themselves, motivate them-selves, and stand up for themselves. In Aeschylus’ infamous Greek tragedy, The Oresteia, Clytaemestra, the leading woman, overcomes the Greek society’s slighting attitude towards women, grasping the most powerful position attain-able in Argos. Even after gaining power, Clytaemestra clutches this leadership desperately, unrelenting in her hopes to keep it forever. Although Clytaemestra uses intellect, inner strength, and self-motivation to capture power, she does it evasively and by hurting others. Therefore, Clytaemestra is not a respectable woman role model.
Throughout Shakespeare’s various works, it has been observed that he rarely uses females in his literature, but when he does, he uses them for a distinct purpose, as is evident in Julius Caesar. By defying the societal standards of her gender and showing genuine interest in her husband’s thoughts and feelings, Portia, the wife of Brutus, reveals key aspects of his character while adding depth to the story. For her time, Portia was a woman who both respected herself and took pride in herself, without allowing society to make a mark on her. This is evident when she states, “Think you I am no stronger than my sex/ Being so father'd and so husbanded?" (Port...
Othello questions the egocentric, narcissistic honor that is shown by the men in the play. For the sake of this paper, “honor” will be used as a synonym for reputation. Honor is not necessarily a bad thing, but it should not be a justification for misconduct. In history, a lot of actions were justified if they were committed to defend one’s honor. A man is justified in murdering his wife’s lover in order to protect his honor (Klene 140). Thousands of people died in duels to defend honor.
Abuse has become so common that some people do not realize they are being abused. It is important that this topic is studied because there are many gaps of knowledge to what all an abusive relationship can entail. The goal is to help someone somewhere get out of an abusive relationship before its too late. Whether its emotional or physical abuse, neither is healthy for a person to maintain in. So seeking relationship advice from outside sources, such as popular press articles may be a usual for tool for people who are looking for insight as long as they know to check up on the research involved in the article. This paper will compare and contrast the findings from the article I have chosen to the scholarly research that has been conducted on abusive relationships.
...institutions. This theme is embodied into Coriolanus himself, he is like a hero from Rome’s past, in a time that has advanced past the political usefulness of such a warrior. Although Coriolanus is a high achiever, he is out of date and in a place that does not glorify warriors like himself as the once did.
The first part of the play is structured so as the reader to sense the build-up of tension taking place before the death of Caesar, reaching its climax with the assassination of Caesar and, later, when the angry mob attacks Cinna the poet, in Act III Scene III. This increasing tension is deeply related with one of the main themes of the play, “Fate versus Free Will”, because, all along with the different omens that are revealed by different characters in the course of the play, it contributes to the idea that some things are sort of pre-established, like if there was a superior power deciding the destiny of the characters .The play seems to support a philosophy in which fate and freedom maintain a delicate coexistence. Portia and Calpurnia, representing Women, are an important part of this theme since, in the beginning of the play; they are the ones that are more frightened about what may happen to their husbands. Portia fears something terrible would be taking place because of the strange behaviour her husband was having at the time. Calpurnia, on the other hand, is a character in deep relation with this theme, due to the dreams she has foreseeing the death of her husband: