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Positive and negative aspects of stereotypes
Positive and negative aspects of stereotypes
Negative Stereotypes
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On November 21, 2010 thousands of ebony- skinned women, young and old, tuned in to VH1 to support Fantasia Barrino. These women are proud to learn that she has not only written a sitcom but actively seeks a producer; the viewers finally see Fantasia finding a constructive use of her time. Fantasia has a devoted fan base willing to forgive even the most prominent blunders presented on her show, such as failing to get her G.E.D., being reckless with her money, and dating a married man. Despite all these mistakes, Fantasia still identifies with an audience that accepts her and believes in her ability to grow and to give hope. This belief, however optimistic, is shattered the minute Fantasia expresses her reasoning for not playing the leading role in her new sitcom; “She’s beautiful…I know I’m hot and all but I’m not light-skinned.” These words spoken by Fantasia Barrino are only one example of a stereotype maintained by the show. Fantasia does not believe that she is attractive enough to play the leading role, simply because she is dark-skinned. Fantasia for Real is a VH1 unscripted show that depicts the everyday life of the season three American Idol winner. The program aims to portray Fantasia regaining control of her career and personal life. Sadly, the show has done just the opposite; Fantasia for Real disgraces Black women and men, single mothers, high school drop outs, and the state of North Carolina. The show substantiates stereotypes of both the ignorant “ baby mama” and the lazy young Black man by Portraying Fantasia as egregiously uneducated, while simultaneously depicting her brother as being shiftless and unmotivated .
A recurring motif in the series is Fantasia’s apathy toward education. Episode six of the first ...
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... characterizations of African American men, Fantasia for Real again perpetuates negative stereotypes.
Francine Prose argues in her essay “Voting Democracy off the Island” that if the lesson to be learned in watching reality television shoes like Survivor and The Bachelorette is that “anyone will do anything for money, that every human interaction necessarily involves the swift, calculated formation and dissolution of dishonest, amoral alliances, it seems naïve to be appalled by the fact that our government has been robbing us to pay off its supporters in the pharmaceutical industry”. By this same reasoning, if the lesson to be learned from Black reality television shows like Fantasia for Real is that African Americans are ignorant, uneducated, and lazy, it is naive to be surprised by such realities as the achievement gap and disparities in prison demographics.
He shows respect and kindness for his students (who eventually love and appreciate him) while using humor on occasion to find common ground and a new attitude about race relations. The knowledge he offers dampens the oppression of their ignorance and instills pride in who they are and what they know about the outside world and about themselves. The school principal perpetuates ?? her disdain ?? for what she calls her "babies" as she prepares them for the hard knocks of the world she experienced and envisions for them. She tells Conrack, "I don't have your advantages. I've always known I was colored. When I was a negro, I knew I was colored. And now that I'm black, I know which color that is" (Conrack, n.d., "Did you know?"/Quotes section). Vineberg (2015) characterizes her as "a formidable mixture of African American resentment and righteous superiority and black self-hatred." Eventually, she tells him she sees that he loves the
The New Jim Crow: Mass Incarceration in the Age of Colorblindness is a book by Michelle Alexander, a civil rights litigator and legal scholar. The book discusses race-related issues specific to African-American males and mass incarceration in the United States. Michelle Alexander (2010) argues that despite the old Jim Crow is death, does not necessarily means the end of racial caste (p.21). In her book “The New Jim Crow”, Alexander describes a set of practices and social discourses that serve to maintain African American people controlled by institutions. In this book her analyses is centered in examining the mass incarceration phenomenon in recent years. Comparing Jim Crow with mass incarceration she points out that mass incarceration is a network of laws, policies, customs and institutions that works together –almost invisible– to ensure the subordinate status of a group defined by race, African American (p. 178 -190).
Even though slavery was abolished Jim Crow laws were made illegal years ago, racism is still not gone, and this is Bonilla-Silva’s central argument in his book, “Racism Without Racists.” While racist practices are not as overt nowadays, the covert, institutionalized ways of today’s new racism are just as discriminatory, he argues. One particular sentence that stood out that sums up the first part of his argument is “that the main problem nowadays is not the folks with hoods, but the folks dressed in suits.” Because of this switch to a more covert way of discriminating against people of color, white Americans have become color-blind to racism. In turn, the country is now home to “racism without racists,” which is the second part of the author’s argument. Because racism has become so internalized in our institutions, it can sometimes be hard to recognize, or at least admit to, the discrimination that is so prevalent in the U.S. Because whites either don’t recognize or admit to this racism, they claim that they don’t see color, and that any inequalities that are at play are due to the minorities not working hard enough in our meritocracy.
To begin, Alexander points out how felons are depicted as life-long prisoners in her article ”The New Jim Crow”. However, Alexander states that The War on Drugs caused many blacks to be put in prison and scrutinized by the government thereafter. Similarly, according to Arnold, welfare/workfare recipients are under constant supervision and are required to work menial jobs. In addition, Arnold mentio...
Based on the title of the book alone, it is easy to say that racism is one of the many social issues this book will address. Unlike the normal racism of Caucasians versus African Americans, this book focuses on racism of the black elite versus African Americans, also known as colorism. Colorism is the discrimination against individuals with a dark skin tone, typically by others of the same racial group. Margo Jefferson says, “Negroland is my name for a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty” (p. 1).
In her book The New Jim Crow: Mass Incarceration in the Age of Colorblindness, Michelle Alexander states that we still use our criminal justice system to “label people of color ‘criminals’ and then engage i...
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
The New Jim Crow by Michelle Alexander is a thorough and thought provoking analysis of mass incarceration in America. Through this book Alexander explores the dynamics of the criminal justice system and the propaganda that enables it which have led to the establishment and maintenance of a racial undercaste system that has been perpetuated by a felony criminal record. Within this book Alexander provides a history of the disenfranchisement of the black male from the overt racism of slavery and Jim Crow to the colorblind drug and sentencing policies of the 20th and 21st century.
In a perfect world, we would not have racial tensions and we would all sing Kumbaya together, however, we do not live inside a perfect world. Racial injustice that relates to incarceration in the United States, specifically to those who are African-Americans, is a literal fabrication of our imperfect world and details the thinly veiled allegory of our social apartheid. According to author Glenn Loury, this aspect of our nation’s prison system is the most damaging to our African-American community, wherein said group are being racially profiled and “trapped in the dark vestiges of the ghetto” (Loury, 2008, 57). In his ethnography, Race, Incarceration, and American Values, Loury highlights these troubling trends concerning the dehumanization of African-Americans through our current sociopolitical landscape.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
Martin Carnoy wanted to achieve one of the most difficult, emotional, and political topics in America’s history. Faded Dreams: The Politics and Economics of Race in America addresses the subject of economic inequalities among minorities. For the past century, material goods have posed as the symbol of success and worth in our nation’s society. Carnoy argues that efforts to improve technology have changed over the past century, but the social problems in our nation continue. Carnoy agrees improvements have been made in the lives of minorities in America, but they have fallen short or have been dismantled. He focuses on three reasons: “individuals responsibility,” “persuasive racism,” and “economic restructuring.”
Ann Perkins, Jones’ character, is supposed to be an ethnically ambiguous person and in reality, Rashida is biracial (Glamour). Leslie Knope, the white protagonist of the series, frequently uses words like ‘exotic’, ‘tropical’, and ‘ethnically ambiguous’ when complimenting Ann. The ‘compliments’ also act as the only instances where race is spoken about in reference to Ann’s character. One would believe that Leslie’s constant complimenting of Ann is beneficial to viewers with a biracial identity, but there are some serious problems with Leslie’s behavior. There has been an historical and recent fascination with ‘mixed’ children. This fascination has crossed over into fetishizatoin of biracial or mixed children and people. Biracial people are seen less as people and more as a kind of spice that bell hooks mentions in her work “Eating the Other: Desire and Resistance” (21). They are something that helps liven up the blandness of the pervasive white culture. Another harmful aspect of Ann’s depiction relates to her class. In Edison’s work, she notes that “biracial individuals living in a middle- and upper-class environments are more likely to be perceived as biracial (rather than black) than those living in working- and lower-class environments” and that “‘color blind’ portrayals of middle- and upper-class Black and biracial characters support the notion that race no longer matters (at least for middle- and upper-class people)” (Edison, 302; 304). Ann’s character is a successful college-educated nurse which is not problematic until one realizes that her race is never truly discussed. This feeds into the stereotype that race does not matter and that all people in the U.S. have the same opportunities. Again, the lack of racial representation leaves one character the duty of depicting a whole group of
“Show a people as one thing, as only one thing, over and over again and that’s what they become” (Adichie, 2014). Nigerian author Chimamanda Adichie warns that if we hear only a single story about another person or country, we risk a critical misunderstanding. Forman’s critique of the Jim Crow Analogy appropriately depicts the danger of a single story. While I agree with most of Michelle Alexander’s submission regarding mass incarceration, reading Forman’s critiques about Jim Crow analogy provided a wider horizon and a far more realistic potential at stopping the incalculable damage mass incarceration has inflicted on the US community. I found the following Forman’s critiques as his strongest and most valid arguments:
In American society, race, class, and incarceration play a huge role in privatized corporations and in the lives of Americans. Our country has a tendency of using a person’s appearance and class to its own advantage. The U.S claims to incarcerate the vast amounts of inmates it does in order to protect its citizens but there is more that happens inside the doors of prisons. In this essay, I will argue that the United States profiteers within the prisons, selfishly uses the prison industrial complex to their advantage, and lastly, how race and class effect prisons.
The United States’ prison system is filled with unjustifiable, blatant racism. However, as stated in the documentary 13th, many U.S. residents do not realize the corruption assimilated into their prison system. Due to how secretive the U.S. prison system is, the mistreatment of ethnic minority groups, specifically African-Americans, is not prevalent to the public. Nevertheless, this documentary indicates the mass incarceration of African-Americans in the United States and how its prison system accomplishes it. With its depiction of modern-day slavery, the U.S. prison system is at fault for the vast inequality in state prisons. Similarly, as noted in the article The Color of Justice: Racial and Ethnic Disparity in State Prisons by Ashley Nellis,