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Essays on love poetry and how it resonates in the modern world
Essays on love poetry and how it resonates in the modern world
Essays on love poetry and how it resonates in the modern world
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The most preeminent quality of Sonia Sanchez “Ballad” remains the tone of the poem, which paints a didactic image. Sanchez is trying to tell this young people that we know nix about love as well as she is told old for it. In an unclear setting, the poem depicts a nameless young women and Sanchez engaged in a conversation about love. This poem dramatizes the classic conflict between old and young. Every old person believes they know more then any young person, all based on the fact that they have been here longer then all of us. The narrative voice establishes a tone of a intellectual understanding of love unraveling to the young women, what she comprehends to love is in fact not. With the opening of the poem Sanchez laughs at how sure the young women is about love: “forgive me if I laugh you are so sure about love” (1-2) by her statement, she seems content that the young women clearly does not …show more content…
know what she is talking about because she is too young: “you are so young” (3). The next line explains that all though she knows love very well she’s “too old to learn love” (4) Sanchez is enunciating that she knows all that is needed to know about love but at her age love is not a factor, passionate love no longer exist. The use of repetition of words in lines (2-4) helps to reinforce this the statement. In the next stanza she is recounting all of her experience with love.
She remembering what it felt like when it rain when she was in love which she describes as being an explosion. Imagery is used to compare love and “rain exploding in the air” (5-6), a miracle of nature that people that isn’t in love would never otherwise experience. She also express the texture of a blade of grass became factual to her because of the love she felt once upon a time: “the green grass excreting her green wax is love” (7-8) Sanchez uses personification in this line making the grass to appear human. She then goes into depth describing her encounter with a man: “ I fixed my body under his and went to sleep in love” (17-19) getting lost in his love “all trace of me was wiped away” (20-21). Sanchez is thinking back when she was young and what she felt when she was in love, contradicting herself. She keeps telling the young women “you are too young for love (11-12) but then remembers while thinking back on her experience with love that she was once young and in love, this is want you call
irony. In the final stanza Sanchez now realizing the similarities of what the young women feels to what she once felt, kind of apologizes for being so hard but still she’s sticking to what she said before: “forgive me if I smile young heiress of a naked dream you are so young and i too old to learn of love.” (22-25). This poem often used striking imagery and figures of speech to convey its message making a pose poem. She also used metaphor when describing how she felt when she was with her man in lines 20-21. Want Sanchez is trying to point is that many aren’t ready for love no matter the age.
Sonia Sanchez is an African-American writer regularly connected with the Black Arts Movement. She has composed over twelve books of poems, and in addition short stories, essays, plays, and kids' books. She was a beneficiary of 1993 Pew Fellowships in the Arts. In 2001, Sanchez was the recipient of the Robert Frost Medal for her poem and has been compelling to other African-American female artists, including Krista Franklin. Sanchez was born in Birmingham, Alabama, on September 9, 1934. Her mom died when Sanchez was just two years old, so she stayed with different family members for a while. One of those was her grandma, who passed when Sanchez was six. In 1943, she moved to Harlem to live with her dad, her sister, and her stepmother, who was
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
Admittedly, the first time I listened to Sonia Sanchez read her “Poem for Some Women” the words stung a bit. As her voice oscillates between a soothing and demanding tone, the topic shifts from a drug addicted mother to a child’s traumatic experience of rape and assault. Briefly put, in a desperate attempt to quell her addiction, the poem’s narrator trades her seven year old daughter in exchange for drugs. In the end, the child runs away from home. Despite its graphic imagery and poignant portrayal of both sexual assault and addiction, the poem is not criticizing the actions of the women it depicts.
El texto se puedo relacionar con el poema “Hombre pequeñito” porque compara el papel de una mujer con un canario encarcelado en una jaula. Al principio el canario quiere volar y saltar de la jaula; la mujer es el canario. Luego en la línea donde dice “digo pequeñito porque no me entiendes”, el hombre no entiende a la mujer porque ella quiere volar y no quiere estar enjaulada. Al final la mujer nomas ama el hombre durante media hora y nada más. El poema no tiene una rima específica, pero usa la anáfora de “hombre pequeñito” al principio de los versos. El poema también es una metáfora de la relación entre una mujer y un hombre, pero el hombre no sabe cómo tratarla. Este poema es muy feminista porque el hombre se llama pequeñito y se ve como un tonto, que nunca entenderá a la mujer. La autora Storni básicamente se burla del hombre.
In the world of teenagers everything seems to come and pass by so quickly. For instance the beginning of senior year. In Spite of being happy and excited were also generally nervous and anxious to see what our future holds. As senior year comes to an end, It then becomes as temporary as the summer sun but also the boundary of our life before we enter adulthood. Even then our future is still undefined.
Judith Ortiz Cofer’s use of diction had effectively implemented the dismissiveness behind an individual’s transition from childhood into adulthood, which had been the central meaning of the poem. Cofer’s uses a rather negative choice of wording in the first line of the poem that being, “My dolls have been put away like dead children”. As the poet decides to use the words “dead children” it brings a sense of gloominess upon the passage. Once the reader continues reading it appears that a connection can be made between the gloominess in the act of putting away the young girl’s dolls like “dead children” to her Quinceanera. Further Along the poem, the pessimism towards the act of maturing is found once again as the poet uses defeatist words such as “poison” when describing the fluids of her body that being blood. It seems that the young girl’s blood symbolizes her menstrual cycle, which effectively marks her entrance into womanhood. When describing the fluids of her body by using the word “poison” it creates a somber image of adulthood as she views her rite of passage as being toxicant. Ultimately, it seems that the poet’s use of diction provides the poem with a solemn tone which ultimately supplies the p...
Martin Espada’s poem is a tragic view of what people living in poverty were subjected to. Several lines of this poem, paint a horrific picture of their lives. As the poem progresses the tone changes to what his hopes and dreams were for the future of these people. The author wrote this to help other people be aware of the tragedies that have and could happen again.
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
Secondly, the viewpoint of the victim illustrates the perceived despair and loneliness caused by the purposeful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male-dominated society. Works Cited:..
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
...s poems publication. In `A un olmo seco', we discover references to the cemetery of Leonor's grave, and the beauty of new shoots set against the decay of the `olmo's' trunk, which evokes Machado's young wifr in her terminal condition. `A un olmo seco' is highlights the central theme of landscape and countryside, and through the physical description, Machado remembers his personal experience in Soria. The river Duero acts as a leitmotif for the cemetery where his wife was buried. In `Caminos' as Machado develops the theme of his displacement in Baeza, his mood is finally attributed to the loss of his wife. Landscape can be linked with inner emotional landscape. The landscape in this poem is ominous, violent and inflexible: "hendido por el rayo." Therefore, landscape acts as a way of revealing inner emotion and Spanish National character throughout the collection.
Julia Alvarez poems “Dusting”, “Ironing Their Clothes”, and “Sometimes the Words Are So Close” have the ability to be closely compared in regards to theme and the use of syntax to create a vivid feeling, and image. Alvarez also made use of literary devices such as cacophony, and figures of speech such as anaphora. These 3 poems are able to be analysed together because of the distinct use of the same underlying theme between these 3 poems, with that in mind, each of these poems are able to be analysed closely because all three discuss the feelings that overtake someone who is constantly told to keep quiet and out of the way.
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
Federico García Lorca’s poem “La casada infiel” depicts the story of a gypsy who makes love to a married woman on the shore of a river. When looking deeper into the poem, Lorca appears to provide a critical observation on the values of the conservative society at the time in which he lived. The woman, at her most basic reading, is treated as an object, elaborating on the sexist values in society at the time. Lorca addresses issues of sexism as well as issues of sexuality within society mainly through the poem’s sexist narrative voice, objectification of the female character and overriding sense of a lack of desire throughout the poem. His achievement to do so will be analysed throughout this commentary with particular attention to Lorca’s use of poetic techniques such as diction, personification and imagery.
The story told in “Beloved” contains a process of memorialization and change. In this process, the relationship between women is very important. Some relations are dominated by violence and hate, others are full of confidence and love. In those relationships rememory and storytelling are important factors, because the women get to know each other better by telling stories about the past. They get to know much more about each other, through which their relationship dóes change.