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Effect of African traditional religion on Christianity
Influence of African religion on Christianity
Role of music in african communities
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One noticeable difference between (my knowledge of) popular Christianity in the U.S. and our current knowledge of African religions is the importance of the physical manifestation of its spirituality; this is most noticeably shown by the emphasis that many West African religions put on dancing, however it does share Christianity’s usage of music and singing as well. I must acknowledge that there are likely parts of Christianity that link similar practices to their religious experience, however their frequency seems to be lower in comparison. Albert J. Raboteau mentions that, in the Yoruba and Fon subsets, “the orisha and the vodun are called to take possession of their devotees by the songs and the drumming of of the cult group, each of the …show more content…
While they start to differ when diving into the specifics of what happens after death, both groups subscribe to the idea of humans having this inner connection to divinity, one that transcends their physical form and extends provides the idea of life after death. Christianity generally believes that deserving people are able to ascend to Heaven after death, the closest a normal, good spirit can get to God and Jesus. This closeness to a creator God is also reflected in many African religions, as many regard spirits as “ontologically ‘nearer’ to God: not ethically, but in terms of communication with Him” (Eastman, 480). Although there is a bit more diversity (based on specific beliefs) as to what the spirit does after death in these African religions, one core concept is that these spirits have become the closest that they could to their major deity, now treated as an intermediary between the living and God. One could even argue that this sometimes occurs in Christianity, where people will also speak to a deceased friend or relative in prayer in order to deliver a message to
In the display of Gullah song lyrics, Turner notes that the words were accompanied by handclapping, drumming, and dancing (256). While in Ghana I visited Nana Abass’ shrine of African traditional worship, where I was able to engage in spiritual service. The key component of the service was the dancing, singing, handclapping, and drumming. These methods were used to call in the presence of the spirits. Thus, one can assume that the combination of such elements in Gullah song is a spiritual
While studying the various cultural societies in Africa, one feature that stood out the most was that of rhythmic dependance and integration, particularly in the Ewe and Dagomba people. These two cultures, living not vastly far apart from one another geographically, both use drumming, dancing, and singing as a way to bring together their communities, fulfill spiritual practices and beliefs, and even instantiate individual power in their overall societal structures. Though they certainly have their own differences from one another, such as their overall uses for music and the acceptance of whom can even perform it, their similarities stuck out to me like a sore thumb.
To begin, most Africans have come from societies with traditional African religious backgrounds unrelated to Islam or Christianity. As a whole, African religious traditions combine belief in a Supreme Being with the worship of other gods and ancestors and use ritual and magic to mediate between human beings, nature, and the gods. In many African languages, there is no word for God, because in their tradition every thing and place embodies God. Many African religions have common tenets. They share a belief in a community of deities, the idea that ancestors serve as a way to communicate with these deities. They also share the belief...
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
Collins, John. “African Popular Music: A Historical review of Sub-Saharan Africa”. African Art, Traditional and Popular Music.com. 2002. Web. 06 May, 2014. http://aatpm.com/AfricanPopularMusicCollins.htm
One of the very first things taught in this class was the concept of the Qur'anic recitation. It is a practice reciting different passages in the Quran. Much to the frustration of those who take part in this practice, it is often mistaken for music by those who are not very familiar with the idea. Music in this culture, however, is considered a nonreligious thing and is thought to be “secular” and “profane”. I found this extremely different from music in Africa, for example, where music plays a huge role in religion. Praise dances are very common in West African cultures where music and religion go hand in hand. Music is most often present in worship and passage rites, as well.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
After reading The Next Christendom by Philip Jenkins I found that this book reminded me of a memorable passage from the movie Apollo Thirteen: a military man in the tense Houston control shares with a political figure his forewarning that the tragedy before will be the catastrophic moment for the space program Mission control flight chief Gene Kranz overhears their conversation and addresses it: 'With all due respect, gentleman, I believe this will be our finest hour.' This summarizes the book quiet well as the apparent demise of the western church (when the day comes) is forecasting on its fate over against the perceived adversaries of secularism and post-modernism. Jenkins reminds us that when view through a wide-screen lens so to speak, the inherent threat often yields to a broad outlook of opportunity, painting a clear picture of the future of Christianity in colors unaccustomed to American thinking, outlining the characteristics of the fast growing Christian churches that are outside of Western Europe and US. Jenkins also shows the possibility of conflicts between Christianity and other major religions (such as Islam or Hinduism). Speculating what affects this will have on established churches of having a Christian majority outside the west. The basic premise of this book I think is simply: the heart of Christendom has moved from the northern hemisphere to the southern hemisphere, what is surprising about this premise is that the northern hemisphere did not see the move, and still deny that it is moving.
We all have some experience with religion. Whether our parents are religious, our own religious views, or others who try and convert you to a religion, we have all come in contact with a religion. But what do sociology and religion have to do with each other? The answer to this question is that religion meets sociology in the affects that it has on an individual or society (Schaefer, Richard T, 2009, pg 323).
This paper is from a catholic feminist’s perceptive that the church, as an institution, is structured as a pyramid modeled on the patriarchal family with the custom of father-right. The patriarchal decision-maker has the power to shape, form and control the “poor of the world” (McCormick, pg. 240) mirroring the aspect of the conflict theory. The poor of the world are the people who work for the institution of the Church controlled by the patriarchal power elite. These established masses of people feel no control, which cause anxiety and they continue to perform their means of production as a formed unit. The power elite’s fear of being overthrown by the poor of the world is fueled with sheer determination and consistency to stay on top. In the article “Sociology and Sexuality” women and women’s sexuality is stated to be oppressed with the poor of the people and is examined through human rights, religious desacralization, religious sacralization, women’s human rights and social conditioning.
Today, Christianity and its practices vary depending on location and denomination. At its onset, however, Christianity was not as diverse and house churches driven by simplicity were the norm. How did such a variety of beliefs and ways of practicing the same religion? Part of this can be explained by the early attempts to Christianize the pagans of the unreached parts of Europe. As the movement grew, it began more structured and strategically organized for more effective ministry, eventually leading to the institutionalized Catholic Church. While Roman Christianity had become homogenous, the spread of the religion to other, more distant areas required change and adaptation. As Christian missionaries attempted to convert the rest of Europe, approaches to achieve this conversion varied from complete destruction of pagan culture, appeals to power, and the less violent, slow approach in which Christians assimilated the beliefs of the true religion into common practices. These different approaches led to the adaptation of Christianity to the cultural settings as it continued to expand.
Culture is a way of life that allows a diverse group of people to interrelate with one another. It is usually passed down from one generation to the next by communication and imitation. The term itself has a set definition, but it normally relates to the behavior, beliefs, values, and symbols that are accepted by a group of people. Culture can also be used to describe the time period and events in history. In the sense of what was deemed as popular during a specific stage in time and its impact on the culture surrounding it. Micro-historian have been dissecting and interpreting the meaning of popular culture and the courses of action that lead up to the events.
Shawn Mark. The Kingdom of God in Africa:: A Short History of Africa Christianity,(Grand Rapids: Baker
Dance was also a big part in the music of West Africa. Dance was performed at ceremonies surrounding fertility, death, worship, adulthood, and other kind of certain concerns of the village.
Since the beginning of humankind, there has been one common thread that ties together all cultures and religions of the world: an attempt to explain their origins. this holds true for the numerous religious groups existing on the African continent. In the absence of science, they resorted to creating stories to account for what they did not and could not understand. While similar in their basic design and theory, these stories varies greatly in their content and meaning. By studying them, much can be learned about the African people of the present and past.