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The concept of power
Nature of authority in power
The concept of power
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In the entire world no being or person has complete control and or power over another. “Power”: is defined as “the ability or right to control people or things.” (OED) While control is “characterized by directing the behavior of (a person or animal): to cause (a person or animal) to do what you want.” (OED)“ In the novel Dracula by Bram Stroker, the concepts of Nature, Humanity, Nature, and God have some say in the authority of whether it is in the means of blunt command or it can be the gauge of which someone else must utilize his or her own power.
A challenge to God’s power is indeed Dracula. One of the ways in which we can see this is how god gives little to no help to Strokers character Lucy. Why? Lucy unknowing to the reader has not
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committed sin. Yet Lucy still subjugated to the mercy of Dracula. There can be are to explanations for this: God doesn’t have the required amount of power to save Lucy from Dracula. In other words Dracula is outside the will of Gods power. Since Dracula has rejected the ways and ideals of God. He no longer has power over him. Or second, god feels that Lucy is being equitably scolded for her sins (sins that we are never actually informed of).Lucy is very flirty character, and can been seen in a more immoral view than what we are led to believe. Which gives even more evidence to the fact that God is incapable to save the innocent. But this is not saying that God is powerless when it comes to punishing those for sin. God can be seen preserving control over Dracula in several different ways. Some of the ways that God has control over Dracula includes Holy items such as the crucifix, holy water, and holy wafers repel Dracula. One of the first times we see Dracula’s reaction to a holy item is when Harker is shaving in the bathroom. Dracula is behind him in the mirror and sees the crucifix. Dracula is then forced to stop looking at the crucifix. He states, “our ways are different than that of your England” and “ you should not put your faith in such objects of deceit.” We see, as well as Harker that Dracula has a deep dislike to the will of God. The crucifix can also be seen at the grave of Lucy. Van Helsing having a pure soul and good intentions uses the cross to physically force Lucy back. Lucy being a vampire cannot ignore the power of the cross, which shows the idea of God against vampire. Lucy’s soul, which pertains to any undead being, is in a sense lost the goal of any soul is to go to heaven. But a soul, which is not pure, cannot go to heaven. True death requires the stereotypical stake though the heart. Which is usually followed severing the head and gagging the mouth with garlic afterwards. When all of these precautions and steps have been accomplished, this idea of truly being dead allows for the soul to move onto heaven. Whether or not god allows the soul of a vampire to ascend into heaven we may never know. God may not necessarily have complete and power, yet God in some aspects does hold some control over the stereotypical Dracula vampire. Throughout the novel Dracula demonstrates many of his own unique powers.
Many of Dracula’s powers are seen in direct opposition of the laws of nature, and “gods laws”. Dracula is able to accomplish very difficult tasks, which would “normally be prohibited by Natural Law”. As mentioned in the text, which shows the reader how vampire powers play a significant role in the life of a vampire. Just some of Dracula’s numerous powers are: turn humans into vampires, he is immortal, no shadow, casts reflection, crawls on walls and so on and so forth. . As mentioned in the text,” “There is a reason why all things are as they are.” I find this interesting because Dracula himself is acknowledging that things are the way they are for a reason. And I think that it gives depth to the fact that he understands that he is a vampire. And those things will just somewhat fall into place.
One of the ways he defies this pre-existing natural law is Dracula’s ability to control animals specifically animals like wolves, rats, bats and dogs. Dracula has control over these specific creatures because they are creatures that are primarily nocturnal and usually vicious. Dracula controls them all because he is seen as almost their ruler in a way. God being associated with all things pure and good in contrast is at polar opposites of the
spectrum. But what we know today in theory controls Nature. Just because Dracula has some ability to control nature, God controlling nature has control of Dracula. Nature can be seen controlling Dracula are as follows: Dracula has to sleep in unhallowed earth, meaning any place of worship, such as churches and temples he is not even allowed to enter, Dracula also follows the stereotypical sense that he is weakened during the day. Dracula can also be stopped dead literally in his coffin by having a wild rose on the coffin. Although Dracula can manipulate nature, nature can also be in control. Nature in a sense regulates what Dracula can and cannot do. God controls nature, so this evens out the playing field in a sense. One thing we cannot for get is humanity; it cannot be forgotten because it also plays a large role with power and control. Humanity is also in a sense at the very epicenter of the entire story. Humanity actually hold power over Dracula God and nature all combined. Without humanity there would be no such things as holy artifacts, which allow god to spread his pureness and teachings throughout the world. The only people who can use these artifacts is humanity. And only humanity can use it against Dracula. God cannot physically stop a vampire so he has to go through other means of doing so. God can only physically stop or kill a vampire through the doings of other people. “We are all God’s madmen!” –Van Helsing. When you think of evil, evil cannot kill evil. Only the righteousness and spirit of humanity can carry out the engineering of killing a vampire once and for all. Yet still keeping with the Idea of Power over Nature: Only a human can place a wild rose over a vampire’s coffin. Which then means that no other living being can place the rose. It takes an uncontaminated soul of humanity to carry out this task. Humanity is in no way powerless when it comes to vampires. Humanity is following the righteous path of god to expunge these beings from earth. God and nature require a pure being in order to over power Dracula. The power struggle in Bram Stoker’s Dracula is very apparent. The reader is constantly wondering who is actually in control and who holds the most amount of power. The cosmos is structured into a way where everything feeds and lives off of each other, figuratively and literally. Which then leads to the undisputable fact that no being supreme whether it is Dracula or even god truly is all-powerful and in control.
At first glance, Joss Whedon's "Buffy the Vampire Slayer," the hour-long TV series which premiered in 1997 and is now in its third season, bears little resemblance to the book which started the vampire craze -- Bram Stoker's Dracula, published a century earlier. And yet, looks can be deceiving. Although the trendy -- and often skimpy -- clothing and bandied about pop-culture references of "Buffy" clearly mark the series as a product of a far different culture than that of the Victorian England of Dracula, the underlying tensions of the two texts are far similar than one might think. Beneath the surface differences in the treatment of their heroines, the two texts converge in similarly problematic anxieties about gender and sexuality.
There is a classic "good versus evil" plot to this novel. The evil of course being Count Dracula and the Good being represented by the Harkers, Dr. Seward and Lucy, Arthur, Quincy and the Professor. It is the continuing battle between Dracula and the forces of good. Good in this case is the Christian God. The battle is foretold by the landlady where she says, "It is the eve of St Georges Day. Do you no know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?" and she hands Harker a crucifix (p 12).
The story of Dracula has many components of it used in the film The Lost Boys. The comparison’s begin with the vampire. Dracula is centered around the main vampire, Dracula. Dracula has many powers and ways he can alter reality. In the novel Bram Stoker's Dracula we see that there is a power struggle. In all of the universe, no one being has complete control over another. In Dracula God, Dracula, Nature, and Humanity have some form of dominance over another, whether it be direct control or as the instrument through which another must exert its power. In this paper we will examine the different ways that control and power are used.
Is the main message of Dracula, by Bram Stoker really about the exploitation of powers and how they affect Victorian People’s lives?
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
Religion was a big part of people’s lives back in Stoker’s time. A belief against religion was evil; therefore one who was not devout would be deemed bad or wicked. Dracula, was as evil as a creature gets and a nightmare for the pious; he was a symbol of an Anti-Christ and could even be called Satan. “I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe it was ever there.” (Stoker 24-25). Because Dracula was harmed by holy items, it could mean that he was pure evil, which would be true in Stoker’s time. As a result the main weapons the men had to fight against Dracula with was sacred matter; their struggle was like a fight was like a battle between the holy and satanic. The Count was invading Lond...
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
...e to me; it decided to my future destiny.” (Shelly 34) Victor has an interest in continual food for knowledge and continually gains education each day. It is human nature to do what you love and Victor does that by putting proficiency to good use. Victor States “When I found so astonishing a power placed within my hands, I hesitated a long time concerning the manner in which I should employ it.” (Shelly 38) He realizes the power placed within his hands and takes advantage of it, I mean who wouldn’t? He uses all he knows to create something so powerful in which everyone thought was impossible. Victor therefore proves it is possible, in this fictional world of course, that it is possible to bring things alive. Anybody can play God and at one point in everyone’s life you take on the role of playing God, which is the main idea that Victor Frankenstein shows the world.
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.