Admittedly, the first time I listened to Sonia Sanchez read her “Poem for Some Women” the words stung a bit. As her voice oscillates between a soothing and demanding tone, the topic shifts from a drug addicted mother to a child’s traumatic experience of rape and assault. Briefly put, in a desperate attempt to quell her addiction, the poem’s narrator trades her seven year old daughter in exchange for drugs. In the end, the child runs away from home. Despite its graphic imagery and poignant portrayal of both sexual assault and addiction, the poem is not criticizing the actions of the women it depicts. Rather, a “Poem for Some Women” can be interpreted to critique our culture's normalized practice of victim blaming. In essence, Sanchez rebukes this phenomenon by acknowledging the widely dismissed, complex causes of drug dependency and sexual abuse. Ultimately, the narratives of her …show more content…
Sanchez voices her fictional narrator with precipitous diction. As her tone fluctuates, she guides listeners into the narrator’s mind, granting them a second hand experience of the occurrence and aftermath of trauma. As the characters are humanized, they are recognized as victims of systemic violence rather than condemned and typified as weak or criminal. Finally, the consequences of addiction culminate when the child is sold, raped, and stripped of her sense of security. Surely, it would be absurd to hold her accountable for these acts. Accordingly, would it be fair to condemn her if her future mirrored that of her mothers? I would assume Sonia Sanchez to respond with a simple, “No.” Nevertheless, the practice of blaming or criminalizing victims occurs far more often then we would like to imagine. Indeed, minority group testimony is continually devalued, victims of abuse and assault are systematically silenced, and the egregiously common reality of trauma survivors is often
aloud because she is not the only one who is facing this problem aslo there is many people who
Sonia Sanchez is an African-American writer regularly connected with the Black Arts Movement. She has composed over twelve books of poems, and in addition short stories, essays, plays, and kids' books. She was a beneficiary of 1993 Pew Fellowships in the Arts. In 2001, Sanchez was the recipient of the Robert Frost Medal for her poem and has been compelling to other African-American female artists, including Krista Franklin. Sanchez was born in Birmingham, Alabama, on September 9, 1934. Her mom died when Sanchez was just two years old, so she stayed with different family members for a while. One of those was her grandma, who passed when Sanchez was six. In 1943, she moved to Harlem to live with her dad, her sister, and her stepmother, who was
According to the FBI, more than 75 percent of all murder victims are women, and more than 50 percent of the women are between the ages of 14 and 29 years old. A part of that statistic is Kitty Genovese,a murder victim who is the focus of an editorial, “The Dying Girl that No One Helped,” written by Loudon Wainwright. Kitty was a 28 year old woman who was brutally stabbed to death while on her way home from work. The woman, named Kitty Genovese, lived in a pleasant, welcoming, residential area, in New York. There was at least 38 witnesses that came forward, and they all heard her cries for help, but no one came to her aid. Wainwright effectively demonstrates how society has started turning a “blind-eye” toward problems that can endanger someone's
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
Many individuals strive to be the best and thrive in this world inhabited by seven billion people, by taking control over their own destiny. However, success requires a sacrifice of personal desires and ambitions at times which not a lot amongst us are willing to give. It is sooner or later that the temporary reformation fails and their true self resurfaces where they are back at where they began. A lot of us are unwillingly left to deal and live with these unfortunate circumstances. The impact that these events leave upon us is very significant and sometimes temporary. The poem, "The tent delivery woman's ride" by Wilmer Mills, and my own experience explains that the significant events negatively effect an individual's ability to determine
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
Bruce Dawe's purpose is to convey something about rape to the reader. Written from the perspective of a raped girl, his heart-rending poem shares her intense suffering and the terrible impact that rape can have on both the victim and the family. But most importantly, Dawe evocatively comments on the "glare of blindness" that is often shown towards those who have tragically been subjected to rape -and calls for more compassion and understanding from all.
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
The main character in “Woman Hollering Creek” is Cleόfilas Enriqueta DeLeόn Hernández, a woman who leaves her home in Mexico to marry a man, Juan Pedro Martinez Sánchez, in Texas. Flowing behind Cleόfilas’ new house in Texas, is a stream named Woman Hollering. Cleόfilas imagines her marriage to be filled with joy and love. To Cleόfilas’ surprise, Juan Pedro is a vile husband that is both physically and verbally abusive. Cisneros brings attention to a recurrent issue within the Chicana community. According to The University of Texas Health Science Center at San Antonio, “The majority of abused women, (75%) of Mexican-American women reported spousal abuse”
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary
Carmen Maria Machado has undeniably awakened the literary world with her impressive debut short story collection Her Body and Other Parties. The American short story author, eassyist, and critic published her masterpiece in 2017 in partner with Graywolf Press resulting in the clout associated with her already established name being amplified due Her Body and Other Parties unapologetically bold content. The short story collection dauntlessly presents itself right in front of the readers face demanding to be acknowledged with its genre defying content while simultaneously provoking necessary conversation about particular themes concerning the many plights of women. Machado also does well seamlessly incorporating non heteronormative relationships
...hich is about 238,000 people a year. Of all of these cases, 60% are never reported. A shocking two-thirds of these accounts of rape were committed by someone the person knew. As well as abuse, child abuse is an issue of today. About 70% of these children are under four years old about many never receive the help they need. There is also a tie between physical, sexual and emotional abuse in families that have a lower income of less than $1,500 a year. Over the last few years, abuse and murder have started to decrease, but they are no where closer to ending. However, while Joyce Carol Oates wrote a majority of her books from the 60’s to the 2000s, murder and abuse were at their peak. In reading Oates’s novels from this time period, one can see the real tragedy of so many Americans have faces, many who were unable to find a voice to express what was happening to them.
Throughout literature and truth there is always a steady progression of sexism and gender roles. A tradition of fathers passing it down to sons and them passing down to their sons and so on and so forth, however, the trend does not stop there, with women being taught to be docile and meek, while men provide, there is a mentality that is taught along with it. In The Color of Water, McBride's mother describes being raped by her father, the provider and protector of the household. She recalled, “Anytime he had a chance he’s try to get close to me or crawl into my bed with me and molest me… But it affected me in a lot of ways, what he did to me. I had very low self-esteem as a child, which i kept with me for many, many, years.” (McBride 43). Because
This creates a despair, of hopelessness and of downheartedness. The woman, on multiple occasions, wrote down, “And what can one do?” This lets the reader know that women as a whole were very oppressed in ...
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.