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"Hard times don't create heroes. It is during the hard times when the 'hero' within us is revealed," is an inspiring quote by Bob Riley that reinforces the mono-myth. Bram Stoker portrays Jonathan Harker in the book Dracula as the "hero". Harker's life will transform as he undergoes his heroic journey.
The story begins at status quo. Jonathan Harker lived a normal Victorian lifestyle. His fiancé was a virtuous school mistress named Mina Murray. Harkers occupation as a solicitor was how he was called to his adventure. His firm sent him to Transylvania where he was to conclude on a real estate transaction with the foreign client Count Dracula. During his visit to Dracula's castle, Jonathan was made prisoner to the ruthless vampire. He received
Some people are born to be heroes. Some people may be forgotten heroes. Some people are born not to be heroes at all. In ways they are similar and in some ways they are different. John Campbell’s Hero’s Journey Monomyth shows the certain stages that a hero would traditionally go through to be qualified as a hero. Elie Wiesel is not a monomyth hero, because he does not follow the correct steps and does not hit enough steps to be considered a monomythic hero.
There are many different types of heroism that exist among the heroes of past and present. Heroism usually is thought of as battling and triumphing over an obstacle, or conquest of a fair-maiden’s love. But notice what this passage from the Mahabharata says about “The True Hero.”
The diary entries or notes used in ‘Dracula’ are fragmented and have an epistolary structure ‘Jonathon Harker’s Journal’. This emphasises each of the character’s feelings of isolation and loneliness, adding to the appeal of the reader. During the entries, Stok...
To date, the closest adaptation of the original novel is Francis Ford Coppola’s Bram Stoker’s Dracula. The basic overview of the story has the departure of Jonathan Harker from his fiancée Mina Murray in London, visiting Transylvania where he has an encounter with the evil Dracula. In England we are introduced to the characters of Lucy, a socialite, and her three suitors. Through terror Jonathan escapes back home, while Dracula arrives in London where he attacks Lucy, Mina’s friend, and Mina herself. Dr. Van Helsing arrives as help with the unknown, and in the end a climatic battle in the Transylvanian Castle Dracula takes place. Dracula is an epistolary novel that consists of journal entries, letters, telegram, phonographic recordings of Dr. Seward, and excerpts from newspaper articles, meaning it was written from a number of perspectives. The film has done its best to this and is witnessed through a variety of viewpoints.
Who is a hero? In contemporary times, usage of the term has become somewhat of a cliché. Over the years, the term “hero” has become representative of a wide variety of individuals, each possessing differing traits. Some of the answers put forth by my colleagues (during our in-class discussion on heroism) as to whom they consider heroes pointed to celebrities, athletes, teachers and family members. Although the occupations differed, each of their heroes bore qualities that my classmates perceived as extraordinary, whether morally or physically. Nonetheless, Webster’s defines “hero” as “a person who is admired for great or brave acts or fine qualities.” Thus, it is worth considering that individuals become heroes relative to the situation with which they’re faced.
Hero is often a person who is admired or idealized for their outstanding courage and often bravery. In the story “Theseus” by Edith Hamilton, Theseus a young Athenian boy shows his heroic side by overcoming difficult tasks on his journey to save his people from the evil Minotaur. Theseus shows his bravery by entering the Labyrinth with only his hands and a ball of thread determined to kill the Minotaur and save his people. Theseus’ actions and heroic deeds shows that he's an epic hero with the fact that he tends to put others first before himself no matter the difficulty of the task.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
The Hero: "Often, for undaunted courage, fate spares the man it has not already marked."
Dracula’s peculiar actions begin when Johnathan Harker takes a Journey to help Dracula with some business. When Harker was getting
According to The Power of Myth, one of the characteristics of hero is to encounter troubles. He explains, “The trials are designed to see to it that the intending hero sh...
There is another type of hero that almost no one is aware of. In the poorest areas of the country, live mostly minorities and other ethic background. All their lives they’ve been expected to work harder and expected not succeed in life. Some individuals living in poverty with a determination to succeed work hard all of their lives to become what everybody doubted they could. Escaping the crime, drugs, and prostitution is enough to escape hell, even if they don’t go to college. Despite of their financial problems, drug and crime surroundings, or difficulties in the language skills, their desire to triumph fuels their persistence. Those who make it to success are the few living examples of the purest form of hero anyone can be. They are not only their own heroes but also the heroes of the poor children who dream of becoming like them someday.
We’ve all had are moments when we wanted to be a hero, to wear a cape, and help others who felt they needed a helping hand. Being a hero can be so much more than saving someone from a life or death situation. In the ancient Greece modern time, a hero was a woman who was well-known and would obtain a status after a death of a lover. To the Greeks, the urgency of heroes was a mythical thing because it molded the future “heroes” (Kreyche p. 82). This dates to today’s heroes. Every mythical and non-mythical story has its heroes, especially the ones kids have created in books and movies. The definition of heroes has progressively changed throughout the years. Today, our heroes consist of a person having “great courage, especially for a noble purpose” (“heroism”). Throughout the years, heroism has been created to show one’s grateful purpose, their effects of being a hero, and what it took to keep the status of a “hero”.
Among fictional literary characters there are many that inspire heroism and bravery. Currently you would most often find fictional heroes within the pages of the rapidly-increasing in popularity form of literary work known as comic books. Some of the early comic book heroes to appear were featured in what is called pulp magazine. Therefore, pulp magazines could be said to be the precursors of the comic book genre. “Pulps”, as they were usually called, first made their appearance in 1886 and, at first, focused more on grim and grounded stories. Years later they