Surrealism Essay

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Surrealism was a movement dedicated to political and personal liberation. Critically examine this statement with reference to the work of at least three photographers.

Surrealism is an art movement that began with Andre Breton in the 1920’s, and is still very prevalent today. It has spawned some of the world’s most mysterious and enigmatic works of art, from ‘The Persistance of Memory’ by Salvador Dali, to Joan Miro’s ‘Throwing a Stone at a Bird.’
Unlike Dadaism, Surrealism was not about angry young men and women who were disillusioned by the horrors of the 1st world war and a bourgeois society that did not care. Surrealism was a movement dedicated to ‘the exploration of the realm of the unconsciousness and the dream. They were seeking what might be called the language of the soul. For the surrealists, it was not so much a type of work as a spiritual orientation.’ (Waldberg, 1965)
Freudian theory played a massive role in the development and ideas of the surrealists, as it supported their belief in finding and freeing ‘the superior reality, and in getting to the unconscious part of the mind which was always guarded by the waking disciplined mind….. Like an undeveloped photograph, the contents of the mind are latent, speaking in a secret language that is private……Surrealism sought this secret language through the fixing of dream images into art.’ (Willette, 2011)
The Surrealist movement officially began in 1924 with Breton and his 1st Surrealism manifesto - The Manifeste de Surrealisme. The Manifesto was a collection of the hopes, and aspirations of a large number of young men, some already from the group Litterature, who were living the life that Breton was describing, and others who had come to join the new movement. Within the...

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...hin the essay he was distressed by the fact “that this pink region” was forever beyond his grasp.
Taylor also states the following. ‘In closing his essay, Bellmer took revenge on little girls for their unavailability, envisioning the manufacture of the doll in their image, which he probed’ “with aggressive fingers”, and captured rapaciously by his “concious gaze.” (Taylor, 2010)
Bellmer’s work encapsulated Surrealism. It was a true reflection of the man within. It gave him a channel for his disturbing appetites, and the internal darkness that threatened to envelop him. Without the outlet that Surrealism gave him, I find myself asking the question, would Bellmer have been able to control those urges that seem to have consumed him? Would he have been able to curb his sexual obsessions, or would he, as stated by himself, have found himself committing “sexual murder?”

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