Post Colonialism In English Literature

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Before looking at what Postcolonial is, one must understand the whole concept of colonialism. ‘Colonial’ is derived from a roman word ‘colony’ which means settlers. However, colonialism means an encounter between cultures or settlement of people who do not belong to the native country. The concept of colonialism is not a homogenized process; it is different in different countries. For example, English education in Africa was introduced very late, whereas, it was introduced in India at an early stage in 1930s.
Postcolonial is referred to the period after the formal end of colonial rule. Post colonial scholar Robert Young in a book called Postcolonial: an historical introduction defines post colonial as- “A transformed historical situation and …show more content…

The birth of Indian literature in English can be traced back to the works of India authors such as Raja Rao, Mulk Raj Anand, and R.K. Narayan among so many others. Drama as a genre emerged out during the British raj, though its origin can be traced back to Vedic period. Indian drama emerged with the establishment of the Kendriya Natak Sangeet Akadmi in 1953 and national school of drama set up by Sangeet Natak Akadmi in 1959. With these academies drama grew in almost all the Indian languages. The Year 1972 gave Indian theatre playwrights like Baal Sircar, Vijay Tendulkar, Mahesh Dattani, Girish Karnad, Habib Tanvir and many more. These postcolonial writers worked on bringing back the cultural essence of India. Their works also highlight the conflicts that a postcolonial writer goes through while writing about the colonial effect on postcolonial era. Young actors, directors and playwrights like Girish Karnad has explored new techniques, styles and themes which has contributed a lot to the growth of Indian …show more content…

One of them is the man of intellect and other is the man of body, respectively. Both of them dream about a girl named Padmini. Devadatta marries Padmini and then things become all complicated as she and Kapila both drove towards each other. Padmini is attracted towards the masculinity of Kapila as he is a wrestler, his physic attracts Padmini and she does not even want to compromise on the intelligence of Devadatta. Here also we see that karnad plots the confusion of two cultures through Kapila and Devadatta’s characteristics. And Padmini acts as a writer who is longing for the mix of both worlds. Further, the confusion gets doubled when Padmini transposed their heads. She found both Kapila and Devadatta dead in the temple of kali. On seeing them both dead she felt that her life is of no use now, and she decides to kill herself. But soon enough the goddess Kali arrives and Padmini asks her to bring Devadatta and Kapila back to life. Kali grants her this wish and she asks Padmini to put their heads back on their bodies and bless them both with a sword. Padmini in excitement of getting her husband and her lover back, puts the wrong head on the wrong body. When they both get up, all three get stunned to see the transposed heads. But Padmini gets happy on seeing Devadatta (with Kapila’s body) as she always wanted this. However, Kapila (with Devadatta’s body) claims that now that he has the body of Devadatta he

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