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The Ancient Egyptian Burial Rite
The Ancient Egyptian Burial Rite
The Ancient Egyptian Burial Rite
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Fayum portraits are remarkably life-like depictions of men, women, and children that were painted onto thin panels of canvas, linen, or wood and placed on top of the outer wrapping of a mummy. Though this moniker is geographically specific to denotes the discovery of a large concentration of portraits in the fertile Fayum region in the late 1880s, these works have been found all throughout Egypt, spanning from the Mediterranean coastal city of Marina el-Alamein to as far inland as Thebes. Though the archaeological background behind the Fayum mummy portraits lacks in extensive depth, the unique stylistic detailing and realism surrounding such portraiture presents a fusion of two traditions: Greco-Roman portrait painting and Egyptian funerary
Looking at this Palette, it isn’t hard to see how the old Egyptian subjects were so entranced by their leaders and how that compares to our modern viewpoints. Where we view politicians and leaders as a wiry group, always keeping an eye on them lest today be the day they raise their daggers against us, the ancient Egyptians saw their leaders as infallible, godlike beings to be trusted, obeyed, and adored. Standing just over 2 feet tall and 1.4 feet wide, this Palette was carved out of a majestic shade of grey-green siltstone, almost shield-like in appearance. Both sides are exquisitely carved out, each one uniquely decorated but both sides containing a central serekh used to identify and in this case even confirm the subject as royalty. This serekh contains the symbols n’r and mr, which as you may have noticed, phonetically spell Narmer. These symbols are surrounded by two bovine heads, which could either represent the Goddess Hathor or Bat. The front s...
Egyptian culture didn’t truly begin until the third dynasty, which is grouped into a period called the Old Kingdom. Since then, it developed into a thriving culture that changed little, even with new leaders. This conveys a sense of order and cohesion that flows throughout the time of the Egyptians. I was fascinated by the continuity. Unlike the artists of today, Egyptian artists did not rebel against the conventions of their day. If the surviving art is any indication, they were content to follow the artistic practices of their time. During the New Kingdom, a painting called "Funeral Procession, Tomb of Pairy" was created. It is a depiction of a portion of the process of laying Pairy to rest. Harold Hays wrote an article called “Funerary
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
Living in the 19th century there wasn't a lot of women painters. Rosa Bonheur was one of the women painters in this century. Animals was mostly the subject matte she paints. Rosa was known for her realistic paintings.
The Egyptian Palette of Narmer includes four different sections, it also includes many different figures, some human like and others are different combinations of various animals.
The Egyptian culture was a culture that lasted about 3,000 years and was located near the Nile River. The Nile River provided most of the resources for the Egyptians; therefore, a lot of the artwork was based on representing these bountiful resources. Another major influence of the artwork that was created was the kings and gods that were held at such high standards (Stokstad and Cothren, 50). There is one king in particular that was known in history for his great accomplishments, this king was King Narmer. The Egyptian’s expressed their respect for this king through a palette known as The Palette of Narmer. This piece is one of the firsts of Egyptian times that sets the morals for Egyptian artwork; it was created in the Early Dynastic time period. The Palette of Narmer tells a vast political story of the history of Egypt and the king, King Narmer.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Ancient Egypt is a culture that lasted for thousands of years and with that came an abundance of art and artifacts that are still being examined today. Not much is exactly known about Ancient Egyptian culture but there are somethings that Archaeologist can infer about their culture. One piece that can shed some light onto the ancient Egyptians is the Palette of Narmer. The palette is intriguing both aesthetically and historically we will talk about both.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
W. Raymond Johnson, The Journal of Egyptian Archaeology, (1996), pp. 65-82, Date viewed 19th may, http://www.jstor.org/stable/pdfplus/3822115.pdf?&acceptTC=true&jpdConfirm=true
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
were 10 doors and at end there was a statue of Osiris, the god of the
Fischer, Henry George. Egyptian Women of the Old Kingdom and the Heracleopolitan Period. The Metropolitan Museum of Art, New York, New York. 1989
Both of these Egyptian’s have knee length white skirts that were belted at the waist along with big feet. They both have eyeliner around their black eyes along with emotionless expressions shown on their faces. The Egyptian worker on the left is leaning in a side stance with one foot in front of the other towards a tree a bit taller than him. The man also has a white mixed with gray covering on his head. His left hand is holding small box filled with flesh colored figs forming a pyramid. The woven yellow box the Egyptian is holding has small black rectangles on its bottom and top sides. A brown rope is used to hold the box like a basket. His right hand is grabbing a fig towards the middle of the tree near a baboon’s