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Essays about surrealist art
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Portraits Through the Ages
There have been various art movements since the beginning of art
impressionism, cubism, and surrealism to name just a few.
The first artist is the world famous Picasso. He was born in 1881 in
Malaga in the south of Spain and died in 1973. He moved to Paris in
April 1904 as this was the art capital of the world at this time. He
is probably one of the most innovative and creative artists of the 20th
century and is remembered especially for beginning the art movement of
cubism.
His self portrait of "1906" is the one I chose to start with. It is
oil on canvas and was painted early on in his career. It is a head to
waist composition. The background looks like a textured plain blue
which I fell emphasizes the actual drawing of Picasso. He is wearing
his work clothes and is carrying a paint palette to show that he is an
artist.
Picasso_Self06.jpg
I like the colour of this painting, it is quite realistic but he also
uses a lot of blue colours as he did in his painting around this time
as this was painted during the Spanish civil war and many of his
family or relatives were living in Spain at the time. I love the way
Picasso shows how he is felling through the colour of his paintings.
During the war there was a lot of depression and his friend committed
suicide this is shown through the blue colours in his work , this is
know as his blue period. However later when Picassobegan to fall in
love the blue colours changed into rose tones.
This painting has little tone but enough to make it look real and not
flat. The directional light is coming from the front but slightly to
the left. The light is not very strong and is probably only the light
getting in through a window facing him. I prefer these sort of
paintings with less detail, I feel paintings with lots of detail
The double Portrait ( Happy Birthday, Dear Eshter) was created by Abraham Rattner in1974. It’s an oil paint on Masonite and the size of artwork is 29.5 x 28 in. This painting has two figures who are Rattner’s second wife, Eshter and Rattner himself. The scene is Rattner is painting the portrait of Eshter and Rattner, himself is half of the paining. Rattner is stadning foreground. He is holding paint pallet by left hand and he is facing sideway. Eshter is painted in the painting frame, thus she is a kind of slightly background position. This was a part of her birthday gift from Rattner. The year painted for this double portrait was their 25th wedding anniversary after they married in 1949 and he was 81 years old. He painted on Masonite which is made from a mixture of wood fibers that have been broken down and molded into a board using heat, pressure and the natural adhesion
painting with dimensions about 9 feet wide and 7 feet high. The medium of this work is oil on
He got a lot of his inspiration from his mother. She loved painting with water colors and making
The colors are very specific, and there are sets of colors expressly grouped together for various types of paintings. There are sets for landscapes, flowers and wildlife painting. His style can be emulated using other brands of paints, but if the artist uses different shades of a color, the mixture will not result in the same tone found on a Ross painting. Lamp Black and Ivory Black may not blend exactly the same. Mixing green from yellow and Prussian Blue will not be the same green as yellow mixed with Phthalo Blue.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
That is a name that seems to be in art museums a great deal these days, but who exactly was he?
It wasn’t until 1886 when he moved to Paris that he got acquainted with impressionism, which is why he went through a quick adaptation to the style. His progression is quite rapid, thus subsequently making it difficult to relate his paintings together and compare them with other artists’. However he did start using a lighter palette in 1886 compared to his earlier works, and in 1887 he changed to a pointillist technique, and then continued developing his own style.
Leonardo da Vinci would usually paint with oil paint that he made by hand from ground pigments. Later into his career, he use a tempera made from egg whites. His work surface typically would be a canvas or board, or sometimes stone when painting a mural. As da Vinci began a painting, he would start by covering the canvas with a pale gray or brown, using the neutral color for underpainting. On the top of the underpainting, da Vinci would layer transparent glazes within a small range of tones. Typically, the colors used were natural hues. Da Vinci never used intense or bold colors or tints in contrasting colors. By using a small range of colors, da Vinci was able to give his finished works a more cohesive appearance. The Leonardo da Vinci painting technique used natural hues that were lesser in intensity. Most often, his works used blues, browns and greens in accordance to the earth itself. He would also use neutral grays, typically for underpainting. Leonardo incorporated glazes using the da Vinci painting technique of sfumato. Meaning “like smoke,” smufato consists of applying dark glazes in place of blunt colors to add depth. Leonardo da Vinci is quoted how he created compound colors by painting a transparent colour over the saying that “when a transparent color lies over another color differing from it. This
painting, and I react as such. There is a clear blue middle that he seems to draw attention to.
On May 11th, 1904 a young artist by the name of Salvador Dali was born in Figueres, Catalonia, Spain. An artist who would grow and who works would impact the world. Dali has several museums around the world with his artworks displayed. During my visit to the Dali Museum located in Saint Petersburg, Florida it was an intriguing and informative trip into the artwork of Salvador Dali.
The first painting to catch my eye was the Virgin and Child with Saint Anne, which was painted by Albrecht Durer around 1519. The German artist lived from 1471 to 1528 and is considered by many the greatest German Renaissance artist of them all. Albrecht Durer used an oil medium on a wooden support to create this wonderful piece of art. The painting is a very realistic portrait of two women and a child depicting people in history. It is a portrait of Saint Anne with her daughter, the Virgin Mary, and the Christ Child.
31-40), there is a vast difference between his piece and Georges Seurat’s. Instead of using dots to create the effect for his piece, Van Gogh primarily uses small lined brush strokes heavy with paint giving a palpable appearance. Most visible is the predominant use of the color blue, ranging in different levels of intensity from a color so deep it appears to almost be black to the palest of blues, bordering on being white. Among these many shades of blues, yellow, white, black and a reddish brown are also visible. To balance the extravagant whirling skyscape located above the small village, Van Gogh includes in the foreground a large, gnarled looking tree, opposite side of the canvas to the imposing, glowing moon. Motion is noticeable within the sky, wherein the clouds and stars carry similar appearance to large waves. As though mimicking the movement from above, the mountains below follow along similar curvature as the clouds and stars, making it challenging for the viewer to determine where precisely the sky starts and the earth
Fayum portraits are remarkably life-like depictions of men, women, and children that were painted onto thin panels of canvas, linen, or wood and placed on top of the outer wrapping of a mummy. Though this moniker is geographically specific to denotes the discovery of a large concentration of portraits in the fertile Fayum region in the late 1880s, these works have been found all throughout Egypt, spanning from the Mediterranean coastal city of Marina el-Alamein to as far inland as Thebes. Though the archaeological background behind the Fayum mummy portraits lacks in extensive depth, the unique stylistic detailing and realism surrounding such portraiture presents a fusion of two traditions: Greco-Roman portrait painting and Egyptian funerary
...discovered, the background had been painted black, but when the painting was cleaned scientific analysis revealed that the copy was most likely painted by another artist who say beside Leonardo and copied his work brush-stroke by brush-stroke. (SmartHistory.com) In 2012 Museum officials announced that “It was almost certainly painted by one of Leonardo da Vinci's apprentices alongside the master himself as he did the original.” (Parveen)
James Joyce in his novel “A Portrait of the Artist as a Young Man” says “The object of the artist is the creation of the beautiful.” (134) For Stephen Dedalus after the reoccuring stream of consciousness throughout his youth, one of the factors of his creation into the artist is women. Indeed it is the women throughout the novel that shape Stephen into the man he finds himself becoming toward the end. Six women in particular that form specific functions in Stephens life are: Stephen’s mother, Eileen, Mercedes, the Virgin Mary, the prostitute, the birdlike woman by the water. These women affect and shape his character by loving him, inspiring him, and fascinating him.