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Analysis of modernism
Critical discussion of modernism
Exploring modernism
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Modernism is a type of writing or work that represents the breakdown of traditional society. It tends to represent modern society as a great loss or ruin. Most modern work/poems are simplistic does not require much thought or explanation. The writings lack connections, explanation and it allows the reader to acquire their own meaning of what is written. Some of the writings lean on imagery to help explain the meaning of the text. The modern man tends to have a negative outlook on life, and knows that not everything in life will be “happy-go-lucky”. One can believe that Prufrock is a modern man, because he puts off trying to make a connection to the world and the women around him. He states multiple times in the poem “there will be time (25). …show more content…
He dwells in the missed opportunities and the “what-could-have-been”. An important aspect that the author uses in the poem is the stream of conscious. The concept reflects on the modern mans-Prufrock- mentality. Güleryüz stated in his article that “Eliot sets his speakers to journeys for meaning and answer, reveals their fragmented visions, and analyzes the modern man’s perception of life, norms and faith.” One can see that in this poem. You can see Prufrocks look on life and how he contemplates each step he takes, not sure on which direction to go. Prufrock makes the statement “ Do I dare? And Do I dare” (37). This, yet again, shows him contemplating his actions. He thinks that he is just an old bald man and that no one will really see him, for who he is. He is afraid to go out of his way to get people to notice him. Prufrock is lonely and one may can say that Prufrock would be happier dead then living on earth. The last few lines of the poem suggest that he wants to “drown” out society and the people around him. That he feels empty when he is around people, as if there is no use in even trying to be social. He feels like there is no point in life if he can talk to the women and interact with them like he pleases too. In a way, one almost feels sorry for Prufrock, but then again, he could fix his situation if he wanted too. Güleryüz makes this statement on Prufrock, “…his aging or his inability to relate other people-
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
Prufrock even admits that he has "seen the moment of my greatness flicker,"(84) He is a victim of time and natural selection. In the end, Prufrock realizes that the life he dreams of is out of his reach. He still imagines attaining his desired position, but realizes that he isn't recognized in that world. I do not think that they will sing to me."
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
Those sides of Prufrock's character are shown only to the reader. The ladies have to judge him on his appearance and his behavior during the evening out. He is an older man, his hair is growing thin, and he is skinny. Eve...
Modernism is a period which is both progressive and optimistic.The Modern period starts with the Renaissance for historians.It’s stem ‘’Modern’’, comes from the Latin which means ‘’current’’.It is a cultural movement which involves changes in art,architecture,music and literature:
Cultural relativism has long ben a key concept in anthropology. This term asserts the idea that because each culture holds its own values and practices. The most important aspect of cultural relativism is that one should not make any value judgments concerning cultural differences. Those in the field of anthropology stress that the study of customs and norms should be value-free, and that the appropriate role of the anthropologist is that of the observer and the recorder. When in the field it is imperative to withhold one’s own values and control one’s spontaneous reactions to a number of exotic phenomena. If an anthropologist in the field simply can not keep their own values and reactions to themselves, they will truly not learn or understand
In the poem “The Love Song of J. Alfred Prufrock” T.S. Eliot uses a man named Prufrock to describe the uncertainties in life and how they affect a person’s views. Prufrock does not have the confidence to give or receive love. There is an equal amount of unhappiness to the concept of time and space. He is unsatisfied with life and with the decision to think rather than act.
The continuance of loneliness appears when he contemplates “how should I presume?” in various lines all in a succession of stanzas (54, 62, 68): he contemplates how to go on after he meticulously calculates his moves in his life. This longing for earlier days gives Prufrock an appearance of being an older man who used to have friends and women talking to him, going anywhere he asked of them. The narrator seems to not want a crowd of people like he presumably once had but rather one person—this conclusion is pulled from the first
In conclusion,the cycle of this poem is wonderfully expressed in line 51, “I have measured out my life with coffee spoons." This signifies that he has broken down his entire life into small episodes. Prufrock's failure to act leaves him in fantasy world dominated by insecurity. Prufrock is afraid of himself and others; therefore, he is unsure of what to do and afraid to commit to any particular choice of action (Hart, pp. 174-80). He reveals his innermost thoughts to the reader, but ultimately accepts his own indecision and cowardice. McNamara's article articulates that the world of the poem is limited to a single consciousness.
In this passage, it's clear that Prufrock desires a woman's attention but doesn't think he will ever have it. This pessimistic outlook gives no hope at all and is just depressing.
Modernism has been defined as a rejection of traditional 19th-century norms, whereby artists, architects, poets and thinkers either altered or abandoned earlier conventions in an attempt to re-envision a society in flux. In literature this included a progression from objectivist optimism to cynical relativism expressed through fragmented free verse containing complex, and often contradictory, allusions, multiple points of view and other poetic devices that broke from the forms in Victorian and Romantic writing, as can be seen in T.S. Eliot's "The Waste Land" (Levanson).