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Grendel's punishments analysis
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As I am sure you have gathered from our previous correspondence, I have found a serious fault in the binary system of thought required to sustain your institution’s organizational system. You never explicitly define or exemplify how one must behave in order to be labeled as either naughty or nice, which leaves the most vital standards of your operation open to almost any interpretation and puts you and your labor force at risk of exploitation. If you have any intention of continuing your business and perpetuating your system of character judgement, you must specify your criteria for naughtiness and niceness. Obviously, these definitions must allow for variations in distinct societal norms among and within different cultures while still providing …show more content…
a measure with which to judge individual behavior. Therefore, I propose the following standards: naughtiness is behavior that is indicative of a departure of moral and ethical social norms; by extension, niceness is behavior that is illustrative of compliance with moral and ethical social norms. Even with the implementation of specific standards for behavior, there are nevertheless faults in your system, Mr. Claus. Individuals that are excluded from or otherwise unfamiliar with society cannot reasonably be expected to follow the rules of that society, and are therefore veritable wild cards that cannot conform to the conventions of your system of moral judgements. I believe that you are obligated to absolve these individuals of their misdeeds and remove their names from your naughty list. I am concerned, in particular, for the monster, Grendel. Without a doubt, Grendel is a wicked creature.
I recognize that he has terrorized the famous mead-hall Herot for “twelve long winters” (Liuzza 147), killing thirty men the first night and committing even “greater murder” (Liuzza 136) in the subsequent years, meaning that he has quite probably killed thousands of unsuspecting Danes in their sleep. Grendel’s ferocity and savage tendencies are not under debate. Wanting to punish Grendel for committing such atrocities is understandable. However, it is hypocritical to thrust society’s moral code onto Grendel, as well as to criticize him for being unable to adhere to it, when he was rejected from society itself. Furthermore, this style of purely performative punishment would arguably further humiliate Grendel and contribute to his isolation. If Grendel is to be punished for his actions, coal in his stocking should be the least of his …show more content…
worries. Grendel is ferocious and savage, among other things, because he was raised to be ferocious and savage.
Grendel was never taught to be anything else, and therefore never had the opportunity to learn proper behavior according to Danish society. Because Grendel never learned how to be a nice Dane, he cannot be punished for being a naughty one. As far as we know, God “condemned” (Liuzza 106) Grendel from birth because he was “among Cain’s race” (Liuzza 107). Thus, Grendel is “forced… far from mankind” (Liuzza 109-110), like Cain, his forefather, because he is descended from the world’s first murderer, effectively punishing him for a crime he did not commit. Isolating Grendel and his mother inhibited normal socialization and prevented him accepting conventional Danish morality. Condemning Grendel as a murder shaped Grendel into a murderer. Grendel was doomed to fail and was still penalized for his
failure. Grendel may be far from nice but it is not fair to label him as naughty and to further deprive him from celebration and a sense of community. If naughtiness is behavior that is indicative of a departure of moral and ethical social norms, and niceness is behavior that is illustrative of compliance with moral and ethical social norms, then people, such as Grendel, that have been forcibly disconnected from their culture and society cannot reasonably be expected to conform to these standards. Nonetheless, clarifying your standards of behavior by providing precise definitions of naughtiness and niceness is an improvement from running your organization ran on a series of variant ambiguities.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Perhaps he would actually like to live a normal life with the humans. “Some evil inside myself pushed out into the trees, I knew what I knew, the mindless, mechanical bruteness of things, and when the harper’s lure drew my mind away from hopeful dreams, the dark of what was and always was reached out and snatched my feet.” (Gardner 54) It seems as though Grendel would like to change things if he could, but some outside force will not allow it. Even if this is true, Grendel is still inherently evil. Despite whatever dreams he may have. The reader simply cannot ignore the fact that he still does evil deeds with evil intentions. He is seemingly unable to feel love, or at least disinterested in it. He enjoys torturing and killing humans and rarely shows mercy. Due to these facts, it is impossible to say Grendel is a hero in this
He derives a satisfaction from his interactions with the Danes that he cannot get from interactions with any other creature. violent outbursts and antagonistic relationship with humans can be seen as the result of a lonely creature’s misunderstood attempts to reach out and communicate with someone else. Grendel was amused by the humans, observing of their violence that (ch 3) He was sickened by the waste of their wars, all the animals killed but not eaten. Ashamed of his monstrousness, what better that to be like the thing you envy the most.
I am Grendel who once lived at the Danish neighborhood ruled by the righteous king Hrothgar who was just and fair in his kingship. I came from Cain’s ancestry. According to the bible, Cain is popularly known by Christians as the first person to commit murder. I was in isolation from humans because I came from a cursed lineage. I could not change the perception Hereots had about me as an evil monster. I did not prefer to be from Cain’s bloodline. People thought I was evil because I came from Cain’s lineage and as a result, they deemed me an outcast and did not want to associate with me.
A being cursed for evil goes through life looking for meaning. How can a monster of biblically banished descent be challenged with ideas of morality. In John Gardner’s postmodern novel Grendel, Grendel, explores and speculates on the meaning of life, humanity, and existence while being cursed to life as a monster. Due to his own bleak existence and the observations he has made of mean, Grendel views life as meaningless. Even though he is a descendent of Cain, the distinction between good and evil is blurred in Grendel’s perspective. How can a monster view morality when he is the wicked one yet he watches humans kill each other for bloodshed? Grendel is trying to make sense of an absurd world while the different theories shape his own identity.
The presence of a bull prompts a shift in Grendel’s purpose in life from remaining obedient to his mother as a young child to being the creator of the world as he transitions into adulthood. As a young monster, Grendel motive’s coincide with his mother since she is the only person who Grendel is able to communicate with. He feels “Of all the creatures I knew, only my mother really looked at me...We were one thing, like the wall and the rock growing out from it… ‘Please, Mama!’ I sobbed as if heartbroken” (Gardner 17-19). His emotions demonstrate that as a child, he doesn’t consider himself as an individual but rather as embodying the same identity as his mother, which is further emphasized by the use of the simile. Additionally, Grendel’s use
As children, we were taught that good and evil were black and white terms. The fairy tales that our parents would read to us have conditioned us to believe that characters such as the princess in distress or the prince in shining armour were nothing but friendly and good, while the troll guarding his own bridge or the fire-breathing dragon were the most frighteningly evil creatures of all. However, as we grew up, we learned that these distinctions are never so easily black and white, but more-so different shades of grey. We learned that the characters that we initially deemed evil had reasons for acting that way, and most of them out of their control. Such is the case with the main character in John Gardner’s Grendel. The character Grendel
Greetings, ladies and gentlemen of the jury. We present to you today Grendel, a creature accused of crimes of monstrosity. We stand before you today to prove to you that the accused is indeed guilty of such crime for which the penalty should be death at the hands of a suitable hero. Through the display of evidence and facts, we will validate our allegation and prove, beyond a reasonable doubt, that Grendel is absolutely who he is accused to be. For the past twelve years, Grendel has tormented the Danes with terror as he demolished their mead hall and cruelly killed their men. He killed without regret or remorse, and even took pleasure in terrorizing, killing, and eating them. A cease to this abomination’s terror came to be when a great hero
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Grendel then began to show even more human traits than before. He became envious their happiness and starting becoming the cruel one. He started torturing and killing humans quite frequently. He starts to enjoy being cruel during his first raid. “I felt a strange, unearthly joy. It was as if I’d made some incredible discover, like my discovery long ago of the moonlit world beyond the mere. I was transformed” (79). This kind of cruelness came easily to Grendel, not unlike the humans had watched for so long. Grendel slowly becomes more and less human. He starts to lose his humanity but shows off just how human he is. Grendel becomes what he hates the most, cruel and pointless. Though Grendel enjoys the human’s suffering, it only makes him feel worse. “I feel my anger coming back, building up like invisible fire, and at last, when my soul can no longer resist, I go up - as mechanical as anything else - fists clenched against my lack of will, my belly growling, mindless as wind, for blood” (Gardner 9). Grendel falls into the trap and start to enjoy the suffering of others. While this isn’t a problem at first, Grendel eventually realizes just how pointless this is. How pointless everything is. Grendel sees that the world doesn’t do anything for anyone. He won’t be given anything and he probably won’t ever be happy. As a result, Grendel learns to live with this hatred and continues
The clash between good and evil has been a prominent theme in literature. The Bible presents the conflict between good and evil in the story of Adam and Eve. Many authors use the scene in the Bible in which the snake taunts and tempts Adam and Eve to take a bite of the apple of knowledge to demonstrate the frailty of humankind. John Gardner provides these same biblical allusions of good and evil in his novel, Grendel.
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
87-91). Hearing all the jubilation that he cannot share in makes Grendel bitter. Because nothing that can be done to make Grendel’s resentfulness subside, he “[wages] his lonely war, inflicting constant cruelties on the people, atrocious hurt” (ln. 164-166) to make himself feel better. Every day he finds satisfaction in killing and eating the men who fall asleep in the hall after they have drunk and partied the evening away. Causing harm to human society is Grendel’s means of compensating for his loneliness.