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Movie analysis inside out
Movie analysis inside out
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This movie begins by depicting a bright articulate young lawyer named Andrew Beckett at work. Then the scene rapidly changes to Andrew at an AIDS clinic. You know at this point that Andrew Beckett has AIDS and a horrifying future as you see scenes of men with hollow expressions, open sores and skeleton-like features. It becomes obvious that Andrew was not telling his boss or coworkers that he has AIDS. Later we discover that he concealed this disease because he was afraid of being fired and people’s fear of him as a sick gay man.
One night as he is working late, he is called to the Chief Executive’s office. The Chief bestows his confidence and trust in him by giving him the responsibility over a crucial case and announces his promotion as Senior Associate. After the announcement has been made one of the senior executives notices an AIDS lesion on Andrew’s forehead. He asks Andrew about it. Andrew was momentarily disturbed by the question then quickly explains that he had bumped his head. We find out later that this senior executive had a previous secretary who had AIDS and was aware of what AIDS lesions looked like. The camera focuses on this executive staring at Andrew suspiciously.
Nine days later Andrew’s health conditions worsens and he is seen covered with lesions. He is feverish, vomiting, etc. He works hard at home to conceal the severity of his illness. Even with his illness, he manages to pull the case documents together and is ready to go to court. His friends help...
The Outsiders is a book about Greasers And Socs. The Greasers are the poor east side kids they would wear their hair long and greasy and they will dress in blue jeans, T-shirts, or wear they shirttails out and wear a leather jacket and tennis shoes or boots. The Socs are the rich west side kids that worn nice clothes, drove nice cars, and had all the pretty lady’s. They both was gangs in Oklahoma. The Socs they would jump Greasers, wreck houses, and throw beer blasts for kicks.
the play. It looks at the person he is and the person he becomes. It
The Board of Directors at the hospital informed John Q. Archibald that his medical insurance would not cover the $250k heart transplant surgery, and if he could not come up with at least $75k, his son Michael will die. John Q. Archibald tried selling most of his belongings, filing an appeal with his insurance company, reaching out to the church, and going to the news, but he did not acquire enough money needed for the surgery. John Q. Archibald’s wife informed him that the hospital will be releasing their son to die at home, and she demands that he “does something.”
A Tale of Two Cities In every great novel, there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors, while others use seasons to show the contrast. Still, others go for the obvious and use characters.
The movie ‘Philadelphia’ explores prejudice against having AIDS [also being homosexual]. In the film, Andrew Beckett (played by Tom Hanks) is a lawyer with a huge opportunity as a lawyer in front of him. When he finds out he had AIDS he chose not to tell his firm mentor about either his disease or his sexual orientation. Andrew is fired for, as his firm members claim, ‘incompetence’ however we can see it is more. Andrew was fired because he had AIDS and was assumed gay (at this time AIDS was know the ‘gay disease’). The movie shows Andrews struggle to be treated equally.
The movie is about really big things, it’s a lot about modern-day ambition within an old business world. It’s about social interaction and primarily it’s about a big war. Two friends look to create something amazing that would impact the whole world, which eventually ends up breaking their friendship. Act 1 establishes Mark Zuckerberg (played by Jesse Eisenberg) in an Ordinary world, who gets dumped by his girlfriend (Rooney Mara) due to his behavior against her. Mark blogs about her girlfriend breaking up and referring her as “ a bitch” in his online blog. Later that night he picks up an idea to create a website called face match act 2 call to adventure (Vogler, 2007). Where female students are matched against each other based on their physical appearances. He sees this move as ‘payback’ of his girlfriend.
Andrew Beckett was a successful homosexual lawyer up until he was diagnosed with AIDS, where he was then fired. After his termination, Andrew seeks the help of another lawyer, Joe Miller, so that he can sue his old employers for wrongful termination. Miller’s feelings toward homosexuality and the AIDS disease are negative things that shouldn’t exist and each go hand in hand together. However, Miller decides to cast these beliefs to the side in order to defend Beckett in his case. An example of how Miller gave up personal comfort is when he met Beckett at a library while reading. Miller confronts Beckett about his case and learns Beckett still doesn’t have a lawyer and decides to assist. At this point in the movie, Miller decides that he must cast away his own beliefs and comforts in order to do what is right in society. When Miller sits down with Beckett to discuss his case this shows how he is now standing alone and interacting with a man who has a deadly disease, while others simply move away. This initial act of reaching out sets how Miller will act open-minded during the rest of the movie toward Beckett. Towards the end of the movie during the case Beckett is asked if the lesions on his face were visible at work, in which the lawyer representing Beckett’s old bosses hands him a mirror and the lesion on his face is barely visible. After this, Miller goes to the stand and asks Beckett to remove his shirt in order to show some lesions that were comparable to the ones on Beckett’s face at the time. This act shows how Miller has cast away all personal comfort and stood alone in order to bring justice to a man who has been wrongly terminated from his job; a termination that was not caused by poor performance or action, but simply because a man had the AIDS virus.
This movie shows the struggles of people with health insurance that have to pay an arm and leg to cover co-pay or the cost of the medications that is not covered under their health insurance. Within the first 20 minutes of the movie, you instantly become angry of what some of the people had
“And the Band Played On” was an HBO movie that illustrated the AIDS crisis in the 1980s and early 1990s. The movie touched on subjects concerning the reaction of the gay community, the heterosexual community, and the medical community. It showed not only the research in AIDS, but also the way that the US government dealt with it. The movie expressed the consequences the gay community suffered, the plight of the medical community in researching the disease, and the issue of government response to it.
The Classical Hollywood style, according to David Bordwell remains “bound by rules that set stringent limits on individual innovation; that telling a story is the basic formal concern.” Every element of the film works in the service of the narrative, which should be ideally comprehensible and unambiguous to the audience. The typical Hollywood film revolves around a protagonist, whose struggle to achieve a specific goal or resolve a conflict becomes the foundation for the story. André Bazin, in his “On the politique des auteurs,” argues that this particular system of filmmaking, despite all its limitations and constrictions, represented a productive force creating commercial art. From the Hollywood film derived transnational and transcultural works of art that evoked spectatorial identification with its characters and emotional investment into its narrative. The Philadelphia Story, directed by George Cukor in 1940, is one of the many works of mass-produced art evolving out of the studio system. The film revolves around Tracy Lord who, on the eve of her second wedding, must confront the return of her ex-husband, two newspaper reporters entering into her home, and her own hubris. The opening sequence of The Philadelphia Story represents a microcosm of the dynamic between the two protagonists Tracy Lord and C.K. Dexter Haven, played by Katherine Hepburn and Cary Grant. Through the use of costume and music, the opening sequence operates as a means to aesthetically reveal narrative themes and character traits, while simultaneously setting up the disturbance that must be resolved.
In his novel, A Tale of Two Cities, Charles Dickens explores the complex nature of mob mentality. He analyzes the build in momentum from a group of individuals to one single body. In order for this being to function, Dickens illustrates how the person loses his individuality to the crowd. He also shows how people get swept into the mob and commit crimes when under the crowd’s influence. This mental transformation parallels the change from mob to monster and the change from order to disorder. By giving the crowd animal characteristics, Dickens defines how this feral beast acts. These actions depict the growing chaos within the mob and its fickle behavior. The crowd is not so wild that it is uncontrollable as certain self appointed leaders emerge to direct it. These leaders, nevertheless, exploit this flaw of the mob’s terrifying qualities to incite more pandemonium while also following their agenda. As the novel progresses, Dickens accentuates the crowd’s tendency towards violence and bloodshed amidst the increasing disarray. To reinforce these characteristics throughout the novel, Di...
As the story begins, the unnamed doctor is introduced as one who appears to be strictly professional. “Aas often, in such cases, they weren’t telling me more than they had to, it was up to me to tell them; that’s why they were spending three dollars on me.” (par. 3) The doctor leaves the first impression that he is one that keeps his attention about the job and nothing out of the ordinary besides stating his impressions on the mother, father and the patient, Mathilda. Though he does manage to note that Mathilda has a fever. The doctor takes what he considers a “trial shot” and “point of departure” by inquiring what he suspects is a sore throat (par. 6). This point in the story, nothing remains out of the ordinary or questionable about the doctor’s methods, until the story further develops.
THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family
After a month of living at the clinic and going through countless numbers of surgeries, biopsy’s, and daily checkups, Caesar was ready to be placed into a temporary home. Dr. Twigg checked in with Caesar and his new family more often than not and everything was going smooth. Only three weeks in, Dr. Twigg checked on the family and Caesar couldn’t walk; the foster family had stopped giving him the medication needed to be able to function. Dr. Twigg brought Caesar back up to the clinic where he is still to this
In the movie Philadelphia, Tom Hanks plays a lawyer named Andrew Beckett., a homosexual with AIDS. Beckett believes the real reason his employer let him go was because of his sexual orientation and disease. He felt that he had been wrongfully let go and looks to Joe Miller to take his case. Miller is homophobic and initially declines Beckett’s case. Fortunately, Miller decides to take his case and ultimately helps Beckett win the case.