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Analysis of draculas character
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In the novel Dracula, Stoker uses unbelievable strength, illusions and supernatural abilities to create his diabolical vampire. The first four chapters are told through the eyes of Jonathan Harker, a young english solicitor, who is at castle Dracula to finalize a legal transaction with the Count. Throughout Jonathan’s journals, Stoker introduces the powers of the vampire one-by-one.
The strength of the vampire is noticed subtly by Jonathan Harker. Stoker uses the vampire’s strength to engage the reader and establish how dangerous vampires are. The first thing Jonathan records is the strength of the driver, who later turns out to be Dracula. As Jonathan switches coaches, he notes “the driver helping with a hand, caught my arm in a grip of steel:”
(11) A few moments later, Harker notices that Dracula’s grip is almost identical to the driver’s. As Jonathan enters castle Dracula, he realizes that “the strength of the handshake was so much akin to which I had noticed in the driver, whose face I had not seen, that for a moment I doubted if it were the same person.”(17) These quotes cause the reader to anticipate the situation Harker is putting himself into. Later, when Harker is about to be bitten by a vampire, Dracula steps in and Jonathan remembers that “with a fierce sweep of his arm, he hurled the women from him,”(43) Jonathan watches as Dracula bickers back and forth with the women, however, all he can think about is how Dracula threw the women across the room. Despite of Jonathan not knowing what exactly these creatures are, it becomes clear to him that they are strong. As Jonathan witnesses how strong the vampires are, he can not help to notice how the seem to disappear. Several times, Jonathan notes that the vampires seem to not be physically present. When Jonathan is shaving, he “started for it had amazed me that I had not seen him, since the reflection of the glass covered the room behind me.”(28) This shows that vampires
The story begins at status quo. Jonathan Harker lived a normal Victorian lifestyle. His fiancé was a virtuous school mistress named Mina Murray. Harkers occupation as a solicitor was how he was called to his adventure. His firm sent him to Transylvania where he was to conclude on a real estate transaction with the foreign client Count Dracula. During his visit to Dracula's castle, Jonathan was made prisoner to the ruthless vampire. He received
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Firstly, Stoker describes Dracula’s physical appearance in Chapter two, ‘a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck
In the universe, no one being has complete control over another. In Bram Stoker's novel Dracula, God, Dracula, Nature, and Humanity have some form of influence over each other, whether it be direct control or as the instrument through which another must exert its power. In this paper I will examine the ways that power and control are presented in Dracula.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
Dracula, the most famous vampire of all time, which readers were first introduced to by Irish author Bram Stoker in 1897 with his novel Dracula, which tells the story of the mysterious person named Count Dracula (Stoker). The book is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades. Whenever a film director decides to make a movie on behalf of a novel the hope is that the characters concur from the novel to the movie, which leads to the exploration of the resemblances and modifications between the characters in Dracula the novel by Bram Stoker and Bram Stoker’s Dracula 1992 movie directed by Francis Ford Coppola.
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
...gue of Vampirism. Stoker plays upon the irony of England, at this time one of, if not the largest, colonizing countries, being colonized, not by another country but by an intangible immigrant. Dracula’s intent is not of material wealth or power, but of controlling the people and using them as livestock. We can see this when Dracula tells Jonathan Harker that he “[has] come to know your great England, and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is” (Stoker 19). Kane reaffirms this by contending that Dracula is an example of “invasion literature” acting upon the readers on England by playing with “a considerable variety of fears regarding the state of England and the English themselves” (9).
Dracula’s peculiar actions begin when Johnathan Harker takes a Journey to help Dracula with some business. When Harker was getting
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
In the entire world no being or person has complete control and or power over another. “Power”: is defined as “the ability or right to control people or things.” (OED) While control is “characterized by directing the behavior of (a person or animal): to cause (a person or animal) to do what you want.” (OED)“ In the novel Dracula by Bram Stroker, the concepts of Nature, Humanity, Nature, and God have some say in the authority of whether it is in the means of blunt command or it can be the gauge of which someone else must utilize his or her own power.